Outline of Cultural Materials
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- 100 Orientation
- 110 Bibliography
- 120 Methodology
- 130 Geography
- 140 Human Biology
- 150 Behavior Processes and Personality
- 160 Demography
- 170 History and Culture Change
- 180 Total Culture
- 190 Language
- 200 Communication
- 210 Records
- 220 Food Quest
- 230 Animal Husbandry
- 240 Agriculture
- 250 Food Processing
- 260 Food Consumption
- 270 Drink, Drugs, and Indulgence
- 280 Leather, Textiles, and Fabrics
- 290 Clothing
- 300 Adornment
- 310 Exploitative Activities
- 320 Processing of Basic Materials
- 330 Building and Construction
- 340 Structures
- 350 Equipment and Maintenance of BLDGS
- 360 Settelments
- 370 Energy and Power
- 390 Captial Goods Industries
- 400 Machines
- 410 Tools and Appliances
- 420 Property
- 430 Exchange
- 440 Marketing
- 450 Finance
- 460 Labor
- 470 Business and Industrial Organization
- 480 Travel and Transportation
- 490 Land Transport
- 500 Water, Air, and Space Transportation
- 510 Living Standards and Routines
- 520 Recreation
- 530 Arts
- 540 Commercialized Entertainment
- 550 Individuation and Mobility
- 560 Social Stratification
- 570 Interpersonal Relations
- 590 Familiy
- 620 Community
- 640 State
- 650 Government Activities
- 660 Political Behavior
- 670 Law
- 690 Justice
- 700 Armed Forces
- 710 Military Technology
- 720 War
- 730 Social Problems
- 740 Health and Welfare
- 750 Sickness
- 760 Death
- 770 Religious Beliefs
- 780 Religious Practices
- 790 Ecclesiatical Organization
- 820 Ideas about Nature and Man
- 850 Infancy and Childhood
- 870 Education
- 880 Adolescene, Adulthood, and Old Age
- 890 Gender Roles and Issues
360 Settelments > 369 Urban and Rural Life
Number of entries found: 208
BaščaršijaTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of two girlsKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an elderly man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The Hristo Zografski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Fanka and Georgi KuzmanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the Zlatarski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Maria Luisa in folk dressKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Maria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of girls in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Bulgarian bride"Stojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio wedding portrait of Fanka and Georgi KuzmanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
King Boris III with his children Maria Louise and SimeonKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Vignetted portrait of a womanKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Sagardžije StreetTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ivan Karshovski, Panayot Hitov, and Ivan ZerdeliyskiStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Selling wheat and corn in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The "Assumption of the Blessed Virgin Mary into Heaven" church in GabrovoKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young woman and a boy in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of three women in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two children in urban clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Joinery for wooden bowlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zdravka DagaradinovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street sceneunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a mother with her sonKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portraitunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Celebrating the Day of RosesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of three women in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Street Life / Ćemaluša Street"Kajon, Daniel A.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of major Marko Stefanov Dyulgerov and his wifeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young woman in folk attireKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a group of people in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Maria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Open street marketKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an elderly man in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of three girls in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photograph of Venka Serafimova and Georgi ZlatarskiKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Winter street sceneTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Ilia Dimitrov LepavzovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"His Majesty with the Crown Prince"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Teodora and Nestor Abadzhiev's familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Princess Maria-Luisa on a horseKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of six young women in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Livestock marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Stoil FindzhekovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene near the Nadkovači graveyardTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a women and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street vendors at SebiljunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Maria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Photograph of Ivan Karastoyanov's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Their Royal Majesties the Crown Prince and the Princess"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of KalchevaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Outdoor photograph of Minister of Interior Aleksander Lyudskanov among inhabitants of the village ZemenKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Delegates from Kyustendil in SofiaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ivan KarshovskiStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nesha Stoyanova as a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The King's garage in SofiaKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Potters’ marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A traditional ring dance called "Horo"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Kuncho KutinchevKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of three women in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
BaščaršijaTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Celebration of the St. Cyril and St. Methodius Day in EdirneKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Interior view of the Agricultural BankKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Carrying the kurban, BeyoğluGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Ekaterina KaravelovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Photograph of Ivan Karastoyanov's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Men and women dancing the traditional ring dance called "Horo"Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Facade in the airGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Studio portrait of Georgi Zlatarski, Jovan Cvijić, and Dimitar IlkovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an infantKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a womanKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two women and a manStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in a suitKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Sheep and three lambs near the Egyptian BazaarGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Studio portrait of an infantKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of women - wives of combatant-veterans from the Bulgarian Anti-Ottoman April Uprising 1876Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of six young womenKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The old Marketplace in SarajevounknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Funeral ceremonyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Varosh villageKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ivan KarastoyanovStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group photograph of three young women in town clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"SARAJEVO - Baščaršija - Market Place"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the Ilkov familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Maria Manolova-DimitrovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Sheep in the Sütlüce slaughterhouse yardGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Studio portrait of a girlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio group portraitKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
At the Sebilj fountainFoto SernaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Sagardžije StreetTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Hristovich' houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Maria Luisa as a childKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young man in urban clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of a group of four peopleKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Firemen in front of a burnt-out wooden house in SultanahmetGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Studio portrait of Andrey Dimitrov with his three daughtersKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of a young womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Flock of sheep by the seaGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Group portrait from a tour in the natureKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Young people in folk attireKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group of peopleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Anastas Dagaradinov as a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Postcard from SofiaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"At Lake Ochrida"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nikola Karastoyanov with his grandson IvanStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two womenKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Scenes From The Weekly Market In Sarajevo (Grain Sale)"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two men in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Grain trade in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the Marinovi familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Greetings from SofiaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Lumberjacks in a winter landscapeGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Studio portrait of a woman in traditional costumeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio photograph of a woman in back viewKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The house of the printer Karastoyanov in SamokovBozhinov, Nikola Iv.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Katerina B. IvanovaKarastoyanov, Ivan Anastasov; Apostolov, Toma K.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Two women in a room of a peasant's houseKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nik. ManolovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk dressKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Bulgarian folk dance"Stojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the Lazarov familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Georgi Mitov's sons, Dimitar and StoyanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk dressKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Women from Peshtani villageKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Folk costumesTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Unveiling of the 'Victor' monument in KalemegdanGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
The children of Dimitar MishevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Princess Maria Louise in Bulgarian folk attireKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk costumeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene in Mala TepaCesar, VladoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street vendors at SebiljunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two young womenKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The Zlatarski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a babyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in traditional attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The house of Georgi BenkovskiKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Major Yerotey Sirmanov and his wife Ekaterina Nikolova AntikarovaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Parade on the occasion of the Day of the ChildKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The house of priest Ivan PopevstatievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The Royal children Princess Maria Louise and Prince Simeon Borisov of Saxe-Coburg and GothaKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Traditional ring dance called "Horo"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Women and men making hayKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Sports scene from the Second Slav FairKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Memorial place of Todor KableshkovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio group portraitKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.