Outline of Cultural Materials
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Outline of Cultural Materials Show as Tagcloud
- 100 Orientation
- 110 Bibliography
- 120 Methodology
- 130 Geography
- 140 Human Biology
- 150 Behavior Processes and Personality
- 160 Demography
- 170 History and Culture Change
- 180 Total Culture
- 190 Language
- 200 Communication
- 210 Records
- 220 Food Quest
- 230 Animal Husbandry
- 240 Agriculture
- 250 Food Processing
- 260 Food Consumption
- 270 Drink, Drugs, and Indulgence
- 280 Leather, Textiles, and Fabrics
- 290 Clothing
- 300 Adornment
- 310 Exploitative Activities
- 320 Processing of Basic Materials
- 330 Building and Construction
- 340 Structures
- 350 Equipment and Maintenance of BLDGS
- 360 Settelments
- 370 Energy and Power
- 390 Captial Goods Industries
- 400 Machines
- 410 Tools and Appliances
- 420 Property
- 430 Exchange
- 440 Marketing
- 450 Finance
- 460 Labor
- 470 Business and Industrial Organization
- 480 Travel and Transportation
- 490 Land Transport
- 500 Water, Air, and Space Transportation
- 510 Living Standards and Routines
- 520 Recreation
- 530 Arts
- 540 Commercialized Entertainment
- 550 Individuation and Mobility
- 560 Social Stratification
- 570 Interpersonal Relations
- 590 Familiy
- 620 Community
- 640 State
- 650 Government Activities
- 660 Political Behavior
- 670 Law
- 690 Justice
- 700 Armed Forces
- 710 Military Technology
- 720 War
- 730 Social Problems
- 740 Health and Welfare
- 750 Sickness
- 760 Death
- 770 Religious Beliefs
- 780 Religious Practices
- 790 Ecclesiatical Organization
- 820 Ideas about Nature and Man
- 850 Infancy and Childhood
- 870 Education
- 880 Adolescene, Adulthood, and Old Age
- 890 Gender Roles and Issues
740 Health and Welfare > 741 Philanthropic Foundations
Number of entries found: 48
Zorka Vlajić with a childJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pantelija Ž. JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zorka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actor Jevrem BožovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zorka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Ana and Pantelija JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Kosta and Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Dimitar MishevKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Kosta StojanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Andra GeorgevitchJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of Anastasia RaykovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Kosara Knez-MilojkovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ana JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Engagement portrait of Zora Pavlović and Kosta HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zorka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Stanislav BiničkiJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Maria Karakasheva and Elefteritsa ZolotovichKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Outdoor photograph of a girls' school classJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Katarina MilovukJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Ana and Pantelija JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of Radomir and Bosa Bojović and their daughtersJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of Zorka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Milorad ŠapčaninJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Teachers and pupils of the French boys' college "St. Augustin"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zora PavlovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group shot of the "Literary and artistic committee of the Royal National Theatre in Belgrade"Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Dr. NikolajevićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ana JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Colonel Radivoje Bojović, his wife Bosiljka, their child and Bosiljka's siblings Zorka and Kosta HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of writer Stevan SremacJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Maria N. DumdzhievaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ana and Pantelija JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Kosta StojanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ana JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Kosta Stojanović and his wife LjubicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zorka and Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zorka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zorka Vlajić with her children Božidar, Lujka and DanicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Ana and Pantelija JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Aleksandar Teodorov-BalanKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zora Horstig and her sisterJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of the Horstig and Bojović familiesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Hristo StanishevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Kosta StojanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zorka HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Red Cross headquarters in Süleyman Seba StreetunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.