Outline of Cultural Materials
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Outline of Cultural Materials Show as Tagcloud
- 100 Orientation
- 110 Bibliography
- 120 Methodology
- 130 Geography
- 140 Human Biology
- 150 Behavior Processes and Personality
- 160 Demography
- 170 History and Culture Change
- 180 Total Culture
- 190 Language
- 200 Communication
- 210 Records
- 220 Food Quest
- 230 Animal Husbandry
- 240 Agriculture
- 250 Food Processing
- 260 Food Consumption
- 270 Drink, Drugs, and Indulgence
- 280 Leather, Textiles, and Fabrics
- 290 Clothing
- 300 Adornment
- 310 Exploitative Activities
- 320 Processing of Basic Materials
- 330 Building and Construction
- 340 Structures
- 350 Equipment and Maintenance of BLDGS
- 360 Settelments
- 370 Energy and Power
- 390 Captial Goods Industries
- 400 Machines
- 410 Tools and Appliances
- 420 Property
- 430 Exchange
- 440 Marketing
- 450 Finance
- 460 Labor
- 470 Business and Industrial Organization
- 480 Travel and Transportation
- 490 Land Transport
- 500 Water, Air, and Space Transportation
- 510 Living Standards and Routines
- 520 Recreation
- 530 Arts
- 540 Commercialized Entertainment
- 550 Individuation and Mobility
- 560 Social Stratification
- 570 Interpersonal Relations
- 590 Familiy
- 620 Community
- 640 State
- 650 Government Activities
- 660 Political Behavior
- 670 Law
- 690 Justice
- 700 Armed Forces
- 710 Military Technology
- 720 War
- 730 Social Problems
- 740 Health and Welfare
- 750 Sickness
- 760 Death
- 770 Religious Beliefs
- 780 Religious Practices
- 790 Ecclesiatical Organization
- 820 Ideas about Nature and Man
- 850 Infancy and Childhood
- 870 Education
- 880 Adolescene, Adulthood, and Old Age
- 890 Gender Roles and Issues
> 880 Adolescene, Adulthood, and Old Age
Number of entries found: 103
- Pupils and teachers of Plovdiv Girls' High SchoolKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Teachers and fifth grade students of Sofia's First Male High SchoolKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of an old manTopič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Katarina Hadži PopovićJovanović, AnastasCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a young manStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Scouts parading in BahçekapıunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
- Studio portrait of a woman in urban clothesKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of Rayna (Reni) KarastoyanovaKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Matchmaker (asikovanje)Schneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Children posing on the staircase of the Tayyare apartment buildingunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
- Portrait of an old Muslim manBožić, Đ.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Cadet Živojin Jov.Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Alija M. Akšamija in a ‘Bugatti’Akšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
- Studio portrait of Cadet Živojin Jov.Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a young woman wearing a 'zubun'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of the Hadzhikalchov familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a young manJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of Rayna (Reni) KarastoyanovaKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of LepaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Boy in town attireStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Group portrait of two men and a boyStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Young woman in town attire and 'libade'Stojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Krastina Batsarova-Zlatoustova's familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Konstantin A. Jovanović, architectStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a boy named VlaskojeJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of Bozhanka and Rayna KarastoyanovaKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Colonel Radivoje Bojović, his wife Bosiljka, their child and Bosiljka's siblings Zorka and Kosta HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of Dulaga ŽeherovićunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Tasa M. TerzibašićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Jovan NaumovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of a girlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Lujka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of Rayna KarastoyanovaKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Advertisement for the feature fikm ‘Selskaya uchitelnitsa’Collection BACI: Balkan Cinema
- An extended family photographKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a young manunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Outdoor group photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Class photo of course 4aBožić, Đ.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Lujka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Head shot of woman with elegant headgearJovanović, AnastasCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Lom high school graduatesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of Rayna Baldzhieva-KarastoyanovaKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Kuncho KutinchevKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of an old manunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Ana DespićSchädler, AntonCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Men and women dancing the traditional ring dance called "Horo"Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Vera Stambolova as a schoolgirlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a middle-aged man with a white moustacheJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Rayna Baldzhieva-KarastoyanovaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Melanija (Lenika) RiznićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of the family of Toplesh's priеstKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of the young man Bozhidar KarastoyanovBlaskov, BorisCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Bozhanka and Rayna Karastoyanovi on a tripKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a woman and a girlStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio photograph of Milan NikolićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Advertisement for the feature film ‘Yunost Masima’Collection BACI: Balkan Cinema
- Studio portrait of the Ankov familyKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Sofija NenadovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Zorka Vlajić with her children Božidar, Lujka and DanicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Dimitar KarastoyanovKarastoyanov, Dimitar Anastasov; Karastoyanova, Rayna BaldzhievaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a woman in dark elegant dressStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a poorly dressed old manLandau, AlexanderCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Teachers and pupils of the Second Girls' High School in SofiaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a poorly dressed old manTomlinović, StjepanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- "Sarajevo. Predimaret"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- IX. Congress delegates of the Bulgarian Teachers Social-Democratic OrganizationKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Teachers and students of the Second Girls' High School in SofiaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of an old peasantBožić, Đ.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Tasa M. TerzibašićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Ana M. JovanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Vignetted head and shoulder shot of a manKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Elderly woman holding a childStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Vignetted portrait of NatalijaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of an old manunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Group portrait of the Horstig and Bojović familiesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of a poorly dressed old manTomlinović, StjepanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of the sisters Nasta and Ljubica HristićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of three young menStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- "Sarajevo / Two Old Muslims At Coffee"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Nik. ManolovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- A traditional ring dance called "Horo"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Marija JovanovićJovanović, AnastasCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of an old Muslim man having coffeeKarahasanović, M.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Young lady in BaščaršijaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
- Studio portrait of Nikola Kolushki and his wifeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of three young women in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- A page from a family albumEmbah; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Mihail Kostentsev with his wife and siblingsKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of Vera Stambolova as a schoolgirlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Scouts parading in front of Istanbul UniversityunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
- Vignetted studio portrait of Ruža KapetanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of Rayna KarastoyanovaKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Lujka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Lujka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- DeathbedunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Cadet Živojin Jov.Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Konstantin A. Jovanović, architectStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of an old Muslim manBožić, Đ.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Vera Stambolova as a schoolgirlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Portrait of Alija M. Akšamija as an apprenticeCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
- Studio portrait of Vera Stambolova as a schoolgirlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
- Studio portrait of Lujka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.