Studio portrait of a coupleVisualizing Family, Gender Relations, and the Body. The Balkans approx. 1860-1950Ana DjordjeviceditorCentre for Southeast European History, University GrazCentre for Information Modelling in the Humanities, University Grazo:vase.1201Muzej Primenjene UmetnostiMuseum of Applied Art22371ClothingAdornmentRailway Equipment IndustryCaptial Goods IndustriesMachinesRailwaysLand TransportVisual ArtsArtsPersonal NamesIndividuation and MobilityStatus, Role, and PrestigeIndividuation and MobilitySocial StratificationScience and HumanitiesEducationGender Roles and IssuesSerbiaBelgradeBelgrade20.46513,44.80401PhotographPhotographer1890 afterMilanJovanovićJovanović, MilanHalf-length shot of a man and a woman. He is dressed in a dark suit with a necktie; she is wearing a dark, floor-length dress and holding a pair of gloves in front of her.Photograph kept in photo album no. 22369, which belonged to the Zorić family. Svetozar Zorić (1853, Titel–1931, Belgrade) studied mechanical engineering and worked in Western Europe before returning to Serbia, where he became an Honorary Professor at the Technical University of Belgrade after working for the national railway company. He was very much interested in painting and encouraged his niece Nadežda Petrović and his daughter Milica Zorić in their artistic ambitions. Both became very famous artists.Not specifiedCabinet160106SerbiaBelgrade