University of Basel

Visual Archive Southeastern Europe

Outline of Cultural Materials

Confirm your selection by clicking the appropriate category.

Outline of Cultural Materials Show as Tagcloud

  1. 100 Orientation
  2. 110 Bibliography
  3. 120 Methodology
  4. 130 Geography
  5. 140 Human Biology
  6. 150 Behavior Processes and Personality
  7. 160 Demography
  8. 170 History and Culture Change
  9. 180 Total Culture
  10. 190 Language
  11. 200 Communication
  12. 210 Records
  13. 220 Food Quest
  14. 230 Animal Husbandry
  15. 240 Agriculture
  16. 250 Food Processing
  17. 260 Food Consumption
  18. 270 Drink, Drugs, and Indulgence
  19. 280 Leather, Textiles, and Fabrics
  20. 290 Clothing
  21. 300 Adornment
  22. 310 Exploitative Activities
  23. 320 Processing of Basic Materials
  24. 330 Building and Construction
  25. 340 Structures
  26. 350 Equipment and Maintenance of BLDGS
  27. 360 Settelments
  28. 370 Energy and Power
  29. 390 Captial Goods Industries
  30. 400 Machines
  31. 410 Tools and Appliances
  32. 420 Property
  33. 430 Exchange
  34. 440 Marketing
  35. 450 Finance
  36. 460 Labor
  37. 470 Business and Industrial Organization
  38. 480 Travel and Transportation
  39. 490 Land Transport
  40. 500 Water, Air, and Space Transportation
  41. 510 Living Standards and Routines
  42. 520 Recreation
  43. 530 Arts
  44. 540 Commercialized Entertainment
  45. 550 Individuation and Mobility
  46. 560 Social Stratification
  47. 570 Interpersonal Relations
  48. 590 Familiy
  49. 620 Community
  50. 640 State
  51. 650 Government Activities
  52. 660 Political Behavior
  53. 670 Law
  54. 690 Justice
  55. 700 Armed Forces
  56. 710 Military Technology
  57. 720 War
  58. 730 Social Problems
  59. 740 Health and Welfare
  60. 750 Sickness
  61. 760 Death
  62. 770 Religious Beliefs
  63. 780 Religious Practices
  64. 790 Ecclesiatical Organization
  65. 820 Ideas about Nature and Man
  66. 850 Infancy and Childhood
  67. 870 Education
  68. 880 Adolescene, Adulthood, and Old Age
  69. 890 Gender Roles and Issues

640 State > 648 International Relations

Show on Map Show on Map

Number of entries found: 63

  1. Speaker and representatives at the Twelfth Congress of the International Alliance of Women (IAW) in IstanbulPrint versionTEI versionSpeaker and representatives at the Twelfth Congress of the International Alliance of Women (IAW) in IstanbulGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  2. Infantry battle. Historical re-enactment of the Battle of Shipka PassPrint versionTEI versionInfantry battle. Historical re-enactment of the Battle of Shipka PassKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  3. Studio portrait of Arnoldo ZocchiPrint versionTEI versionStudio portrait of Arnoldo ZocchiKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  4. Group portrait of officersPrint versionTEI versionGroup portrait of officersKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  5. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  6. Studio portrait of Colonel Veliko KardzhievPrint versionTEI versionStudio portrait of Colonel Veliko KardzhievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  7. Prayer on St. Nikola peakPrint versionTEI versionPrayer on St. Nikola peakKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  8. Manoeuvre on ShipkaPrint versionTEI versionManoeuvre on ShipkaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  9. Studio portrait of Count Nikolay IgnatievPrint versionTEI versionStudio portrait of Count Nikolay IgnatievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  10. Studio portrait of Stela ZdravkovaPrint versionTEI versionStudio portrait of Stela ZdravkovaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  11. Russian officers and lecturers at the military school in SofiaPrint versionTEI versionRussian officers and lecturers at the military school in SofiaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  12. The National TheatrePrint versionTEI versionThe National TheatreKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  13. Bulgarian officers and General Mihail DragomirovPrint versionTEI versionBulgarian officers and General Mihail DragomirovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  14. Lecturers and students from Robert College Tsarigrad/IstanbulPrint versionTEI versionLecturers and students from Robert College Tsarigrad/IstanbulKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  15. Library/cultural club "Slavyanska beseda" /Slav Dialog/Print versionTEI versionLibrary/cultural club "Slavyanska beseda" /Slav Dialog/Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  16. Studio portrait of a man and three women in folk attirePrint versionTEI versionStudio portrait of a man and three women in folk attireStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  17. Historical re-enactment of the Battle of Shipka Pass - infantry battle.Print versionTEI versionHistorical re-enactment of the Battle of Shipka Pass - infantry battle.Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  18. Studio portrait of Nikola KorchevPrint versionTEI versionStudio portrait of Nikola KorchevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  19. A "living picture" - a birthday gift for Prince / Knyaz FerdinandPrint versionTEI versionA "living picture" - a birthday gift for Prince / Knyaz FerdinandKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  20. View of Sofia and the Lions' BridgePrint versionTEI versionView of Sofia and the Lions' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  21. Audience at the Twelfth Congress of the International Alliance of Women (IAW) in IstanbulPrint versionTEI versionAudience at the Twelfth Congress of the International Alliance of Women (IAW) in IstanbulGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  22. Bulgarian opalchentsi on the occasion of the 20th Anniversary of the Russo-Ottoman War of 1877–1878Print versionTEI versionBulgarian opalchentsi on the occasion of the 20th Anniversary of the Russo-Ottoman War of 1877–1878Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  23. Infantry battle: historical re-enactment of the Battle of Shipka PassPrint versionTEI versionInfantry battleKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  24. Studio portrait of a woman in folk costumePrint versionTEI versionStudio portrait of a woman in folk costumeStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  25. Teachers and pupils of the French boys' college "St. Augustin"Print versionTEI versionTeachers and pupils of the French boys' college "St. Augustin"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  26. King Boris III on a trainPrint versionTEI versionKing Boris III on a trainKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  27. Diplomatic corps in front of the CathedralPrint versionTEI versionDiplomatic corps in front of the CathedralGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  28. Military ceremony on Shipka peakPrint versionTEI versionMilitary ceremony on Shipka peakKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  29. Studio portrait of Georgi Zlatarski, Jovan Cvijić, and Dimitar IlkovPrint versionTEI versionStudio portrait of Georgi Zlatarski, Jovan Cvijić, and Dimitar IlkovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  30. Re-enactment of the Battle of Shipka PassPrint versionTEI versionRe-enactment of the Battle of Shipka PassKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  31. Studio portrait of the Georgov familyPrint versionTEI versionStudio portrait of the Georgov familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  32. Studio portrait of Pjotr ParensovPrint versionTEI versionStudio portrait of Pjotr ParensovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  33. Studio portrait of Konstantin Tranka as a boyPrint versionTEI versionStudio portrait of Konstantin Tranka as a boyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  34. Studio portrait of Petar GruevPrint versionTEI versionStudio portrait of Petar GruevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  35. Lions' BridgePrint versionTEI versionLions' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  36. Cavalry. Historical re-enactment of the Battle of Shipka PassPrint versionTEI versionCavalry. Historical re-enactment of the Battle of Shipka PassKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  37. Studio portrait of Petr ParensovPrint versionTEI versionStudio portrait of Petr ParensovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  38. "Fabric for cardboard and wrapping/brown paper Jaques-Vegeli, Kostenets-Banya."Print versionTEI version"Fabric for cardboard and wrapping/brown paper Jaques-Vegeli, Kostenets-Banya."Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  39. "The Sofia market"Print versionTEI version"The Sofia market"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  40. Studio portrait of Stefan BobchevPrint versionTEI versionStudio portrait of Stefan BobchevKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  41. Studio portrait of delegates to a Russo-Bulgarian conferencePrint versionTEI versionStudio portrait of delegates to a Russo-Bulgarian conferenceKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  42. Public prayer in the grounds of the Shipka MonasteryPrint versionTEI versionPublic prayer in the grounds of the Shipka MonasteryKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  43. Studio portrait of Todor MinkovPrint versionTEI versionStudio portrait of Todor MinkovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  44. Artillery. Historical re-enactment of the Battle of the Shipka PassPrint versionTEI versionArtillery. Historical re-enactment of the Battle of the Shipka PassKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  45. Prince Alexander of BattenbergPrint versionTEI versionPrince Alexander of BattenbergKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  46. Open market in GabrovoPrint versionTEI versionOpen market in GabrovoKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  47. Manoeuvre on ShipkaPrint versionTEI versionManoeuvre on ShipkaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  48. Studio portrait of General Kaulbars with Russian and Bulgarian officersPrint versionTEI versionStudio portrait of General Kaulbars with Russian and Bulgarian officersKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  49. Earl Nikolay IgnatievPrint versionTEI versionEarl Nikolay IgnatievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  50. Legue StreetPrint versionTEI versionLegue StreetKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  51. Participants at the Twelfth Congress of the International Alliance of Women (IAW) in IstanbulPrint versionTEI versionParticipants at the Twelfth Congress of the International Alliance of Women (IAW) in IstanbulGiz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  52. Portrait of Hachia [?]Print versionTEI versionPortrait of Hachia [?]Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  53. Otto Bieligk's HousePrint versionTEI versionOtto Bieligk's HouseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  54. Studio portrait of Božena (Bogdana) Jirásek HitevaPrint versionTEI versionStudio portrait of Božena (Bogdana) Jirásek HitevaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  55. Historical re-enactment of the Battle of the Shipka PassPrint versionTEI versionHistorical re-enactment of the Battle of the Shipka PassKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  56. Group portrait of lecturers and students from Robert college, Tsarigrad/IstanbulPrint versionTEI versionGroup portrait of lecturers and students from Robert college, Tsarigrad/IstanbulKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  57. Military ceremony on Shipka peakPrint versionTEI versionMilitary ceremony on Shipka peakKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  58. Speaker at the Twelfth Congress of the International Alliance of Women (IAW) in IstanbulPrint versionTEI versionSpeaker at the Twelfth Congress of the International Alliance of Women (IAW) in IstanbulGiz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  59. The Central Market Hall in SofiaPrint versionTEI versionThe Central Market Hall in SofiaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  60. Parade march of "opalchenetsi-pobornizi" ("volunteer combatant")Print versionTEI versionParade march of "opalchenetsi-pobornizi" ("volunteer combatant")Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  61. Historical re-enactment of a manoeuvre on Shipka peakPrint versionTEI versionHistorical re-enactment of a manoeuvre on Shipka peakKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  62. Portrait of Paul (Pavel) KaufmannPrint versionTEI versionPortrait of Paul (Pavel) KaufmannKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  63. Earl Nikolay Ignatiev with officers and civiliansPrint versionTEI versionEarl Nikolay Ignatiev with officers and civiliansKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.