Studio portrait of Zora Horstig and her sister Milan Jovanović Ana Djordjevic Karl Kaser Visualizing Family, Gender Relations, and the Body. The Balkans approx. 1860-1950: version 2.0.0 Karl Kaser principal investigator Ana Djordjevic editor Martina Scholger data modelling Suzana Sagadin data modelling Selina Galka data modelling Johannes Stigler data modelling Robert Pichler data correction P 22104-G18 Centre for Southeast European History, University Graz Department Centre for Information Modelling - Austrian Centre for Digital Humanities, University of Graz GAMS - Humanities’ Asset Management System Creative Commons BY 4.0 The licensing refers to the metadata Creative Commons BY-NC-SA 4.0 The licensing refers to the facsimile 2013 Graz, Austria o:vase.1142 Muzej Primenjene Umetnosti Museum of Applied Art 20166 The collection Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950. (VIF) addresses (self-)representations of families and reflects on gender and generational hierarchies and the body in private and public photography and on postcards. It offers information on the origins and context of the production of these images, their utilization as well as the historical and socio-cultural conditions of their reception. VIF is part of the Visual Archive Southeastern Europe ( VASE ) which focuses on collecting historical and contemporary visuals from Southeastern Europe. VASE emphasizes the importance of images as primary sources and advocates for visual studies as a tool to augment traditional text-based research in history and anthropology. The archive offers a variety of images like photographs and postcards to foster a deeper understanding and reflection on Southeastern Europe's self-perception, catering to both scholars and the general public. URIs using the marcrelator prefix can be expanded to form URIs which retrieve the relevant reference from MARC relator termsa taxonomy describing the relationship between an agent and a bibliographic resource, published by the Library of Congress. URIs using the dcterms prefix can be expanded to form URIs which retrieve the relevant reference from DCMI Metadata Terms, provided by the Dublin Core Metadata Initiative. context is not an actual prefix, but a naming convention in GAMS - Humanities' Asset Management System. This means that it is not an acutal prefix, but we nevertheless use the prefixDef mechanism to explain that references starting with context are collections within the GAMS system. o is not an actual prefix, but a naming convention in GAMS - Humanities' Asset Management System. This means that it is not an acutal prefix, but we nevertheless use the prefixDef mechanism to explain that references starting with o are collections within the GAMS system. URIs using the ocm prefix can be expanded to form URIs which retrieve the relevant reference from the The Outline of Cultural Materials (OCM), first developed by G.P. Murdock in the 1940s. The OCM is an ethnographic classification system on human behavior, social life and customs, material culture, and human-ecological environments. Clothing Clothing Manufacture Clothing Adornment Banking Finance Division of Labor by Gender Labor Business and Industrial Organization Personal Names Individuation and Mobility Status, Role, and Prestige Individuation and Mobility Social Stratification Familiy State Political Behavior Armed Forces Philanthropic Foundations Health and Welfare Gender Roles and Issues Serbia Belgrade Belgrade 20.46513,44.80401 Data capture in Excel, data modelling, and transfer to TEI. Updating the data model from the semantic weak elements to specific elements for describing objects; intensive data correction, especially on dates, countries, place names, and geoname references. Version number of the edition added to the edition statement. Muzej Primenjene Umetnosti Museum of Applied Art 20166 Half-length shot of two young women wearing white, floor-length dresses. One of them is sitting in a wooden armchair. She is embracing the other one, who is sitting on the floor, resting her left elbow in the seated woman's lap. Behind them there is a folding screen. Zora Horstig, née Pavlović, was the daughter of Mihajlo Pavlović, who was Governor of the National Bank and owned one of the largest Belgrade textile factories of the time. Zora's contemporaries used to call her 'Pretty Ms. Horstig'. She married Kosta Horstig, an artillery officer and descendant of an old Prussian family. Kosta's father, Paul von Horstig (Pavle Horstig), moved to Serbia after the Franco-Prussian War. There he became a representative of Krupp. Allegedly, he was also one of the founders of freemasonry in Serbia. Kosta and Zora had two daughters, one of them named Olga. The photograph is depicting Kosta's wife Zora and his sister Zorka. Photograph Not specified 210 135 Milan Jovanović Jovanović, Milan 1898-1900 Serbia Kingdom of Serbia Belgrade Jovanović, Milan Clothing Clothing Manufacture Clothing Adornment Banking Finance Division of Labor by Gender Labor Business and Industrial Organization Personal Names Individuation and Mobility Status, Role, and Prestige Individuation and Mobility Social Stratification Familiy State Political Behavior Armed Forces Philanthropic Foundations Health and Welfare Gender Roles and Issues Belgrade Serbia