University of Basel

Visual Archive Southeastern Europe

Outline of Cultural Materials

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  1. 100 Orientation
  2. 110 Bibliography
  3. 120 Methodology
  4. 130 Geography
  5. 140 Human Biology
  6. 150 Behavior Processes and Personality
  7. 160 Demography
  8. 170 History and Culture Change
  9. 180 Total Culture
  10. 190 Language
  11. 200 Communication
  12. 210 Records
  13. 220 Food Quest
  14. 230 Animal Husbandry
  15. 240 Agriculture
  16. 250 Food Processing
  17. 260 Food Consumption
  18. 270 Drink, Drugs, and Indulgence
  19. 280 Leather, Textiles, and Fabrics
  20. 290 Clothing
  21. 300 Adornment
  22. 310 Exploitative Activities
  23. 320 Processing of Basic Materials
  24. 330 Building and Construction
  25. 340 Structures
  26. 350 Equipment and Maintenance of BLDGS
  27. 360 Settelments
  28. 370 Energy and Power
  29. 390 Captial Goods Industries
  30. 400 Machines
  31. 410 Tools and Appliances
  32. 420 Property
  33. 430 Exchange
  34. 440 Marketing
  35. 450 Finance
  36. 460 Labor
  37. 470 Business and Industrial Organization
  38. 480 Travel and Transportation
  39. 490 Land Transport
  40. 500 Water, Air, and Space Transportation
  41. 510 Living Standards and Routines
  42. 520 Recreation
  43. 530 Arts
  44. 540 Commercialized Entertainment
  45. 550 Individuation and Mobility
  46. 560 Social Stratification
  47. 570 Interpersonal Relations
  48. 590 Familiy
  49. 620 Community
  50. 640 State
  51. 650 Government Activities
  52. 660 Political Behavior
  53. 670 Law
  54. 690 Justice
  55. 700 Armed Forces
  56. 710 Military Technology
  57. 720 War
  58. 730 Social Problems
  59. 740 Health and Welfare
  60. 750 Sickness
  61. 760 Death
  62. 770 Religious Beliefs
  63. 780 Religious Practices
  64. 790 Ecclesiatical Organization
  65. 820 Ideas about Nature and Man
  66. 850 Infancy and Childhood
  67. 870 Education
  68. 880 Adolescene, Adulthood, and Old Age
  69. 890 Gender Roles and Issues

360 Settelments > 369 Urban and Rural Life

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Number of entries found: 208

  1. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  2. Photograph of Ivan Karastoyanov's housePrint versionTEI versionPhotograph of Ivan Karastoyanov's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  3. "Scenes From The Weekly Market In Sarajevo (Grain Sale)"Print versionTEI version"Scenes From The Weekly Market In Sarajevo (Grain Sale)"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  4. Studio portrait of a woman in folk dressPrint versionTEI versionStudio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  5. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  6. Studio portrait of a young woman in folk attirePrint versionTEI versionStudio portrait of a young woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  7. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  8. Studio portrait of two women and a manPrint versionTEI versionStudio portrait of two women and a manStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  9. Studio portrait of Ivan Karshovski, Panayot Hitov, and Ivan ZerdeliyskiPrint versionTEI versionStudio portrait of Ivan Karshovski, Panayot Hitov, and Ivan ZerdeliyskiStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  10. Wedding photograph of Venka Serafimova and Georgi ZlatarskiPrint versionTEI versionWedding photograph of Venka Serafimova and Georgi ZlatarskiKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  11. Studio portrait of a woman in folk dressPrint versionTEI versionStudio portrait of a woman in folk dressKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  12. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  13. Studio portrait of a young man in urban clothesPrint versionTEI versionStudio portrait of a young man in urban clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  14. Princess Maria Louise in Bulgarian folk attirePrint versionTEI versionPrincess Maria Louise in Bulgarian folk attireKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  15. Sagardžije StreetPrint versionTEI versionSagardžije StreetTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  16. Studio portrait of a babyPrint versionTEI versionStudio portrait of a babyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  17. Studio portrait of an infantPrint versionTEI versionStudio portrait of an infantKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  18. Livestock marketPrint versionTEI versionLivestock marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  19. Studio portrait of a man in urban clothesPrint versionTEI versionStudio portrait of a man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  20. Maria Luisa in folk dressPrint versionTEI versionMaria Luisa in folk dressKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  21. Selling wheat and corn in BaščaršijaPrint versionTEI versionSelling wheat and corn in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  22. Grain trade in BaščaršijaPrint versionTEI versionGrain trade in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  23. Studio portrait of two men in folk attirePrint versionTEI versionStudio portrait of two men in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  24. Studio portrait of a childPrint versionTEI versionStudio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  25. Studio portrait of a woman in folk dressPrint versionTEI versionStudio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  26. Studio portrait of a womanPrint versionTEI versionStudio portrait of a womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  27. Studio portrait of a woman and a man in folk attirePrint versionTEI versionStudio portrait of a woman and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  28. Studio portrait of Teodora and Nestor Abadzhiev's familyPrint versionTEI versionStudio portrait of Teodora and Nestor Abadzhiev's familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  29. Studio portrait of Fanka and Georgi KuzmanovPrint versionTEI versionStudio portrait of Fanka and Georgi KuzmanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  30. BaščaršijaPrint versionTEI versionBaščaršijaTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  31. Sagardžije StreetPrint versionTEI versionSagardžije StreetTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  32. At the Sebilj fountainPrint versionTEI versionAt the Sebilj fountainFoto SernaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  33. Studio group portraitPrint versionTEI versionStudio group portraitKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  34. Group photograph of three young women in town clothesPrint versionTEI versionGroup photograph of three young women in town clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  35. Street marketPrint versionTEI versionStreet marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  36. Celebration of the St. Cyril and St. Methodius Day in EdirnePrint versionTEI versionCelebration of the St. Cyril and St. Methodius Day in EdirneKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  37. Studio portrait of Nikola Karastoyanov with his grandson IvanPrint versionTEI versionStudio portrait of Nikola Karastoyanov with his grandson IvanStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  38. Studio portrait of two women in folk attirePrint versionTEI versionStudio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  39. Studio portrait of a childPrint versionTEI versionStudio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  40. Group portraitPrint versionTEI versionGroup portraitunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  41. Photograph of Ivan Karastoyanov's housePrint versionTEI versionPhotograph of Ivan Karastoyanov's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  42. Maria Luisa as an infantPrint versionTEI versionMaria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  43. The King's garage in SofiaPrint versionTEI versionThe King's garage in SofiaKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  44. Potters’ marketPrint versionTEI versionPotters’ marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  45. Studio portrait of a young womanPrint versionTEI versionStudio portrait of a young womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  46. A traditional ring dance called "Horo"Print versionTEI versionA traditional ring dance called "Horo"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  47. Studio group portraitPrint versionTEI versionStudio group portraitKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  48. Memorial place of Todor KableshkovPrint versionTEI versionMemorial place of Todor KableshkovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  49. Studio portrait of a childPrint versionTEI versionStudio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  50. Wedding portrait of Maria Manolova-DimitrovaPrint versionTEI versionWedding portrait of Maria Manolova-DimitrovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  51. Studio portrait of a girlPrint versionTEI versionStudio portrait of a girlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  52. Studio portrait of a woman in folk costumePrint versionTEI versionStudio portrait of a woman in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  53. Studio portrait of Andrey Dimitrov with his three daughtersPrint versionTEI versionStudio portrait of Andrey Dimitrov with his three daughtersKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  54. Studio portrait of three girls in folk attirePrint versionTEI versionStudio portrait of three girls in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  55. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  56. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  57. Studio portrait of two children in urban clothesPrint versionTEI versionStudio portrait of two children in urban clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  58. Joinery for wooden bowlPrint versionTEI versionJoinery for wooden bowlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  59. Studio portrait of a womanPrint versionTEI versionStudio portrait of a womanKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  60. Studio portrait of a woman in folk dressPrint versionTEI versionStudio portrait of a woman in folk dressKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  61. Studio portrait of an infantPrint versionTEI versionStudio portrait of an infantKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  62. Studio portrait of Georgi Zlatarski, Jovan Cvijić, and Dimitar IlkovPrint versionTEI versionStudio portrait of Georgi Zlatarski, Jovan Cvijić, and Dimitar IlkovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  63. Street scene near the Nadkovači graveyardPrint versionTEI versionStreet scene near the Nadkovači graveyardTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  64. Studio portrait of a women and a man in folk attirePrint versionTEI versionStudio portrait of a women and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  65. Studio portrait of two women in folk attirePrint versionTEI versionStudio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  66. Stoil FindzhekovPrint versionTEI versionStoil FindzhekovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  67. Street marketPrint versionTEI versionStreet marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  68. Studio portrait of a woman in traditional costumePrint versionTEI versionStudio portrait of a woman in traditional costumeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  69. Studio portrait of Zdravka DagaradinovaPrint versionTEI versionStudio portrait of Zdravka DagaradinovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  70. Studio portrait of two womenPrint versionTEI versionStudio portrait of two womenKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  71. The house of the printer Karastoyanov in SamokovPrint versionTEI versionThe house of the printer Karastoyanov in SamokovBozhinov, Nikola Iv.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  72. Studio portrait of a man in folk attirePrint versionTEI versionStudio portrait of a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  73. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  74. Studio portrait of the Lazarov familyPrint versionTEI versionStudio portrait of the Lazarov familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  75. Studio portrait of Georgi Mitov's sons, Dimitar and StoyanPrint versionTEI versionStudio portrait of Georgi Mitov's sons, Dimitar and StoyanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  76. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  77. Studio portrait of Kuncho KutinchevPrint versionTEI versionStudio portrait of Kuncho KutinchevKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  78. Studio portrait of a man in folk attirePrint versionTEI versionStudio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  79. Studio portrait of three women in folk attirePrint versionTEI versionStudio portrait of three women in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  80. Studio portrait of a woman in folk dressPrint versionTEI versionStudio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  81. Group portrait of girls in folk attirePrint versionTEI versionGroup portrait of girls in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  82. Studio portrait of a young woman in folk attirePrint versionTEI versionStudio portrait of a young woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  83. Studio portrait of a group of people in folk attirePrint versionTEI versionStudio portrait of a group of people in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  84. Studio portrait of a young woman in folk attirePrint versionTEI versionStudio portrait of a young woman in folk attireKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  85. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  86. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  87. "Bulgarian bride"Print versionTEI version"Bulgarian bride"Stojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  88. Studio wedding portrait of Fanka and Georgi KuzmanovPrint versionTEI versionStudio wedding portrait of Fanka and Georgi KuzmanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  89. Studio portrait of Ivan KarastoyanovPrint versionTEI versionStudio portrait of Ivan KarastoyanovStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  90. "Bulgarian folk dance"Print versionTEI version"Bulgarian folk dance"Stojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  91. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  92. Sports scene from the Second Slav FairPrint versionTEI versionSports scene from the Second Slav FairKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  93. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  94. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  95. Portrait of women - wives of combatant-veterans from the Bulgarian Anti-Ottoman April Uprising 1876Print versionTEI versionPortrait of women - wives of combatant-veterans from the Bulgarian Anti-Ottoman April Uprising 1876Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  96. "Their Royal Majesties the Crown Prince and the Princess"Print versionTEI version"Their Royal Majesties the Crown Prince and the Princess"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  97. Studio portrait of six young womenPrint versionTEI versionStudio portrait of six young womenKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  98. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  99. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  100. Studio portrait of three women in folk attirePrint versionTEI versionStudio portrait of three women in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  101. Street vendors at SebiljPrint versionTEI versionStreet vendors at SebiljunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  102. Studio portrait of Nesha Stoyanova as a childPrint versionTEI versionStudio portrait of Nesha Stoyanova as a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  103. Studio portrait of Ivan KarshovskiPrint versionTEI versionStudio portrait of Ivan KarshovskiStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  104. Hristovich' housePrint versionTEI versionHristovich' houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  105. Two women in a room of a peasant's housePrint versionTEI versionTwo women in a room of a peasant's houseKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  106. Studio portrait of Katerina B. IvanovaPrint versionTEI versionStudio portrait of Katerina B. IvanovaKarastoyanov, Ivan Anastasov; Apostolov, Toma K.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  107. Maria Luisa as a childPrint versionTEI versionMaria Luisa as a childKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  108. "At Lake Ochrida"Print versionTEI version"At Lake Ochrida"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  109. Postcard from SofiaPrint versionTEI versionPostcard from SofiaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  110. Studio portrait of Anastas Dagaradinov as a childPrint versionTEI versionStudio portrait of Anastas Dagaradinov as a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  111. Studio portrait of Nik. ManolovPrint versionTEI versionStudio portrait of Nik. ManolovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  112. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  113. Varosh villagePrint versionTEI versionVarosh villageKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  114. Men and women dancing the traditional ring dance called "Horo"Print versionTEI versionMen and women dancing the traditional ring dance called "Horo"Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  115. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  116. Celebrating the Day of RosesPrint versionTEI versionCelebrating the Day of RosesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  117. Portrait of a group of four peoplePrint versionTEI versionPortrait of a group of four peopleKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  118. Outdoor photograph of Minister of Interior Aleksander Lyudskanov among inhabitants of the village ZemenPrint versionTEI versionOutdoor photograph of Minister of Interior Aleksander Lyudskanov among inhabitants of the village ZemenKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  119. Winter street scenePrint versionTEI versionWinter street sceneTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  120. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  121. The house of Georgi BenkovskiPrint versionTEI versionThe house of Georgi BenkovskiKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  122. Studio portrait of a childPrint versionTEI versionStudio portrait of a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  123. King Boris III with his children Maria Louise and SimeonPrint versionTEI versionKing Boris III with his children Maria Louise and SimeonKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  124. Studio portrait of the Zlatarski familyPrint versionTEI versionStudio portrait of the Zlatarski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  125. Studio portrait of an elderly man in folk attirePrint versionTEI versionStudio portrait of an elderly man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  126. Vignetted portrait of a womanPrint versionTEI versionVignetted portrait of a womanKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  127. Interior view of the Agricultural BankPrint versionTEI versionInterior view of the Agricultural BankKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  128. Studio portrait of a man in urban clothesPrint versionTEI versionStudio portrait of a man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  129. Street scene in BaščaršijaPrint versionTEI versionStreet scene in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  130. BaščaršijaPrint versionTEI versionBaščaršijaTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  131. Portrait of two girlsPrint versionTEI versionPortrait of two girlsKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  132. The Hristo Zografski familyPrint versionTEI versionThe Hristo Zografski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  133. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  134. Studio portrait of KalchevaPrint versionTEI versionStudio portrait of KalchevaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  135. Maria Luisa as an infantPrint versionTEI versionMaria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  136. Open street marketPrint versionTEI versionOpen street marketKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  137. "Sarajevo / Street Life / Ćemaluša Street"Print versionTEI version"Sarajevo / Street Life / Ćemaluša Street"Kajon, Daniel A.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  138. Studio portrait of major Marko Stefanov Dyulgerov and his wifePrint versionTEI versionStudio portrait of major Marko Stefanov Dyulgerov and his wifeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  139. Wedding portrait of Ilia Dimitrov LepavzovPrint versionTEI versionWedding portrait of Ilia Dimitrov LepavzovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  140. "His Majesty with the Crown Prince"Print versionTEI version"His Majesty with the Crown Prince"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  141. Studio portrait of a woman and a man in folk attirePrint versionTEI versionStudio portrait of a woman and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  142. Studio photograph of a woman in back viewPrint versionTEI versionStudio photograph of a woman in back viewKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  143. Funeral ceremonyPrint versionTEI versionFuneral ceremonyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  144. The old Marketplace in SarajevoPrint versionTEI versionThe old Marketplace in SarajevounknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  145. Ekaterina KaravelovaPrint versionTEI versionEkaterina KaravelovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  146. The Royal children Princess Maria Louise and Prince Simeon Borisov of Saxe-Coburg and GothaPrint versionTEI versionThe Royal children Princess Maria Louise and Prince Simeon Borisov of Saxe-Coburg and GothaKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  147. Studio portrait of the Ilkov familyPrint versionTEI versionStudio portrait of the Ilkov familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  148. Studio portrait of a man in folk attirePrint versionTEI versionStudio portrait of a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  149. Princess Maria-Luisa on a horsePrint versionTEI versionPrincess Maria-Luisa on a horseKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  150. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  151. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  152. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  153. Group portrait from a tour in the naturePrint versionTEI versionGroup portrait from a tour in the natureKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  154. Studio portrait of a man in folk attirePrint versionTEI versionStudio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  155. Studio portrait of a mother with her sonPrint versionTEI versionStudio portrait of a mother with her sonKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  156. Street scene in Mala TepaPrint versionTEI versionStreet scene in Mala TepaCesar, VladoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  157. Studio portrait of a woman in folk costumePrint versionTEI versionStudio portrait of a woman in folk costumeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  158. Street scenePrint versionTEI versionStreet sceneunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  159. Studio portrait of a woman and a man in folk attirePrint versionTEI versionStudio portrait of a woman and a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  160. Group of peoplePrint versionTEI versionGroup of peopleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  161. Young people in folk attirePrint versionTEI versionYoung people in folk attireKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  162. Maria Luisa as an infantPrint versionTEI versionMaria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  163. Street marketPrint versionTEI versionStreet marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  164. Major Yerotey Sirmanov and his wife Ekaterina Nikolova AntikarovaPrint versionTEI versionMajor Yerotey Sirmanov and his wife Ekaterina Nikolova AntikarovaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  165. Studio portrait of a young man in urban clothesPrint versionTEI versionStudio portrait of a young man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  166. "SARAJEVO - Baščaršija - Market Place"Print versionTEI version"SARAJEVO - Baščaršija - Market Place"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  167. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  168. Studio portrait of three women in urban clothesPrint versionTEI versionStudio portrait of three women in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  169. Studio portrait of a young woman and a boy in folk attirePrint versionTEI versionStudio portrait of a young woman and a boy in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  170. The "Assumption of the Blessed Virgin Mary into Heaven" church in GabrovoPrint versionTEI versionThe "Assumption of the Blessed Virgin Mary into Heaven" church in GabrovoKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  171. Traditional ring dance called "Horo"Print versionTEI versionTraditional ring dance called "Horo"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  172. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  173. Women and men making hayPrint versionTEI versionWomen and men making hayKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  174. Studio portrait of two young womenPrint versionTEI versionStudio portrait of two young womenKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  175. Street vendors at SebiljPrint versionTEI versionStreet vendors at SebiljunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  176. Studio portrait of two women in folk attirePrint versionTEI versionStudio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  177. Street marketPrint versionTEI versionStreet marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  178. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  179. Delegates from Kyustendil in SofiaPrint versionTEI versionDelegates from Kyustendil in SofiaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  180. Greetings from SofiaPrint versionTEI versionGreetings from SofiaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  181. Studio portrait of a woman and a childPrint versionTEI versionStudio portrait of a woman and a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  182. Studio portrait of a man in a suitPrint versionTEI versionStudio portrait of a man in a suitKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  183. Studio portrait of a woman and a manPrint versionTEI versionStudio portrait of a woman and a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  184. Studio portrait of a woman and a manPrint versionTEI versionStudio portrait of a woman and a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  185. Studio portrait of the Marinovi familyPrint versionTEI versionStudio portrait of the Marinovi familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  186. The house of priest Ivan PopevstatievPrint versionTEI versionThe house of priest Ivan PopevstatievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  187. Parade on the occasion of the Day of the ChildPrint versionTEI versionParade on the occasion of the Day of the ChildKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  188. Studio portrait of a man in traditional attirePrint versionTEI versionStudio portrait of a man in traditional attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  189. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  190. Studio portrait of six young women in folk attirePrint versionTEI versionStudio portrait of six young women in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  191. The children of Dimitar MishevPrint versionTEI versionThe children of Dimitar MishevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  192. The Zlatarski familyPrint versionTEI versionThe Zlatarski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  193. Portrait of a young womanPrint versionTEI versionPortrait of a young womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  194. Folk costumesPrint versionTEI versionFolk costumesTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  195. Women from Peshtani villagePrint versionTEI versionWomen from Peshtani villageKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  196. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  197. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  198. Studio portrait of an elderly man in folk attirePrint versionTEI versionStudio portrait of an elderly man in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  199. Studio portrait of a womanPrint versionTEI versionStudio portrait of a womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  200. Studio portrait of a man in folk attirePrint versionTEI versionStudio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  201. Firemen in front of a burnt-out wooden house in SultanahmetPrint versionTEI versionFiremen in front of a burnt-out wooden house in SultanahmetGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  202. Facade in the airPrint versionTEI versionFacade in the airGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  203. Sheep and three lambs near the Egyptian BazaarPrint versionTEI versionSheep and three lambs near the Egyptian BazaarGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  204. Sheep in the Sütlüce slaughterhouse yardPrint versionTEI versionSheep in the Sütlüce slaughterhouse yardGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  205. Carrying the kurban, BeyoğluPrint versionTEI versionCarrying the kurban, BeyoğluGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  206. Flock of sheep by the seaPrint versionTEI versionFlock of sheep by the seaGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  207. Unveiling of the 'Victor' monument in KalemegdanPrint versionTEI versionUnveiling of the 'Victor' monument in KalemegdanGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  208. Lumberjacks in a winter landscapePrint versionTEI versionLumberjacks in a winter landscapeGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.