University of Basel

Visual Archive Southeastern Europe

Outline of Cultural Materials

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  1. 100 Orientation
  2. 110 Bibliography
  3. 120 Methodology
  4. 130 Geography
  5. 140 Human Biology
  6. 150 Behavior Processes and Personality
  7. 160 Demography
  8. 170 History and Culture Change
  9. 180 Total Culture
  10. 190 Language
  11. 200 Communication
  12. 210 Records
  13. 220 Food Quest
  14. 230 Animal Husbandry
  15. 240 Agriculture
  16. 250 Food Processing
  17. 260 Food Consumption
  18. 270 Drink, Drugs, and Indulgence
  19. 280 Leather, Textiles, and Fabrics
  20. 290 Clothing
  21. 300 Adornment
  22. 310 Exploitative Activities
  23. 320 Processing of Basic Materials
  24. 330 Building and Construction
  25. 340 Structures
  26. 350 Equipment and Maintenance of BLDGS
  27. 360 Settelments
  28. 370 Energy and Power
  29. 390 Captial Goods Industries
  30. 400 Machines
  31. 410 Tools and Appliances
  32. 420 Property
  33. 430 Exchange
  34. 440 Marketing
  35. 450 Finance
  36. 460 Labor
  37. 470 Business and Industrial Organization
  38. 480 Travel and Transportation
  39. 490 Land Transport
  40. 500 Water, Air, and Space Transportation
  41. 510 Living Standards and Routines
  42. 520 Recreation
  43. 530 Arts
  44. 540 Commercialized Entertainment
  45. 550 Individuation and Mobility
  46. 560 Social Stratification
  47. 570 Interpersonal Relations
  48. 590 Familiy
  49. 620 Community
  50. 640 State
  51. 650 Government Activities
  52. 660 Political Behavior
  53. 670 Law
  54. 690 Justice
  55. 700 Armed Forces
  56. 710 Military Technology
  57. 720 War
  58. 730 Social Problems
  59. 740 Health and Welfare
  60. 750 Sickness
  61. 760 Death
  62. 770 Religious Beliefs
  63. 780 Religious Practices
  64. 790 Ecclesiatical Organization
  65. 820 Ideas about Nature and Man
  66. 850 Infancy and Childhood
  67. 870 Education
  68. 880 Adolescene, Adulthood, and Old Age
  69. 890 Gender Roles and Issues

> 570 Interpersonal Relations

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Number of entries found: 220

  1. Interior of kiraethane, club and reading room for MuslimsPrint versionTEI versionInterior of kiraethane, club and reading room for MuslimsunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  2. Studio portrait of Stefan NerezovPrint versionTEI versionStudio portrait of Stefan NerezovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  3. The billiard room in the Club House (Društveni dom)Print versionTEI versionThe billiard room in the Club House (Društveni dom)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  4. Studio portrait of actor Jevrem BožovićPrint versionTEI versionStudio portrait of actor Jevrem BožovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  5. Group portrait of the board of the Croatian Cultural Association "Napredak"Print versionTEI versionGroup portrait of the board of the Croatian Cultural Association "Napredak"Lisac, IvicaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  6. Studio portrait of a woman and a of baby in a christening gownPrint versionTEI versionStudio portrait of a woman and a of baby in a christening gownJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  7. Studio portrait of Ivan KarastoyanovPrint versionTEI versionStudio portrait of Ivan KarastoyanovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  8. Portrait of the Franciscan padre Vladimir and a Catholic couplePrint versionTEI versionPortrait of the Franciscan padre Vladimir and a Catholic coupleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  9. Studio portrait of Petar MishaykovPrint versionTEI versionStudio portrait of Petar MishaykovStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  10. Studio portrait of merchant Jovan Pačić and his daughter BosaPrint versionTEI versionStudio portrait of merchant Jovan Pačić and his daughter BosaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  11. Portrait of a schoolgirlPrint versionTEI versionPortrait of a schoolgirlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  12. Studio portrait of Bulgarian officers from the Sofia Military CourtPrint versionTEI versionStudio portrait of Bulgarian officers from the Sofia Military CourtKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  13. Herzegovinian supreme commander (serdar)Print versionTEI versionHerzegovinian supreme commander (serdar)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  14. Group portrait of three menPrint versionTEI versionGroup portrait of three menKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  15. "Sarajevo / Turkish Coffee - Breakfast"Print versionTEI version"Sarajevo / Turkish Coffee - Breakfast"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  16. "Wrestling"Print versionTEI version"Wrestling"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  17. No. 31: Studio portrait of a young man in military uniformPrint versionTEI versionNo. 31Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  18. Horse marketPrint versionTEI versionHorse marketunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  19. Studio portrait of a man in a uniformPrint versionTEI versionStudio portrait of a man in a uniformStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  20. Studio portrait of Rayna Mihaylovska with two girlfriendsPrint versionTEI versionStudio portrait of Rayna Mihaylovska with two girlfriendsKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  21. Studio portrait of Ivan KarastoyanovPrint versionTEI versionStudio portrait of Ivan KarastoyanovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  22. No. 52: Studio portrait of the married couple Krastyo and Radka KrasteviPrint versionTEI versionNo. 52Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  23. Studio portrait of Milorad Gavrilović, Milorad Petrović and Janko VeselinovićPrint versionTEI versionStudio portrait of Milorad Gavrilović, Milorad Petrović and Janko VeselinovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  24. "Laughing Bosniaks"Print versionTEI version"Laughing Bosniaks"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  25. Group shot of artists celebrating Davorin Jenko's birthdayPrint versionTEI versionGroup shot of artists celebrating Davorin Jenko's birthdayJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  26. Studio portrait of M. PetrovPrint versionTEI versionStudio portrait of M. PetrovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  27. Herzegovinian supreme commanders (serdari)Print versionTEI versionHerzegovinian supreme commanders (serdari)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  28. Herzegovinian supreme commanders (serdari)Print versionTEI versionHerzegovinian supreme commanders (serdari)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  29. Group portrait of men around a tablePrint versionTEI versionGroup portrait of men around a tableJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  30. Studio portrait of Prince Alexander Karađorđević and his teacher Lujo VojnovićPrint versionTEI versionStudio portrait of Prince Alexander Karađorđević and his teacher Lujo VojnovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  31. Celebrating the Day of RosesPrint versionTEI versionCelebrating the Day of RosesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  32. The brothers Bogdan and Bozhidar Karastoyanov and Captain N. PopovPrint versionTEI versionThe brothers Bogdan and Bozhidar Karastoyanov and Captain N. PopovKarastoyanov, Bogdan Dimitrov; Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  33. Studio portrait of Cadet Živojin Jov.Print versionTEI versionStudio portrait of Cadet Živojin Jov.Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  34. Group portrait of three menPrint versionTEI versionGroup portrait of three menKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  35. Ramadan drummer followed by childrenPrint versionTEI versionRamadan drummer followed by childrenGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  36. Ramadan musicians collecting bahşişPrint versionTEI versionRamadan musicians collecting bahşişGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  37. Portrait of Maria Luisa with one of her four childrenPrint versionTEI versionPortrait of Maria Luisa with one of her four childrenKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  38. Studio portrait of the Hadzhikalchov familyPrint versionTEI versionStudio portrait of the Hadzhikalchov familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  39. Studio portrait of LjubicaPrint versionTEI versionStudio portrait of LjubicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  40. Studio portrait of Maria VasilevaPrint versionTEI versionStudio portrait of Maria VasilevaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  41. Interned members of the secret organisation "Srpsko-Hrvatske nacionalističke omladine" (Serbo-Croatian National Youth)Print versionTEI versionInterned members of the secret organisation "Srpsko-Hrvatske nacionalističke omladine" (Serbo-Croatian National Youth)unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  42. Serbian peasantsPrint versionTEI versionSerbian peasantsSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  43. Group portrait of two men and a boyPrint versionTEI versionGroup portrait of two men and a boyStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  44. Emperor Francis Joseph in MostarPrint versionTEI versionEmperor Francis Joseph in MostarTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  45. Studio portrait of Dimitar RizovPrint versionTEI versionStudio portrait of Dimitar RizovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  46. Studio portrait of Sava and DanicaPrint versionTEI versionStudio portrait of Sava and DanicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  47. Outdoor photograph of a group of court marshals and men in civic clothesPrint versionTEI versionOutdoor photograph of a group of court marshals and men in civic clothesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  48. Studio portrait of an officerPrint versionTEI versionStudio portrait of an officerStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  49. Studio portrait of Georgi KardzhievPrint versionTEI versionStudio portrait of Georgi KardzhievKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  50. Studio portrait of Hristo PavlovPrint versionTEI versionStudio portrait of Hristo PavlovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  51. Studio portrait of Artillery Lieutenant Dragutin K. KušakovićPrint versionTEI versionStudio portrait of Artillery Lieutenant Dragutin K. KušakovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  52. Studio portrait of Jovan Cvijić, Georgi Zlatarski, and Dimitar IlkovPrint versionTEI versionStudio portrait of Jovan Cvijić, Georgi Zlatarski, and Dimitar IlkovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  53. Group portrait of officers and teachers from the Military School in SofiaPrint versionTEI versionGroup portrait of officers and teachers from the Military School in SofiaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  54. Group of young men in a zoological cabinetPrint versionTEI versionGroup of young men in a zoological cabinetTopič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  55. Studio portrait of Sava Todorović, Milorad Petrović and photographer Milan JovanovićPrint versionTEI versionStudio portrait of Sava Todorović, Milorad Petrović and photographer Milan JovanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  56. Portrait of two schoolgirlsPrint versionTEI versionPortrait of two schoolgirlsKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  57. Rayna Karastoyanova with a classmatePrint versionTEI versionRayna Karastoyanova with a classmateKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  58. Wedding portrait of Ana and Pantelija JurišićPrint versionTEI versionWedding portrait of Ana and Pantelija JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  59. Group portrait of the members of the tourist association "Friends of Nature" ("Prijatelji Prirode")Print versionTEI versionGroup portrait of the members of the tourist association "Friends of Nature" ("Prijatelji Prirode")unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  60. Herzegovinian supreme commanders (serdari)Print versionTEI versionHerzegovinian supreme commanders (serdari)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  61. Group of peoplePrint versionTEI versionGroup of peopleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  62. Studio portrait of Prince Ferdinand I.Print versionTEI versionStudio portrait of Prince Ferdinand I.Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  63. Studio portrait of Tona HadžićPrint versionTEI versionStudio portrait of Tona HadžićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  64. Dimitar RizovPrint versionTEI versionDimitar RizovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  65. Studio portrait of Konstantin RudanovskiPrint versionTEI versionStudio portrait of Konstantin RudanovskiKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  66. Studio portrait of Lujka VlajićPrint versionTEI versionStudio portrait of Lujka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  67. Group portrait of Professor Milenko Vesnić, Professor Slobodan Jovanović and another manPrint versionTEI versionGroup portrait of Professor Milenko Vesnić, Professor Slobodan Jovanović and another manJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  68. Studio portrait of a man and two childrenPrint versionTEI versionStudio portrait of a man and two childrenStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  69. Mounted police confront protesters on Yeniçeriler CaddesiPrint versionTEI versionMounted police confront protesters on Yeniçeriler CaddesiGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  70. Portrait of Bulgarian tradesmen, students and a priest in Belgrade in 1876Print versionTEI versionPortrait of Bulgarian tradesmen, students and a priest in Belgrade in 1876Stojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  71. Group of Romani peoplePrint versionTEI versionGroup of Romani peopleunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  72. Studio portrait of stage actors Velja Miljković and Milorad GavrilovićPrint versionTEI versionStudio portrait of stage actors Velja Miljković and Milorad GavrilovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  73. Studio portrait of Desanka ĐorđevićPrint versionTEI versionStudio portrait of Desanka ĐorđevićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  74. Interior of kiraethane, club and reading room for MuslimsPrint versionTEI versionInterior of kiraethane, club and reading room for MuslimsunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  75. Studio portrait of Bishop Dositey SamokovskiPrint versionTEI versionStudio portrait of Bishop Dositey SamokovskiKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  76. Outdoor group photographPrint versionTEI versionOutdoor group photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  77. Studio portrait of MicaPrint versionTEI versionStudio portrait of MicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  78. Ice skatingPrint versionTEI versionIce skatingKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  79. Studio portrait of four men in urban clothesPrint versionTEI versionStudio portrait of four men in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  80. Portrait of a manPrint versionTEI versionPortrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  81. Bulgarian opalchentsi on the occasion of the 20th Anniversary of the Russo-Ottoman War of 1877–1878Print versionTEI versionBulgarian opalchentsi on the occasion of the 20th Anniversary of the Russo-Ottoman War of 1877–1878Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  82. Studio portrait of Bogdan PopovićPrint versionTEI versionStudio portrait of Bogdan PopovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  83. Studio group portrait of Ivan Geshov, Georgi Yankolov, Haralampi Sarmadzhiev and Evlogii PulevPrint versionTEI versionStudio group portrait of Ivan Geshov, Georgi Yankolov, Haralampi Sarmadzhiev and Evlogii PulevKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  84. Portrait of a couplePrint versionTEI versionPortrait of a coupleStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  85. Ice skatingPrint versionTEI versionIce skatingKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  86. Studio portrait of Kuncho KutinchevPrint versionTEI versionStudio portrait of Kuncho KutinchevKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  87. Studio portrait of Princess Jelena of SerbiaPrint versionTEI versionStudio portrait of Princess Jelena of SerbiaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  88. Sabre-swinging mounted police surrounded by protesters, Taksim Square 1933Print versionTEI versionSabre-swinging mounted police surrounded by protesters, Taksim Square 1933Görgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  89. Vignetted portrait of a man in town attirePrint versionTEI versionVignetted portrait of a man in town attireJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  90. Studio portrait of DragicaPrint versionTEI versionStudio portrait of DragicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  91. Studio portrait of Ivan Karastoyanov with a friendPrint versionTEI versionStudio portrait of Ivan Karastoyanov with a friendKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  92. Teachers and pupils of the French boys' college "St. Augustin"Print versionTEI versionTeachers and pupils of the French boys' college "St. Augustin"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  93. No. 53: Studio portrait of Kosta ArsenievPrint versionTEI versionNo. 53Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  94. Street scene in BaščaršijaPrint versionTEI versionStreet scene in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  95. Studio portrait of Dimitar YablanskiPrint versionTEI versionStudio portrait of Dimitar YablanskiKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  96. Group portrait of five men playing cardsPrint versionTEI versionGroup portrait of five men playing cardsJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  97. Members of the Military Court Departement of the Bulgarian Ministry of WarPrint versionTEI versionMembers of the Military Court Departement of the Bulgarian Ministry of WarKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  98. Studio portrait of Spas VatsovPrint versionTEI versionStudio portrait of Spas VatsovStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  99. Wedding portrait of Ruža and MilošPrint versionTEI versionWedding portrait of Ruža and MilošJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  100. Studio portrait of a familyPrint versionTEI versionStudio portrait of a familyJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  101. Studio portrait of Georgi Zlatarski, Jovan Cvijić, and Dimitar IlkovPrint versionTEI versionStudio portrait of Georgi Zlatarski, Jovan Cvijić, and Dimitar IlkovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  102. Studio portrait of Melanija (Lenika) RiznićPrint versionTEI versionStudio portrait of Melanija (Lenika) RiznićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  103. Emperor Francis Joseph in MostarPrint versionTEI versionEmperor Francis Joseph in MostarTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  104. Portrait of a man and a womanPrint versionTEI versionPortrait of a man and a womanJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  105. Studio portrait of Vladimir RadevPrint versionTEI versionStudio portrait of Vladimir RadevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  106. Studio portrait of a woman and a childPrint versionTEI versionStudio portrait of a woman and a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  107. Studio portrait of Popov as a soldierPrint versionTEI versionStudio portrait of Popov as a soldierKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  108. Leisure activitiesPrint versionTEI versionLeisure activitiesunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  109. Contested Republican Monument during student demonstration 1933Print versionTEI versionContested Republican Monument during student demonstration 1933Görgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  110. Studio portrait of Grigor Vasilev and his first fiancée Sofia ValchanovaPrint versionTEI versionStudio portrait of Grigor Vasilev and his first fiancée Sofia ValchanovaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  111. Studio portrait of two men in urban clothesPrint versionTEI versionStudio portrait of two men in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  112. "Rest before the battle."Print versionTEI version"Rest before the battle."Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  113. Studio portrait of six young womenPrint versionTEI versionStudio portrait of six young womenKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  114. Studio portrait of a woman and a girlPrint versionTEI versionStudio portrait of a woman and a girlStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  115. Studio portrait of Georgi Draganov and relativesPrint versionTEI versionStudio portrait of Georgi Draganov and relativesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  116. Studio portrait of Tona HadžićPrint versionTEI versionStudio portrait of Tona HadžićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  117. Group portrait of a woman and two young childrenPrint versionTEI versionGroup portrait of a woman and two young childrenKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  118. Herzegovinian supreme commanders (serdari) with commanders from the Austro-Hungarian armyPrint versionTEI versionHerzegovinian supreme commanders (serdari) with commanders from the Austro-Hungarian armyTopič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  119. Studio portrait of three young womenPrint versionTEI versionStudio portrait of three young womenKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  120. Studio portrait of a woman with babyPrint versionTEI versionStudio portrait of a woman with babyJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  121. Group of peoplePrint versionTEI versionGroup of peopleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  122. Studio portrait of OlgaPrint versionTEI versionStudio portrait of OlgaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  123. Studio portrait of Sofija NenadovićPrint versionTEI versionStudio portrait of Sofija NenadovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  124. Wedding portrait of Ana and Pantelija JurišićPrint versionTEI versionWedding portrait of Ana and Pantelija JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  125. Studio portrait of Anastas KarastoyanovPrint versionTEI versionStudio portrait of Anastas KarastoyanovStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  126. Studio portrait of Ana Genčić with her sonPrint versionTEI versionStudio portrait of Ana Genčić with her sonJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  127. Studio portrait of Second Lieutenant BalchevPrint versionTEI versionStudio portrait of Second Lieutenant BalchevKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  128. Upper body shot of Todor PopovićPrint versionTEI versionUpper body shot of Todor PopovićStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  129. Studio portrait of Olga KalmansonPrint versionTEI versionStudio portrait of Olga KalmansonKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  130. Protesters on Taksim SquarePrint versionTEI versionProtesters on Taksim SquareGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  131. Wedding portrait of Ana and Pantelija JurišićPrint versionTEI versionWedding portrait of Ana and Pantelija JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  132. Studio portrait of a young teacher and her studentsPrint versionTEI versionStudio portrait of a young teacher and her studentsJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  133. Little girl watches Ramadan drummerPrint versionTEI versionLittle girl watches Ramadan drummerGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  134. Participants of the Sokol Serbian teachers' coursePrint versionTEI versionParticipants of the Sokol Serbian teachers' courseunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  135. Group portrait of five men in urban clothesPrint versionTEI versionGroup portrait of five men in urban clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  136. Studio portrait of Dragan Tsankov and Aleksander LyudskanovPrint versionTEI versionStudio portrait of Dragan Tsankov and Aleksander LyudskanovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  137. Portrait of a group of four peoplePrint versionTEI versionPortrait of a group of four peopleKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  138. Studio portrait of a young couplePrint versionTEI versionStudio portrait of a young coupleJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  139. Dancing KoloPrint versionTEI versionDancing KoloSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  140. Studio portrait of Tasa M. TerzibašićPrint versionTEI versionStudio portrait of Tasa M. TerzibašićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  141. Group portrait from a tour in the naturePrint versionTEI versionGroup portrait from a tour in the natureKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  142. Young people in folk attirePrint versionTEI versionYoung people in folk attireKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  143. Group of peoplePrint versionTEI versionGroup of peopleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  144. Studio portrait of Nikola Mihov, Dr. Racho Angelov and Dr. Petar TsonchevPrint versionTEI versionStudio portrait of Nikola Mihov, Dr. Racho Angelov and Dr. Petar TsonchevKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  145. Studio portrait of Kesariy Popvasilev (Rilets)Print versionTEI versionStudio portrait of Kesariy Popvasilev (Rilets)Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  146. Studio portrait of actress Desanka Đorđević in character from the play "Mam'zelle Nitouche"Print versionTEI versionStudio portrait of actress Desanka Đorđević in character from the play "Mam'zelle Nitouche"Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  147. The Turkish Room in the Club House (Društveni dom)Print versionTEI versionThe Turkish Room in the Club House (Društveni dom)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  148. Nun Evgenia and schoolmatesPrint versionTEI versionNun Evgenia and schoolmatesStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  149. Studio portrait of Maria Karakasheva and Elefteritsa ZolotovichPrint versionTEI versionStudio portrait of Maria Karakasheva and Elefteritsa ZolotovichKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  150. Ramadan drummers in the mahallaPrint versionTEI versionRamadan drummers in the mahallaGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  151. Studio portrait of famous Belgrade stage actorsPrint versionTEI versionStudio portrait of famous Belgrade stage actorsJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  152. Studio portrait of a man in a suitPrint versionTEI versionStudio portrait of a man in a suitKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  153. Studio portrait of two womenPrint versionTEI versionStudio portrait of two womenKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  154. Studio portrait of Stefan Tanev, Atanas Damyanov, and IkonomovPrint versionTEI versionStudio portrait of Stefan Tanev, Atanas Damyanov, and IkonomovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  155. Ramadan drummer approaching a doorPrint versionTEI versionRamadan drummer approaching a doorGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  156. Elderly woman holding a childPrint versionTEI versionElderly woman holding a childStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  157. St. George's Day celebration in Kokalyane monasteryPrint versionTEI versionSt. George's Day celebration in Kokalyane monasteryKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  158. Studio portrait of a man in uniformPrint versionTEI versionStudio portrait of a man in uniformJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  159. Studio portrait of Aleksander MosolovPrint versionTEI versionStudio portrait of Aleksander MosolovStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  160. Studio portrait of Hristo DanovPrint versionTEI versionStudio portrait of Hristo DanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  161. The innkeeper's wife in her bedroomPrint versionTEI versionThe innkeeper's wife in her bedroomGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  162. Studio portrait of the Marinovi familyPrint versionTEI versionStudio portrait of the Marinovi familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  163. Portrait of five Sarajevan merchantsPrint versionTEI versionPortrait of five Sarajevan merchantsunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  164. Class at the Boys' High School (Velika gimnazija)Print versionTEI versionClass at the Boys' High School (Velika gimnazija)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  165. Studio portrait of Aleksi Popangelov and Aleksi ZaharievPrint versionTEI versionStudio portrait of Aleksi Popangelov and Aleksi ZaharievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  166. No. 50: Studio portrait of two men in suitsPrint versionTEI versionNo. 50Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  167. Studio portrait of Milorad PetrovićPrint versionTEI versionStudio portrait of Milorad PetrovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  168. Studio portrait of a couplePrint versionTEI versionStudio portrait of a coupleJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  169. Group portrait of the Horstig and Bojović familiesPrint versionTEI versionGroup portrait of the Horstig and Bojović familiesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  170. Studio portrait of Vasil KirkovPrint versionTEI versionStudio portrait of Vasil KirkovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  171. Studio portrait of Princess Jelena of SerbiaPrint versionTEI versionStudio portrait of Princess Jelena of SerbiaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  172. Studio portrait of three young menPrint versionTEI versionStudio portrait of three young menStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  173. Outdoor barber scenePrint versionTEI versionOutdoor barber sceneAbdullah FréresCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  174. Studio portrait of Nik. ManolovPrint versionTEI versionStudio portrait of Nik. ManolovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  175. Studio portrait of Petar DrasovPrint versionTEI versionStudio portrait of Petar DrasovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  176. Studio portrait of Count von Hartenau / Alexander of BattenbergPrint versionTEI versionStudio portrait of Count von Hartenau / Alexander of BattenbergKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  177. Portrait of Velichko Popov and a friendPrint versionTEI versionPortrait of Velichko Popov and a friendKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  178. Ramadan drummer in an outskirt districtPrint versionTEI versionRamadan drummer in an outskirt districtunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  179. Group of people standing in front of the Town HallPrint versionTEI versionGroup of people standing in front of the Town HallTopič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  180. Catholic worship in the Franciscan church of Saint LukePrint versionTEI versionCatholic worship in the Franciscan church of Saint LukeSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  181. Studio portrait of three officersPrint versionTEI versionStudio portrait of three officersKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  182. Studio portrait of volunteer combatants at the Serbo-Bulgarian War in 1885Print versionTEI versionStudio portrait of volunteer combatants at the Serbo-Bulgarian War in 1885Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  183. Wedding photograph of an unknown couplePrint versionTEI versionWedding photograph of an unknown coupleJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  184. Introductory lesson in the Girls' High School (Više djevojačke škole)Print versionTEI versionIntroductory lesson in the Girls' High School (Više djevojačke škole)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  185. Portrait of the married couple Malta Stanchova and Lyubomir SerafimovPrint versionTEI versionPortrait of the married couple Malta Stanchova and Lyubomir SerafimovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  186. Studio portrait of two adults and three childrenPrint versionTEI versionStudio portrait of two adults and three childrenJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  187. Serbian military officer with childrenPrint versionTEI versionSerbian military officer with childrenJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  188. Group portrait of three women in urban clothesPrint versionTEI versionGroup portrait of three women in urban clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  189. Studio portrait of two young womenPrint versionTEI versionStudio portrait of two young womenKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  190. Portrait of the Franciscan padre Vladimir and a Catholic couplePrint versionTEI versionPortrait of the Franciscan padre Vladimir and a Catholic coupleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  191. Police intervene at student demonstration on Taksim 1933Print versionTEI versionPolice intervene at student demonstration on Taksim 1933Görgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  192. Studio portrait of Stefan SlivkovPrint versionTEI versionStudio portrait of Stefan SlivkovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  193. Studio portrait of Stefan Karadzha and Vasil / Vidul StranskiPrint versionTEI versionStudio portrait of Stefan Karadzha and Vasil / Vidul StranskiStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  194. Studio portrait of Milica Ribnikar and a friendPrint versionTEI versionStudio portrait of Milica Ribnikar and a friendJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  195. Three men in military uniformsPrint versionTEI versionThree men in military uniformsKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  196. Ramadan drummer on a squarePrint versionTEI versionRamadan drummer on a squareunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  197. The Executive Committee of the National Muslim Organisations („Muslimanska narodna organizacija“ )Print versionTEI versionThe Executive Committee of the National Muslim Organisations („Muslimanska narodna organizacija“ )unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  198. DeathbedPrint versionTEI versionDeathbedunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  199. Studio portrait of Alexander ArsenievPrint versionTEI versionStudio portrait of Alexander ArsenievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  200. Studio portrait of Draga SpasićPrint versionTEI versionStudio portrait of Draga SpasićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  201. Studio portrait of Sofija and Olga LončarevićPrint versionTEI versionStudio portrait of Sofija and Olga LončarevićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  202. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  203. Studio portrait of Artillery Lieutenant Milan A. JovičićPrint versionTEI versionStudio portrait of Artillery Lieutenant Milan A. JovičićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  204. Studio portrait of a man in military uniformPrint versionTEI versionStudio portrait of a man in military uniformKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  205. Studio portrait of Nikola DesevPrint versionTEI versionStudio portrait of Nikola DesevStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  206. Studio portrait of a man in urban clothesPrint versionTEI versionStudio portrait of a man in urban clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  207. Studio portrait of three studentsPrint versionTEI versionStudio portrait of three studentsStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  208. Wedding photographPrint versionTEI versionWedding photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  209. Studio portrait of a man in urban clothesPrint versionTEI versionStudio portrait of a man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  210. Studio portrait of Natalia Veleva with a girlfriendPrint versionTEI versionStudio portrait of Natalia Veleva with a girlfriendKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  211. Studio portrait of Gila and BogoljubPrint versionTEI versionStudio portrait of Gila and BogoljubJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  212. Ramadan drummer at a house entrancePrint versionTEI versionRamadan drummer at a house entranceunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  213. Studio portrait of Gavra Miloradović with his wife and daughterPrint versionTEI versionStudio portrait of Gavra Miloradović with his wife and daughterJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  214. "Sarajevo. Muslim Folk Dresses"Print versionTEI version"Sarajevo. Muslim Folk Dresses"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  215. Studio portrait of a young teacher and her studentsPrint versionTEI versionStudio portrait of a young teacher and her studentsJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  216. Studio portrait of the Popov familyPrint versionTEI versionStudio portrait of the Popov familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  217. Studio portrait of young Officer MilePrint versionTEI versionStudio portrait of young Officer MileJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  218. Outdoor photograph of a group of court marshalsPrint versionTEI versionOutdoor photograph of a group of court marshalsJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  219. Studio portrait of two young menPrint versionTEI versionStudio portrait of two young menStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  220. Studio portrait of a young womanPrint versionTEI versionStudio portrait of a young womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.