Studio portrait of composer Davorin Jenko Milan Jovanović Ana Djordjevic Karl Kaser Visualizing Family, Gender Relations, and the Body. The Balkans approx. 1860-1950: version 2.0.0 Karl Kaser principal investigator Ana Djordjevic editor Martina Scholger data modelling Suzana Sagadin data modelling Selina Galka data modelling Johannes Stigler data modelling Robert Pichler data correction P 22104-G18 Centre for Southeast European History, University Graz Department Centre for Information Modelling - Austrian Centre for Digital Humanities, University of Graz GAMS - Humanities’ Asset Management System Creative Commons BY 4.0 The licensing refers to the metadata Creative Commons BY-NC-SA 4.0 The licensing refers to the facsimile 2013 Graz, Austria o:vase.1490 Muzej Pozorišne Umetnosti Srbije Museum of Theater Art of Serbia I-1674 The collection Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950. (VIF) addresses (self-)representations of families and reflects on gender and generational hierarchies and the body in private and public photography and on postcards. It offers information on the origins and context of the production of these images, their utilization as well as the historical and socio-cultural conditions of their reception. VIF is part of the Visual Archive Southeastern Europe ( VASE ) which focuses on collecting historical and contemporary visuals from Southeastern Europe. VASE emphasizes the importance of images as primary sources and advocates for visual studies as a tool to augment traditional text-based research in history and anthropology. The archive offers a variety of images like photographs and postcards to foster a deeper understanding and reflection on Southeastern Europe's self-perception, catering to both scholars and the general public. URIs using the marcrelator prefix can be expanded to form URIs which retrieve the relevant reference from MARC relator termsa taxonomy describing the relationship between an agent and a bibliographic resource, published by the Library of Congress. URIs using the dcterms prefix can be expanded to form URIs which retrieve the relevant reference from DCMI Metadata Terms, provided by the Dublin Core Metadata Initiative. context is not an actual prefix, but a naming convention in GAMS - Humanities' Asset Management System. This means that it is not an acutal prefix, but we nevertheless use the prefixDef mechanism to explain that references starting with context are collections within the GAMS system. o is not an actual prefix, but a naming convention in GAMS - Humanities' Asset Management System. This means that it is not an acutal prefix, but we nevertheless use the prefixDef mechanism to explain that references starting with o are collections within the GAMS system. URIs using the ocm prefix can be expanded to form URIs which retrieve the relevant reference from the The Outline of Cultural Materials (OCM), first developed by G.P. Murdock in the 1940s. The OCM is an ethnographic classification system on human behavior, social life and customs, material culture, and human-ecological environments. Cultural Participation Total Culture Music Arts Musical and Theatrical Productions Commercialized Entertainment Personal Names Individuation and Mobility Status, Role, and Prestige Individuation and Mobility Social Stratification Marrige State Serbia Belgrade Belgrade 20.46513,44.80401 Data capture in Excel, data modelling, and transfer to TEI. Updating the data model from the semantic weak elements to specific elements for describing objects; intensive data correction, especially on dates, countries, place names, and geoname references. Version number of the edition added to the edition statement. Muzej Pozorišne Umetnosti Srbije Museum of Theater Art of Serbia I-1674 Half-length shot of a man sitting next to a piano. He is wearing a dark suit adorned with insignia of honor. Davorin Jenko (1835, Dvorje – 1914, Ljubljana) was a famous Slovene composer. He is sometimes considered the father of Slovenian national Romantic music. He also composed the Serbian national anthem, 'Bože pravde' ('God of Justice') and the former Slovenian national anthem 'Naprej, zastava Slave' ('Forward, Flag of Glory!'). In 1862, he moved to the town of Pančevo in southern Vojvodina, where he worked as the choirmaster of the local Serbian Orthodox church. He later moved to Belgrade on the other side of the Austrian-Serbian border. There he worked as a composer in the Serbian National Theatre. Jenko was among the first four members of the Academy of Arts of the Royal Serbian Academy of Sciences, appointed by King Milan I of Serbia on 5 April 1887. He lived in Serbia until 1897, when he moved to Ljubljana. He was married to Vela Nigrinova, one of the first grande dames of Serbian theatre. Postcard Not specified 137 87 Milan Jovanović Jovanović, Milan 1897 before Serbia Kingdom of Serbia Belgrade Jovanović, Milan Cultural Participation Total Culture Music Arts Musical and Theatrical Productions Commercialized Entertainment Personal Names Individuation and Mobility Status, Role, and Prestige Individuation and Mobility Social Stratification Marrige State Belgrade Serbia