University of Basel

Visual Archive Southeastern Europe

Outline of Cultural Materials

Confirm your selection by clicking the appropriate category.

Outline of Cultural Materials Show as Tagcloud

  1. 100 Orientation
  2. 110 Bibliography
  3. 120 Methodology
  4. 130 Geography
  5. 140 Human Biology
  6. 150 Behavior Processes and Personality
  7. 160 Demography
  8. 170 History and Culture Change
  9. 180 Total Culture
  10. 190 Language
  11. 200 Communication
  12. 210 Records
  13. 220 Food Quest
  14. 230 Animal Husbandry
  15. 240 Agriculture
  16. 250 Food Processing
  17. 260 Food Consumption
  18. 270 Drink, Drugs, and Indulgence
  19. 280 Leather, Textiles, and Fabrics
  20. 290 Clothing
  21. 300 Adornment
  22. 310 Exploitative Activities
  23. 320 Processing of Basic Materials
  24. 330 Building and Construction
  25. 340 Structures
  26. 350 Equipment and Maintenance of BLDGS
  27. 360 Settelments
  28. 370 Energy and Power
  29. 390 Captial Goods Industries
  30. 400 Machines
  31. 410 Tools and Appliances
  32. 420 Property
  33. 430 Exchange
  34. 440 Marketing
  35. 450 Finance
  36. 460 Labor
  37. 470 Business and Industrial Organization
  38. 480 Travel and Transportation
  39. 490 Land Transport
  40. 500 Water, Air, and Space Transportation
  41. 510 Living Standards and Routines
  42. 520 Recreation
  43. 530 Arts
  44. 540 Commercialized Entertainment
  45. 550 Individuation and Mobility
  46. 560 Social Stratification
  47. 570 Interpersonal Relations
  48. 590 Familiy
  49. 620 Community
  50. 640 State
  51. 650 Government Activities
  52. 660 Political Behavior
  53. 670 Law
  54. 690 Justice
  55. 700 Armed Forces
  56. 710 Military Technology
  57. 720 War
  58. 730 Social Problems
  59. 740 Health and Welfare
  60. 750 Sickness
  61. 760 Death
  62. 770 Religious Beliefs
  63. 780 Religious Practices
  64. 790 Ecclesiatical Organization
  65. 820 Ideas about Nature and Man
  66. 850 Infancy and Childhood
  67. 870 Education
  68. 880 Adolescene, Adulthood, and Old Age
  69. 890 Gender Roles and Issues

> 490 Land Transport

Show on Map Show on Map

Number of entries found: 85

  1. King Boris III on a trainPrint versionTEI versionKing Boris III on a trainKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  2. Old Turkish bridgePrint versionTEI versionOld Turkish bridgeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  3. "Folk Costumes From Herzegovina"Print versionTEI version"Folk Costumes From Herzegovina"Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  4. King Boris III and German officersPrint versionTEI versionKing Boris III and German officersKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  5. The National BankPrint versionTEI versionThe National BankKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  6. "Village Gorublyane. Bridge over Iskar river."Print versionTEI version"Village Gorublyane. Bridge over Iskar river."Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  7. King Boris III and German officersPrint versionTEI versionKing Boris III and German officersKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  8. Studio portrait of two ladiesPrint versionTEI versionStudio portrait of two ladiesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  9. Studio portrait of RadePrint versionTEI versionStudio portrait of RadeJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  10. Studio portrait of delegates to a Russo-Bulgarian conferencePrint versionTEI versionStudio portrait of delegates to a Russo-Bulgarian conferenceKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  11. Prince's street in Tatar PazardzhikPrint versionTEI versionPrince's street in Tatar PazardzhikKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  12. The "Shipka" bridge (now "Shivarov bridge")Print versionTEI versionThe "Shipka" bridge (now "Shivarov bridge")Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  13. Tramway shed / depotPrint versionTEI versionTramway shed / depotKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  14. Reproduction of a studio portrait of Natalija ObrenovićPrint versionTEI versionReproduction of a studio portrait of Natalija ObrenovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  15. "Sarajevo / Museum"Print versionTEI version"Sarajevo / Museum"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  16. Studio portrait of an in-law of Darinka and Svetozar Zorić'sPrint versionTEI versionStudio portrait of an in-law of Darinka and Svetozar Zorić'sJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  17. Foča cityscapePrint versionTEI versionFoča cityscapeunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  18. The King's garage in SofiaPrint versionTEI versionThe King's garage in SofiaKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  19. View of the Shipka passPrint versionTEI versionView of the Shipka passKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  20. The Central Market Hall in SofiaPrint versionTEI versionThe Central Market Hall in SofiaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  21. Herzegovinian villagePrint versionTEI versionHerzegovinian villageunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  22. "SARAJEVO / Bistrik."Print versionTEI version"SARAJEVO / Bistrik."unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  23. Studio portrait of Cadet Živojin Jov.Print versionTEI versionStudio portrait of Cadet Živojin Jov.Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  24. Studio portrait of Ana M. JovanovićPrint versionTEI versionStudio portrait of Ana M. JovanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  25. The "Konak" bridge in GabrovoPrint versionTEI versionThe "Konak" bridge in GabrovoKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  26. Legue StreetPrint versionTEI versionLegue StreetKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  27. "Veles"Print versionTEI version"Veles"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  28. In front of a car mechanic’s workshopPrint versionTEI versionIn front of a car mechanic’s workshopAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  29. Bozhanka and Rayna Karastoyanovi on a tripPrint versionTEI versionBozhanka and Rayna Karastoyanovi on a tripKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  30. Rajcho's bridge in the vicinity of BratsigovoPrint versionTEI versionRajcho's bridge in the vicinity of BratsigovoKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  31. Car in the snowPrint versionTEI versionCar in the snowSimić, Aleksandar-AcaCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  32. Eagles' BridgePrint versionTEI versionEagles' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  33. "Folk Costumes From Herzegovina"Print versionTEI version"Folk Costumes From Herzegovina"Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  34. Studio portrait of JelaPrint versionTEI versionStudio portrait of JelaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  35. Studio portrait of Popov as a soldierPrint versionTEI versionStudio portrait of Popov as a soldierKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  36. "The Sofia market"Print versionTEI version"The Sofia market"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  37. "Railway Station Bistrik Near Sarajevo"Print versionTEI version"Railway Station Bistrik Near Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  38. Studio portrait of a LieutenantPrint versionTEI versionStudio portrait of a LieutenantKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  39. Portrait of Velichko Popov and a friendPrint versionTEI versionPortrait of Velichko Popov and a friendKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  40. Railway stationPrint versionTEI versionRailway stationViditz, AugustCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  41. A Trabant on a roadPrint versionTEI versionA Trabant on a roadKarastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  42. Two men in a curriclePrint versionTEI versionTwo men in a curricleKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  43. Sports scene from the Second Slav FairPrint versionTEI versionSports scene from the Second Slav FairKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  44. Studio portrait of Artillery Lieutenant Dragutin K. KušakovićPrint versionTEI versionStudio portrait of Artillery Lieutenant Dragutin K. KušakovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  45. Otto Bieligk's HousePrint versionTEI versionOtto Bieligk's HouseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  46. Postcard from SofiaPrint versionTEI versionPostcard from SofiaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  47. Vignetted studio portrait of a man with glassesPrint versionTEI versionVignetted studio portrait of a man with glassesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  48. Alija M. Akšamija in a ‘Bugatti’Print versionTEI versionAlija M. Akšamija in a ‘Bugatti’Akšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  49. Studio portrait of Cadet Živojin Jov.Print versionTEI versionStudio portrait of Cadet Živojin Jov.Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  50. Celebrating the Day of RosesPrint versionTEI versionCelebrating the Day of RosesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  51. View of Sofia and the Lions' BridgePrint versionTEI versionView of Sofia and the Lions' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  52. Portrait of Bozhanka and Rayna KarastoyanovaPrint versionTEI versionPortrait of Bozhanka and Rayna KarastoyanovaKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  53. Ford car paradePrint versionTEI versionFord car paradeunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  54. Studio portrait of MicaPrint versionTEI versionStudio portrait of MicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  55. Studio portrait of the Unterberg familyPrint versionTEI versionStudio portrait of the Unterberg familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  56. Studio portrait of three childrenPrint versionTEI versionStudio portrait of three childrenJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  57. Lions' BridgePrint versionTEI versionLions' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  58. Studio portrait of a couplePrint versionTEI versionStudio portrait of a coupleJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  59. King Boris III and German officersPrint versionTEI versionKing Boris III and German officersKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  60. A bridge at Topolnitsa riverPrint versionTEI versionA bridge at Topolnitsa riverKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  61. Targovska StreetPrint versionTEI versionTargovska StreetKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  62. "Bulgarian cavalrymen on a winter route"Print versionTEI version"Bulgarian cavalrymen on a winter route"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  63. Removal DayPrint versionTEI versionRemoval DaySimić, Aleksandar-AcaCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  64. Studio portrait of the Popov familyPrint versionTEI versionStudio portrait of the Popov familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  65. Studio portrait of a manPrint versionTEI versionStudio portrait of a manJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  66. King Boris III and German officersPrint versionTEI versionKing Boris III and German officersKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  67. Tsar Osvoboditel BoulevardPrint versionTEI versionTsar Osvoboditel BoulevardKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  68. Winter street scenePrint versionTEI versionWinter street sceneunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  69. "Pernik. Coal mine"Print versionTEI version"Pernik. Coal mine"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  70. Studio portrait of Cadet Živojin Jov.Print versionTEI versionStudio portrait of Cadet Živojin Jov.Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  71. "Sarajevo = Area Near The City Hall"Print versionTEI version"Sarajevo = Area Near The City Hall"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  72. Bridge over Maritsa riverPrint versionTEI versionBridge over Maritsa riverKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  73. The "St. Petar" monasteryPrint versionTEI versionThe "St. Petar" monasteryKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  74. Red Cross headquarters in Süleyman Seba StreetPrint versionTEI versionRed Cross headquarters in Süleyman Seba StreetunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  75. Motocycles and bicycles on Talimhane SquarePrint versionTEI versionMotocycles and bicycles on Talimhane SquareunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  76. Tayyare apartment buildingsPrint versionTEI versionTayyare apartment buildingsunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  77. Aviation Club ready for the Day of the Republic paradePrint versionTEI versionAviation Club ready for the Day of the Republic paradeunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  78. Photographer’s shadow on Atatürk BridgePrint versionTEI versionPhotographer’s shadow on Atatürk BridgeGiz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  79. Visiting Atatürk Bridge under constructionPrint versionTEI versionVisiting Atatürk Bridge under constructionGiz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  80. Line-up on the Atatürk Bridge construction sitePrint versionTEI versionLine-up on the Atatürk Bridge construction siteGiz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  81. 'Endurance tour' vehicles parked in front of 'Auto-Omnia'Print versionTEI version'Endurance tour' vehicles parked in front of 'Auto-Omnia'Grdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  82. Coachman in front of the 'Ruski Car' hotelPrint versionTEI versionCoachman in front of the 'Ruski Car' hotelGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  83. Berliet lorry parked in front of the 'Velauto' garagePrint versionTEI versionBerliet lorry parked in front of the 'Velauto' garageGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  84. Sleigh ride on the frozen DanubePrint versionTEI versionSleigh ride on the frozen DanubeGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  85. Roma woman with a child on a mulePrint versionTEI versionRoma woman with a child on a muleAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.