Outline of Cultural Materials
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Outline of Cultural Materials Show as Tagcloud
- 100 Orientation
- 110 Bibliography
- 120 Methodology
- 130 Geography
- 140 Human Biology
- 150 Behavior Processes and Personality
- 160 Demography
- 170 History and Culture Change
- 180 Total Culture
- 190 Language
- 200 Communication
- 210 Records
- 220 Food Quest
- 230 Animal Husbandry
- 240 Agriculture
- 250 Food Processing
- 260 Food Consumption
- 270 Drink, Drugs, and Indulgence
- 280 Leather, Textiles, and Fabrics
- 290 Clothing
- 300 Adornment
- 310 Exploitative Activities
- 320 Processing of Basic Materials
- 330 Building and Construction
- 340 Structures
- 350 Equipment and Maintenance of BLDGS
- 360 Settelments
- 370 Energy and Power
- 390 Captial Goods Industries
- 400 Machines
- 410 Tools and Appliances
- 420 Property
- 430 Exchange
- 440 Marketing
- 450 Finance
- 460 Labor
- 470 Business and Industrial Organization
- 480 Travel and Transportation
- 490 Land Transport
- 500 Water, Air, and Space Transportation
- 510 Living Standards and Routines
- 520 Recreation
- 530 Arts
- 540 Commercialized Entertainment
- 550 Individuation and Mobility
- 560 Social Stratification
- 570 Interpersonal Relations
- 590 Familiy
- 620 Community
- 640 State
- 650 Government Activities
- 660 Political Behavior
- 670 Law
- 690 Justice
- 700 Armed Forces
- 710 Military Technology
- 720 War
- 730 Social Problems
- 740 Health and Welfare
- 750 Sickness
- 760 Death
- 770 Religious Beliefs
- 780 Religious Practices
- 790 Ecclesiatical Organization
- 820 Ideas about Nature and Man
- 850 Infancy and Childhood
- 870 Education
- 880 Adolescene, Adulthood, and Old Age
- 890 Gender Roles and Issues
> 720 War
Number of entries found: 176
"Le cantonnement de lʹartillerie Serbe en Albanie"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Georgi TodorovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of a LieutenantKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Stefan NerezovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Infantry battle. Historical re-enactment of the Battle of Shipka PassKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Danail NikolaevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of World War I Samaritan nursesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of Ivan KarastoyanovStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actor Milorad Petrović in character as 'Miloš Obilić' from the eponymous playJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Petar MarkovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Natalija JoksimovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Lieutenant TsankovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Executions As A Consequence Of The Sarajevo Assassination"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of three menKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Wrestling"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actor Milorad Petrović in character as 'Hajduk Veljko'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Advertisement for the feature film ‘Decision Before Dawn’Collection BACI: Balkan Cinema
Studio portrait of Ivan Karshovski, Panayot Hitov, and Ivan ZerdeliyskiStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Advertisement for the feature film ‘Ešalon doktora M.’Collection BACI: Balkan Cinema
"Artillerie serbe sur l'offensive à Novatsi"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of journalist Radoje RadojlovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
General Hristo PetrunovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The priests Petar Draganov and Petko Frangov, and Prodan TishkovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Yanko Draganov and his wife AnastasiaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Commemoration of the 25. Anniversary of the Liberation of Bulgaria"Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
ExecutionunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ivan SarafovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Prayer on St. Nikola peakKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"En AlbanieMarjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Le Dernier salut"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
ExecutionunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Manoeuvre on ShipkaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Yanko DraganovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Velika and Nikifor NikiforoviKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The brothers Bogdan and Bozhidar Karastoyanov and Captain N. PopovKarastoyanov, Bogdan Dimitrov; Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Count Nikolay IgnatievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Indoor portrait of Petar GrigorchevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Smoke in front of Yeni camiGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Military manoeuvreKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Le Drapeau du regiment"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Yanko DraganovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Medical orderlies carrying a wounded soldierKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"L'entrée triomphale de l'armée Serbe à Bitol"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
King Boris III and German officersKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Evacuating a gas victim on Beyazıt SquareGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Portrait of infant Simeon Borisov of Saxe-Coburg and GothaKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an officerStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Resting before the march on Adrianoplel"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Bulgarian volunteers in the Serbo-Bulgarian War 1885"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Colonel Radivoje Bojović, his wife Bosiljka, their child and Bosiljka's siblings Zorka and Kosta HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Bulgarian cavalrymen on a winter route"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Sava MutkurovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Opalchentsi-pobornitsi (volunteer combatant) in front of the monument of Bulgaria's National Hero Vasil LevskiKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nayco TsanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Konstantin RudanovskiKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Historical re-enactment of the Battle of Shipka Pass - infantry battle.Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nikola KorchevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Congress of opalchentsi-pobornitsi, Sofia 1921"Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of Georgi DanchovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio group portrait of Samaritan women from World War IKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Konstantin PanitsaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an in-law of Darinka and Svetozar Zorić'sJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Yanko DraganovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Officials in gas masks tend to a victimGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Studio portrait of Konstantin NikiforovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of men in military uniformsKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Bulgarian opalchentsi on the occasion of the 20th Anniversary of the Russo-Ottoman War of 1877–1878Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Yanko DraganovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Advertisement for the feature film ‘Viva Zapata’Collection BACI: Balkan Cinema
Infantry battleKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Yanko DraganovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Les Femmes de Yadar"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Group Of Interned Serbs From Bosnia And Herzegovina In Arad 1914/15"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Advertisement for movies starring Buster Keaton, Stan Laurel and Oliver HardyCollection BACI: Balkan Cinema
Military manoeuvreKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nikola PanovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
General Danail NikolaevKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nikola ZhelyavskiKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Olimpiy PanovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Neglected Turkish casualties"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Military ceremony on Shipka peakKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Re-enactment of the Battle of Shipka PassKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Mara Vučičević as a nurse during the Balkan WarsunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vladimir RadevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Popov as a soldierKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Prince Kiril of BulgariaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Choking on gasGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Studio portrait of Pjotr ParensovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Sava MirkovStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of women - wives of combatant-veterans from the Bulgarian Anti-Ottoman April Uprising 1876Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Rest before the battle."Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Georgi Draganov and relativesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Medical staff and prisoners of war at the "Alexandrovska Hospital"Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vasil RadoslavovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Advertisement for the feature film ‘Yego zovut Sukhe-Bator’Collection BACI: Balkan Cinema
Cavalry. Historical re-enactment of the Battle of Shipka PassKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Petr ParensovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
King Boris III and German officersKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Uniformed officials in gas masks pose in front of a gateGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
"Liomha – Pont sur la rivière 'Drima blanche' – Brouch"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vitomir A. Bogić playing 'Hamlet'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Bogdan FilovKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Advertisement for the feature film ‘Na granice’Collection BACI: Balkan Cinema
Studio portrait of Sava MutkurovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Stoyan Velichkov's familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a LieutenantKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
King Boris III and German officersKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of General Vladimir Vazov and Mara GoranovaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Members of the course for senior officers at the Bulgarian National ArmyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Advertisement for the feature film ‘Ešalon doktora M.’Collection BACI: Balkan Cinema
King Boris III and German officersKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Captain Pavel HristovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Public prayer in the grounds of the Shipka MonasteryKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of Major Mihail SavovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Todor MinkovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Artillery. Historical re-enactment of the Battle of the Shipka PassKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Advertisement for the movie ‘Force of Arms’Collection BACI: Balkan Cinema
Prince Kiril of BulgariaKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Egyptian army delegation visits anti-chemical attack manoeuvres in IstanbulGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Advertisement for the feature film ‘The Frogmen’Collection BACI: Balkan Cinema
Studio portrait of Arnold RemlingenKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Yordan VelchevKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Readiness for warunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of Colonel Stoyan DanailovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Two officials in gas masks riding a motorcycle with sidecar in BeyoğluGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Portrait of Yanko DraganovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pravoslav Kr. TenevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"L'attaque"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of the Horstig and Bojović familiesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Manoeuvre on ShipkaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Racho SlaveykovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Advertisement for the feature film ‘Go for Broke!’Collection BACI: Balkan Cinema
Portrait of Hristo LukovKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of Velichko Popov and a friendKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Earl Nikolay IgnatievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Military manoeuvreKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of King Petar I of SerbiaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"L'armee serbe en retraite sur Kossovo"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"The battle of Slivnitsa 1885"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of volunteer combatants at the Serbo-Bulgarian War in 1885Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Prince Kiril of BulgariaKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Johan EhrnroothStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vasil NikolchevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
General Danail Nikolaev and officersKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Historical re-enactment of the Battle of the Shipka PassKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Prince Kiril of BulgariaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of poet Ivo ĆipikoJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Anastas BenderevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of opalchentsi-pobornizi meaning "volunteer combatant" in the Russo-Ottoman War of 1877-1878, and volunteers in the Serbo-Bulgarian War in 1885Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Readiness For War In Bosnia 1912-1913. Communication Of Anticipated Troop Dispositions On Mount Vaganj Near Sarajevo."Buchwald, EmilCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Yanko DraganovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A staged scene of Bulgarian exiles in Ottoman prisonKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Three men in military uniformsKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Prince Kiril of BulgariaKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Prince (knyaz) Alexandr Mikhailovich Dondukov-KorsakovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Officers and soldiers in a fieldKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Military ceremony on Shipka peakKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Yanko DraganovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of D. NikolovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Parade march of "opalchenetsi-pobornizi" ("volunteer combatant")Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vasil KutinchevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Participants at a Samaritan training courseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Historical re-enactment of a manoeuvre on Shipka peakKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Military manoeuvreKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Montenegrin general, clan chief and writer Marko Miljanov PopovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Cabinet / Ministry of Ivan GeshovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the Popov familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Orlovo gnezdo mountain peakKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Konstantin NikiforovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vitomir A. Bogić in character as 'Hamlet'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nikola BakardzhievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Members of the Bulgarian Committee for Economical Assistance and Societal ForesightKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actress Aleksandra BojićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Earl Nikolay Ignatiev with officers and civiliansKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Health professionals from the Temporary Hospital during the Balkan War 1913Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.