Studio portrait of actress Zorka Todosić in character as 'Bettina', the mascotVisualizing Family, Gender Relations, and the Body. The Balkans approx. 1860-1950Ana DjordjeviceditorCentre for Southeast European History, University GrazCentre for Information Modelling in the Humanities, University Grazo:vase.1460Muzej Pozorišne Umetnosti SrbijeMuseum of Theater Art of SerbiaIII-243Special GarmentsClothingAdornmentMusicArtsDramaArtsMusical and Theatrical ProductionsCommercialized EntertainmentPersonal NamesIndividuation and MobilityStatus, Role, and PrestigeIndividuation and MobilitySocial StratificationGender Roles and IssuesSerbiaBelgradeBelgrade20.46513,44.80401PhotographPhotographer1896-1903MilanJovanovićJovanović, MilanFull-length shot of a woman dressed like a queen or a princess with a tiara and a big fan. She is standing on pillows of fur or fur rugs, looking down to the ground.Bettina, the mascot is the main character in the opéra comique 'La Mascotte' ('Maskota') by Edmond Audran. The French libretto was by Alfred Duru and Henri Charles Chivot. Zorka Todosić (1864–1936) was considered the grande dame of the Royal Serbian National Theatre in Belgrade.Not specifiedImperial238156SerbiaBelgrade