Vignetted studio portrait of a man with glassesVisualizing Family, Gender Relations, and the Body. The Balkans approx. 1860-1950Ana DjordjeviceditorCentre for Southeast European History, University GrazCentre for Information Modelling in the Humanities, University Grazo:vase.1207Muzej Primenjene UmetnostiMuseum of Applied Art22398ClothingRailway Equipment IndustryCaptial Goods IndustriesMachinesRailwaysLand TransportVisual ArtsArtsPersonal NamesIndividuation and MobilityStatus, Role, and PrestigeIndividuation and MobilitySocial StratificationScience and HumanitiesEducationSerbiaBelgradeBelgrade20.46513,44.80401PhotographPhotographer1890 beforeMilanJovanovićJovanović, MilanUpper body shot of a moustached man wearing glasses and a dark suit with a necktie.Photograph kept in photo album no. 22369, which belonged to the Zorić family. Svetozar Zorić (1853, Titel–1931, Belgrade) studied mechanical engineering and worked in Western Europe before returning to Serbia, where he became an Honorary Professor at the Technical University of Belgrade after working for the national railway company. He was very much interested in painting and encouraged his niece Nadežda Petrović and his daughter Milica Zorić in their artistic ambitions. Both became very famous artists.Not specifiedCarte de visite10767SerbiaBelgrade