University of Basel

Visual Archive Southeastern Europe

Outline of Cultural Materials

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Outline of Cultural Materials Show as Tagcloud

  1. 100 Orientation
  2. 110 Bibliography
  3. 120 Methodology
  4. 130 Geography
  5. 140 Human Biology
  6. 150 Behavior Processes and Personality
  7. 160 Demography
  8. 170 History and Culture Change
  9. 180 Total Culture
  10. 190 Language
  11. 200 Communication
  12. 210 Records
  13. 220 Food Quest
  14. 230 Animal Husbandry
  15. 240 Agriculture
  16. 250 Food Processing
  17. 260 Food Consumption
  18. 270 Drink, Drugs, and Indulgence
  19. 280 Leather, Textiles, and Fabrics
  20. 290 Clothing
  21. 300 Adornment
  22. 310 Exploitative Activities
  23. 320 Processing of Basic Materials
  24. 330 Building and Construction
  25. 340 Structures
  26. 350 Equipment and Maintenance of BLDGS
  27. 360 Settelments
  28. 370 Energy and Power
  29. 390 Captial Goods Industries
  30. 400 Machines
  31. 410 Tools and Appliances
  32. 420 Property
  33. 430 Exchange
  34. 440 Marketing
  35. 450 Finance
  36. 460 Labor
  37. 470 Business and Industrial Organization
  38. 480 Travel and Transportation
  39. 490 Land Transport
  40. 500 Water, Air, and Space Transportation
  41. 510 Living Standards and Routines
  42. 520 Recreation
  43. 530 Arts
  44. 540 Commercialized Entertainment
  45. 550 Individuation and Mobility
  46. 560 Social Stratification
  47. 570 Interpersonal Relations
  48. 590 Familiy
  49. 620 Community
  50. 640 State
  51. 650 Government Activities
  52. 660 Political Behavior
  53. 670 Law
  54. 690 Justice
  55. 700 Armed Forces
  56. 710 Military Technology
  57. 720 War
  58. 730 Social Problems
  59. 740 Health and Welfare
  60. 750 Sickness
  61. 760 Death
  62. 770 Religious Beliefs
  63. 780 Religious Practices
  64. 790 Ecclesiatical Organization
  65. 820 Ideas about Nature and Man
  66. 850 Infancy and Childhood
  67. 870 Education
  68. 880 Adolescene, Adulthood, and Old Age
  69. 890 Gender Roles and Issues

> 470 Business and Industrial Organization

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Number of entries found: 46

  1. Studio portrait of Pera Dobrinović in character as 'Midas' from the play 'Die schöne Galathée'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Midas' from the play 'Die schöne Galathée'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  2. Outdoor photograph of photographer Milan Jovanović and his wife DarinkaPrint versionTEI versionOutdoor photograph of photographer Milan Jovanović and his wife DarinkaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  3. Studio portrait of Pera Dobrinović in character as 'Mita Kradić'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Mita Kradić'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  4. Studio portrait of Pera Dobrinović in character from the play 'Nov Komad'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Nov Komad'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  5. Studio portrait of Pera Dobrinović in character as 'Pierre'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Pierre'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  6. Studio portrait of Pera Dobrinović in character from the play 'Riđokosa'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Riđokosa'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  7. Studio portrait of Pera Dobrinović in character from the play 'Bunjevka'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Bunjevka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  8. Studio portrait of Pera Dobrinović in character from the play 'Majka Todorka'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Majka Todorka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  9. Library/cultural club "Slavyanska beseda" /Slav Dialog/Print versionTEI versionLibrary/cultural club "Slavyanska beseda" /Slav Dialog/Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  10. Studio portrait of Pera Dobrinović in character as 'Jovan' from the opera 'Jovančini svatovi'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Jovan' from the opera 'Jovančini svatovi'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  11. Wedding portrait of Kosta and Zora HorstigPrint versionTEI versionWedding portrait of Kosta and Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  12. Studio portrait of Pera Dobrinović as 'Srećko Korenić'Print versionTEI versionStudio portrait of Pera Dobrinović as 'Srećko Korenić'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  13. Studio portrait of Pera Dobrinović in character from the play 'Majka Todorka'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Majka Todorka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  14. Engagement portrait of Zora Pavlović and Kosta HorstigPrint versionTEI versionEngagement portrait of Zora Pavlović and Kosta HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  15. Studio portrait of Zora HorstigPrint versionTEI versionStudio portrait of Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  16. Studio portrait of Pera Dobrinović in character as 'Nikica' from the play 'Stari Baka i njegov sin husar'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Nikica' from the play 'Stari Baka i njegov sin husar'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  17. Studio portrait of Pera Dobrinović in character as a librarianPrint versionTEI versionStudio portrait of Pera Dobrinović in character as a librarianJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  18. Studio portrait of Pera Dobrinović in character as 'Kir Janja'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Kir Janja'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  19. Studio portrait of Julka and Dragutin JovanovićPrint versionTEI versionStudio portrait of Julka and Dragutin JovanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  20. Studio portrait of Zora PavlovićPrint versionTEI versionStudio portrait of Zora PavlovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  21. Studio portrait of Pera Dobrinović in character from the play 'Die Goldene Spinne'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Die Goldene Spinne'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  22. Studio portrait of Pera Dobrinović in character from the play 'Žene u ustavnom životu'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Žene u ustavnom životu'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  23. Studio portrait of Pera Dobrinović in character as 'General Adam' from the play 'Bogat majdan'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'General Adam' from the play 'Bogat majdan'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  24. Studio portrait of Pera Dobrinović in character from the play 'Riđokosa'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Riđokosa'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  25. Studio portrait of Pera Dobrinović in character as 'The Fool' from the play 'King Lear'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'The Fool' from the play 'King Lear'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  26. Otto Bieligk's HousePrint versionTEI versionOtto Bieligk's HouseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  27. Studio portrait of Pera Dobrinović in character as 'Grga'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Grga'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  28. Studio portrait of Zora HorstigPrint versionTEI versionStudio portrait of Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  29. Studio portrait of Pera Dobrinović in character from the play 'Nov Komad'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Nov Komad'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  30. Studio portrait of Pera Dobrinović in character as 'Midas' from the play 'Die schöne Galathée'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Midas' from the play 'Die schöne Galathée'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  31. Studio portrait of Pera Dobrinović in character as 'Pantelija'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Pantelija'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  32. Studio portrait of Pera Dobrinović in character as 'Valentin'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Valentin'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  33. Studio portrait of actor Pera Dobrinović in characterPrint versionTEI versionStudio portrait of actor Pera Dobrinović in characterJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  34. Studio portrait of Zorka and Zora HorstigPrint versionTEI versionStudio portrait of Zorka and Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  35. Studio portrait of Pera Dobrinović in character from the play 'Bunjevka'Print versionTEI versionStudio portrait of Pera Dobrinović in character from the play 'Bunjevka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  36. Studio portrait of Pera Dobrinović in character as 'Paja' from the play 'Pop Dobroslav'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Paja' from the play 'Pop Dobroslav'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  37. Studio portrait of Pera Dobrinović in character as 'Lebrecht' from the play 'Ultimo'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Lebrecht' from the play 'Ultimo'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  38. Studio portrait of Pera Dobrinović in character as 'Miša' in the from 'Čizmar kao vampir'Print versionTEI versionStudio portrait of Pera Dobrinović in character as 'Miša' in the from 'Čizmar kao vampir'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  39. Studio portrait of Zora Horstig and her sisterPrint versionTEI versionStudio portrait of Zora Horstig and her sisterJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  40. Studio portrait of Zorka HorstigPrint versionTEI versionStudio portrait of Zorka HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  41. Panorama of the Golden Horn and the Tophane Ford factoryPrint versionTEI versionPanorama of the Golden Horn and the Tophane Ford factoryGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  42. Line-up with the BelkisPrint versionTEI versionLine-up with the BelkisGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  43. Launch of the BelkisPrint versionTEI versionLaunch of the BelkisGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  44. The Belkis on her maiden voyagePrint versionTEI versionThe Belkis on her maiden voyageGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  45. Child vendorPrint versionTEI versionChild vendorGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  46. Buying chickens on 'Zeleni Venac' MarketPrint versionTEI versionBuying chickens on 'Zeleni Venac' MarketGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.