University of Basel

Visual Archive Southeastern Europe

Outline of Cultural Materials

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Outline of Cultural Materials Show as Tagcloud

  1. 100 Orientation
  2. 110 Bibliography
  3. 120 Methodology
  4. 130 Geography
  5. 140 Human Biology
  6. 150 Behavior Processes and Personality
  7. 160 Demography
  8. 170 History and Culture Change
  9. 180 Total Culture
  10. 190 Language
  11. 200 Communication
  12. 210 Records
  13. 220 Food Quest
  14. 230 Animal Husbandry
  15. 240 Agriculture
  16. 250 Food Processing
  17. 260 Food Consumption
  18. 270 Drink, Drugs, and Indulgence
  19. 280 Leather, Textiles, and Fabrics
  20. 290 Clothing
  21. 300 Adornment
  22. 310 Exploitative Activities
  23. 320 Processing of Basic Materials
  24. 330 Building and Construction
  25. 340 Structures
  26. 350 Equipment and Maintenance of BLDGS
  27. 360 Settelments
  28. 370 Energy and Power
  29. 390 Captial Goods Industries
  30. 400 Machines
  31. 410 Tools and Appliances
  32. 420 Property
  33. 430 Exchange
  34. 440 Marketing
  35. 450 Finance
  36. 460 Labor
  37. 470 Business and Industrial Organization
  38. 480 Travel and Transportation
  39. 490 Land Transport
  40. 500 Water, Air, and Space Transportation
  41. 510 Living Standards and Routines
  42. 520 Recreation
  43. 530 Arts
  44. 540 Commercialized Entertainment
  45. 550 Individuation and Mobility
  46. 560 Social Stratification
  47. 570 Interpersonal Relations
  48. 590 Familiy
  49. 620 Community
  50. 640 State
  51. 650 Government Activities
  52. 660 Political Behavior
  53. 670 Law
  54. 690 Justice
  55. 700 Armed Forces
  56. 710 Military Technology
  57. 720 War
  58. 730 Social Problems
  59. 740 Health and Welfare
  60. 750 Sickness
  61. 760 Death
  62. 770 Religious Beliefs
  63. 780 Religious Practices
  64. 790 Ecclesiatical Organization
  65. 820 Ideas about Nature and Man
  66. 850 Infancy and Childhood
  67. 870 Education
  68. 880 Adolescene, Adulthood, and Old Age
  69. 890 Gender Roles and Issues

> 510 Living Standards and Routines

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Number of entries found: 158

  1. Studio portrait of Pera Dobrinović in character as 'Midas' from the play 'Die schöne Galathée'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Midas' from the play 'Die schöne Galathée'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  2. Outdoor photograph of VišegradPrint versionTEI versionOutdoor photograph of VišegradJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  3. Elegant people walking in Kalemegdan ParkPrint versionTEI versionElegant people walking in Kalemegdan ParkSimić, Aleksandar-AcaCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  4. Studio portrait of Vela Nigrinova in character as 'Madame Sans-Géne'Print versionTEI versionStudio portrait of Vela Nigrinova in character as 'Madame Sans-Géne'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  5. Outdoor photograph of photographer Milan Jovanović and his wife DarinkaPrint versionTEI versionOutdoor photograph of photographer Milan Jovanović and his wife DarinkaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  6. Two Acrobats on a WirePrint versionTEI versionTwo Acrobats on a WireunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  7. Indoor shot of a woman's roomPrint versionTEI versionIndoor shot of a woman's roomunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  8. Studio portrait of Pera Dobrinović in character as 'Mita Kradić'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Mita Kradić'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  9. Studio portrait of Vela NigrinovaPrint versionTEI versionStudio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  10. Portrait of a carrier (hamal)Print versionTEI versionPortrait of a carrier (hamal)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  11. Studio portrait of a young manPrint versionTEI versionStudio portrait of a young manunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  12. Studio portrait of Pera Dobrinović in character from the play 'Nov Komad'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Nov Komad'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  13. Studio portrait of Pera Dobrinović in character as 'Pierre'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Pierre'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  14. Studio portrait of Milorad Gavrilović, Milorad Petrović and Janko VeselinovićPrint versionTEI versionStudio portrait of Milorad Gavrilović, Milorad Petrović and Janko VeselinovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  15. Outdoor group photographPrint versionTEI versionOutdoor group photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  16. Studio portrait of a man wearing a Bey's costumePrint versionTEI versionStudio portrait of a man wearing a Bey's costumeSchiller, FriedrichCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  17. Studio portrait of Pera Dobrinović in character from the play 'Riđokosa'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Riđokosa'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  18. Studio portrait of Prof. StamenkovićPrint versionTEI versionStudio portrait of Prof. StamenkovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  19. Studio portrait of Pera Dobrinović in character from the play 'Bunjevka'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Bunjevka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  20. Studio portrait of Pera Dobrinović in character from the play 'Majka Todorka'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Majka Todorka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  21. Group of people sitting on a hillPrint versionTEI versionGroup of people sitting on a hillTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  22. Outdoor eventPrint versionTEI versionOutdoor eventTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  23. Photographic reproduction of a lithograph depicting Mihailo Obrenović III, Prince of SerbiaPrint versionTEI versionPhotographic reproduction of a lithograph depicting Mihailo Obrenović III, Prince of SerbiaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  24. Library/cultural club "Slavyanska beseda" /Slav Dialog/Print versionTEI versionLibrary/cultural club "Slavyanska beseda" /Slav Dialog/Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  25. Studio portrait of Pera Dobrinović in character as 'Jovan' from the opera 'Jovančini svatovi'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Jovan' from the opera 'Jovančini svatovi'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  26. Group of peoplePrint versionTEI versionGroup of peopleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  27. Indoor portrait of a young Serbian womanPrint versionTEI versionIndoor portrait of a young Serbian womanTopič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  28. Studio portrait of Ljubica PavlicaPrint versionTEI versionStudio portrait of Ljubica PavlicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  29. Studio portrait of Pera Dobrinović as 'Srećko Korenić'Print versionTEI versionStudio portrait of Pera Dobrinović as 'Srećko Korenić'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  30. Dancing KoloPrint versionTEI versionDancing KoloSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  31. Group photograph of three young women in town clothesPrint versionTEI versionGroup photograph of three young women in town clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  32. Studio portrait of Dragomir "Gidra" PavlovićPrint versionTEI versionStudio portrait of Dragomir "Gidra" PavlovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  33. Society of menPrint versionTEI versionSociety of menTopič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  34. Framed studio portrait of Vela NigrinovaPrint versionTEI versionFramed studio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  35. Studio portrait of a woman in character as 'Aunt Mariota' in the play 'Dorćolska posla'Print versionTEI versionStudio portrait of a woman in character as 'Aunt Mariota' in the play 'Dorćolska posla'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  36. Studio portrait of a man in traditional clothesPrint versionTEI versionStudio portrait of a man in traditional clothesHoiger, AntonCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  37. Group portrait of men around a tablePrint versionTEI versionGroup portrait of men around a tableJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  38. Coffee timePrint versionTEI versionCoffee timeunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  39. Portrait of Smaragda MalinarićPrint versionTEI versionPortrait of Smaragda MalinarićunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  40. Studio portrait of famous Belgrade stage actorsPrint versionTEI versionStudio portrait of famous Belgrade stage actorsJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  41. Girl at the fountainPrint versionTEI versionGirl at the fountainTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  42. Studio portrait of Pera Dobrinović in character from the play 'Majka Todorka'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Majka Todorka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  43. Selahattin Giz in football dressPrint versionTEI versionSelahattin Giz in football dressGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  44. Studio portrait of an actor in in character as an Ottoman in the play 'Miloš Obilić'Print versionTEI versionStudio portrait of an actor in in character as an Ottoman in the play 'Miloš Obilić'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  45. Group of peoplePrint versionTEI versionGroup of peopleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  46. Interior of kiraethane, club and reading room for MuslimsPrint versionTEI versionInterior of kiraethane, club and reading room for MuslimsunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  47. Old bathsPrint versionTEI versionOld bathsKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  48. Studio portrait of Vela NigrinovaPrint versionTEI versionStudio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  49. Studio portrait of Vela NigrinovaPrint versionTEI versionStudio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  50. Studio portrait of Vela NigrinovaPrint versionTEI versionStudio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  51. Studio portrait of actress Vela Nigrinova as 'Ljubica'Print versionTEI versionStudio portrait of actress Vela Nigrinova as 'Ljubica'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  52. Studio portrait of three womenPrint versionTEI versionStudio portrait of three womenSchädler, AntonCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  53. Studio portrait of Stojan G. SimićPrint versionTEI versionStudio portrait of Stojan G. SimićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  54. Studio portrait of Pera Dobrinović in character as 'Nikica' from the play 'Stari Baka i njegov sin husar'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Nikica' from the play 'Stari Baka i njegov sin husar'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  55. Legue StreetPrint versionTEI versionLegue StreetKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  56. Studio portrait of Vela NigrinovaPrint versionTEI versionStudio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  57. Studio portrait of Pera Dobrinović in character as a librarianPrint versionTEI versionStudio portrait of Pera Dobrinović in character as a librarianJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  58. Studio portrait of Pera Dobrinović in character as 'Kir Janja'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Kir Janja'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  59. Eagles' BridgePrint versionTEI versionEagles' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  60. Leisure activitiesPrint versionTEI versionLeisure activitiesunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  61. Studio portrait of a woman in town clothesPrint versionTEI versionStudio portrait of a woman in town clothesSchädler, AntonCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  62. Studio portrait of Vela Nigrinova in character as 'Marguerite Gautier'Print versionTEI versionStudio portrait of Vela Nigrinova in character as 'Marguerite Gautier'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  63. Studio portrait of actor and singer Raja Pavlović in character as 'Knez od Semberije'Print versionTEI versionStudio portrait of actor and singer Raja Pavlović in character as 'Knez od Semberije'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  64. Guslar and two men with a snakePrint versionTEI versionGuslar and two men with a snakeSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  65. Railway stationPrint versionTEI versionRailway stationViditz, AugustCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  66. Studio portrait of Pera Dobrinović in character from the play 'Die Goldene Spinne'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Die Goldene Spinne'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  67. A Trabant on a roadPrint versionTEI versionA Trabant on a roadKarastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  68. Studio portrait of Pera Dobrinović in character from the play 'Žene u ustavnom životu'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Žene u ustavnom životu'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  69. Two men in a curriclePrint versionTEI versionTwo men in a curricleKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  70. Studio portrait of Pera Dobrinović in character as 'General Adam' from the play 'Bogat majdan'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'General Adam' from the play 'Bogat majdan'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  71. Sports scene from the Second Slav FairPrint versionTEI versionSports scene from the Second Slav FairKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  72. Head shot of painter Ana MarinkovićPrint versionTEI versionHead shot of painter Ana MarinkovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  73. Studio portrait of Pera Dobrinović in character from the play 'Riđokosa'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Riđokosa'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  74. Studio portrait of Pera Dobrinović in character as 'The Fool' from the play 'King Lear'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'The Fool' from the play 'King Lear'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  75. Studio portrait of actress Vela Nigrinova in character as 'Ljubica'Print versionTEI versionStudio portrait of actress Vela Nigrinova in character as 'Ljubica'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  76. Studio portrait of stage actors Velja Miljković and Milorad GavrilovićPrint versionTEI versionStudio portrait of stage actors Velja Miljković and Milorad GavrilovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  77. Studio portrait of Ana JurišićPrint versionTEI versionStudio portrait of Ana JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  78. Studio portrait of Vela Nigrinova posing as 'Madame Sans-Géne'Print versionTEI versionStudio portrait of Vela Nigrinova posing as 'Madame Sans-Géne'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  79. Studio portrait of Vela NigrinovaPrint versionTEI versionStudio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  80. Otto Bieligk's HousePrint versionTEI versionOtto Bieligk's HouseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  81. A coffeehouse in AnkaraPrint versionTEI versionA coffeehouse in AnkaraunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  82. Outdoor barber scenePrint versionTEI versionOutdoor barber sceneAbdullah FréresCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  83. Studio portrait of Pera Dobrinović in character as 'Grga'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Grga'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  84. Studio portrait of Vela NigrinovaPrint versionTEI versionStudio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  85. Varosh villagePrint versionTEI versionVarosh villageKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  86. Celebrating the Day of RosesPrint versionTEI versionCelebrating the Day of RosesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  87. "Greetings From Bosnia. Dancing Girl."Print versionTEI version"Greetings From Bosnia. Dancing Girl."unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  88. Full-length shot of two menPrint versionTEI versionFull-length shot of two menTopič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  89. Portrait of an old peasantPrint versionTEI versionPortrait of an old peasantBožić, Đ.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  90. Ford car paradePrint versionTEI versionFord car paradeunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  91. Studio portrait of Pera Dobrinović in character from the play 'Nov Komad'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Nov Komad'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  92. The billiard room in the Club House (Društveni dom)Print versionTEI versionThe billiard room in the Club House (Društveni dom)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  93. Studio portrait of Pera Dobrinović in character as 'Midas' from the play 'Die schöne Galathée'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Midas' from the play 'Die schöne Galathée'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  94. "Sarajevo / Turkish Coffee - Breakfast"Print versionTEI version"Sarajevo / Turkish Coffee - Breakfast"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  95. Ludzhene landscapePrint versionTEI versionLudzhene landscapeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  96. Studio portrait of a young manPrint versionTEI versionStudio portrait of a young manJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  97. Studio portrait of Pera Dobrinović in character as 'Pantelija'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Pantelija'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  98. Group shot of artists celebrating Davorin Jenko's birthdayPrint versionTEI versionGroup shot of artists celebrating Davorin Jenko's birthdayJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  99. Little Rom boyPrint versionTEI versionLittle Rom boyTopič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  100. Studio portrait of Vela NigrinovaPrint versionTEI versionStudio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  101. The Turkish Room in the Club House (Društveni dom)Print versionTEI versionThe Turkish Room in the Club House (Društveni dom)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  102. Studio portrait of Pera Dobrinović in character as 'Valentin'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Valentin'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  103. Group portrait of five men playing cardsPrint versionTEI versionGroup portrait of five men playing cardsJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  104. Studio portrait of actor and singer Raja Pavlović in character as 'Knez od Semberije'Print versionTEI versionStudio portrait of actor and singer Raja Pavlović in character as 'Knez od Semberije'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  105. Studio portrait of Jovan NaumovićPrint versionTEI versionStudio portrait of Jovan NaumovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  106. Studio portrait of actor Pera Dobrinović in characterPrint versionTEI versionStudio portrait of actor Pera Dobrinović in characterJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  107. Group picture of the Jovanović familyPrint versionTEI versionGroup picture of the Jovanović familyJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  108. Studio portrait of Sava Todorović, Milorad Petrović and photographer Milan JovanovićPrint versionTEI versionStudio portrait of Sava Todorović, Milorad Petrović and photographer Milan JovanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  109. The kitchen of the Gazi Husrev Bey's MadrassaPrint versionTEI versionThe kitchen of the Gazi Husrev Bey's MadrassaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  110. Studio portrait of actress Vela NigrinovaPrint versionTEI versionStudio portrait of actress Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  111. Studio portrait of Pera Dobrinović in character from the play 'Bunjevka'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Bunjevka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  112. Group of peoplePrint versionTEI versionGroup of peopleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  113. Young people in folk attirePrint versionTEI versionYoung people in folk attireKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  114. Studio portrait of Pera Dobrinović in character as 'Paja' from the play 'Pop Dobroslav'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Paja' from the play 'Pop Dobroslav'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  115. Targovska StreetPrint versionTEI versionTargovska StreetKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  116. Studio portrait of Pera Dobrinović in character as 'Lebrecht' from the play 'Ultimo'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Lebrecht' from the play 'Ultimo'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  117. "Bosnian Gypsies"Print versionTEI version"Bosnian Gypsies"Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  118. Studio portrait of Vela Nigrinova in character as 'Joan of Arc'Print versionTEI versionStudio portrait of Vela Nigrinova in character as 'Joan of Arc'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  119. Studio portrait of Pera Dobrinović in character as 'Miša' in the from 'Čizmar kao vampir'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Miša' in the from 'Čizmar kao vampir'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  120. Portrait of a manPrint versionTEI versionPortrait of a manunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  121. Interior of kiraethane, club and reading room for MuslimsPrint versionTEI versionInterior of kiraethane, club and reading room for MuslimsunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  122. Studio portrait of Natalija JoksimovićPrint versionTEI versionStudio portrait of Natalija JoksimovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  123. "Sarajevo. Street Market In The Muslim Quarter"Print versionTEI version"Sarajevo. Street Market In The Muslim Quarter"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  124. Studio portrait of actress Aleksandra BojićPrint versionTEI versionStudio portrait of actress Aleksandra BojićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  125. Studio portrait of Vela Nigrinova in character as 'Marguerite Gautier'Print versionTEI versionStudio portrait of Vela Nigrinova in character as 'Marguerite Gautier'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  126. Studio portrait of Vela NigrinovaPrint versionTEI versionStudio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  127. Portrait of an old peasant womanPrint versionTEI versionPortrait of an old peasant womanunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  128. Studio portrait of actress Ljubica PavlicaPrint versionTEI versionStudio portrait of actress Ljubica PavlicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  129. Women from Peshtani villagePrint versionTEI versionWomen from Peshtani villageKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  130. Studio portrait of actress Ljubica Pavlica in character as 'Anísya'Print versionTEI versionStudio portrait of actress Ljubica Pavlica in character as 'Anísya'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  131. Portrait of a young girl in Süleyman Seba StreetPrint versionTEI versionPortrait of a young girl in Süleyman Seba StreetGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  132. Four men and a nargile pipe in a coffeehousePrint versionTEI versionFour men and a nargile pipe in a coffeehouseGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  133. Motocycles and bicycles on Talimhane SquarePrint versionTEI versionMotocycles and bicycles on Talimhane SquareunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  134. The Süleyman Adem Brothers hairdressers shopPrint versionTEI versionThe Süleyman Adem Brothers hairdressers shopunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  135. Beer drinkers at a banquet tablePrint versionTEI versionBeer drinkers at a banquet tableunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  136. Three men having a beer in a beer gardenPrint versionTEI versionThree men having a beer in a beer gardenunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  137. Two ladies and a man drinking beer in a beer gardenPrint versionTEI versionTwo ladies and a man drinking beer in a beer gardenunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  138. Officer and young couple having a beer in a beer gardenPrint versionTEI versionOfficer and young couple having a beer in a beer gardenunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  139. Aviation Club ready for the Day of the Republic paradePrint versionTEI versionAviation Club ready for the Day of the Republic paradeunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  140. Dancing couples in a jazz venuePrint versionTEI versionDancing couples in a jazz venueunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  141. Field hockey in Anadolu HisarıPrint versionTEI versionField hockey in Anadolu HisarıunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  142. A field hockey game in Fenerbahçe StadiumPrint versionTEI versionA field hockey game in Fenerbahçe StadiumunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  143. Dancing in Çırçır Suyu ParkPrint versionTEI versionDancing in Çırçır Suyu ParkunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  144. Sheep and three lambs near the Egyptian BazaarPrint versionTEI versionSheep and three lambs near the Egyptian BazaarGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  145. Sheep in the Sütlüce slaughterhouse yardPrint versionTEI versionSheep in the Sütlüce slaughterhouse yardGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  146. Carrying the kurban, BeyoğluPrint versionTEI versionCarrying the kurban, BeyoğluGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  147. Spectators on a stand in Taksim StadiumPrint versionTEI versionSpectators on a stand in Taksim StadiumGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  148. Spectators in Taksim StadiumPrint versionTEI versionSpectators in Taksim StadiumGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  149. Flock of sheep by the seaPrint versionTEI versionFlock of sheep by the seaGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  150. Marry-go-roundPrint versionTEI versionMarry-go-roundGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  151. Bathing beauty in a rowing boatPrint versionTEI versionBathing beauty in a rowing boatGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  152. Vreme book shopPrint versionTEI versionVreme book shopGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  153. Child vendorPrint versionTEI versionChild vendorGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  154. Portrait of the female boxer Koka CvijićPrint versionTEI versionPortrait of the female boxer Koka CvijićGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  155. French seamen in front of Hotel ImperijalPrint versionTEI versionFrench seamen in front of Hotel ImperijalGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  156. Two ladies in front of an airplanePrint versionTEI versionTwo ladies in front of an airplaneGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  157. Sleigh ride on the frozen DanubePrint versionTEI versionSleigh ride on the frozen DanubeGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  158. Day labourers resting in a kahvaPrint versionTEI versionDay labourers resting in a kahvaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.