University of Basel

Visual Archive Southeastern Europe

Outline of Cultural Materials

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Outline of Cultural Materials Show as Tagcloud

  1. 100 Orientation
  2. 110 Bibliography
  3. 120 Methodology
  4. 130 Geography
  5. 140 Human Biology
  6. 150 Behavior Processes and Personality
  7. 160 Demography
  8. 170 History and Culture Change
  9. 180 Total Culture
  10. 190 Language
  11. 200 Communication
  12. 210 Records
  13. 220 Food Quest
  14. 230 Animal Husbandry
  15. 240 Agriculture
  16. 250 Food Processing
  17. 260 Food Consumption
  18. 270 Drink, Drugs, and Indulgence
  19. 280 Leather, Textiles, and Fabrics
  20. 290 Clothing
  21. 300 Adornment
  22. 310 Exploitative Activities
  23. 320 Processing of Basic Materials
  24. 330 Building and Construction
  25. 340 Structures
  26. 350 Equipment and Maintenance of BLDGS
  27. 360 Settelments
  28. 370 Energy and Power
  29. 390 Captial Goods Industries
  30. 400 Machines
  31. 410 Tools and Appliances
  32. 420 Property
  33. 430 Exchange
  34. 440 Marketing
  35. 450 Finance
  36. 460 Labor
  37. 470 Business and Industrial Organization
  38. 480 Travel and Transportation
  39. 490 Land Transport
  40. 500 Water, Air, and Space Transportation
  41. 510 Living Standards and Routines
  42. 520 Recreation
  43. 530 Arts
  44. 540 Commercialized Entertainment
  45. 550 Individuation and Mobility
  46. 560 Social Stratification
  47. 570 Interpersonal Relations
  48. 590 Familiy
  49. 620 Community
  50. 640 State
  51. 650 Government Activities
  52. 660 Political Behavior
  53. 670 Law
  54. 690 Justice
  55. 700 Armed Forces
  56. 710 Military Technology
  57. 720 War
  58. 730 Social Problems
  59. 740 Health and Welfare
  60. 750 Sickness
  61. 760 Death
  62. 770 Religious Beliefs
  63. 780 Religious Practices
  64. 790 Ecclesiatical Organization
  65. 820 Ideas about Nature and Man
  66. 850 Infancy and Childhood
  67. 870 Education
  68. 880 Adolescene, Adulthood, and Old Age
  69. 890 Gender Roles and Issues

> 360 Settelments

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Number of entries found: 433

  1. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  2. Street scenePrint versionTEI versionStreet sceneunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  3. Mills at a waterfallPrint versionTEI versionMills at a waterfallunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  4. Photograph of Ivan Karastoyanov's housePrint versionTEI versionPhotograph of Ivan Karastoyanov's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  5. Outdoor photograph of VišegradPrint versionTEI versionOutdoor photograph of VišegradJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  6. View of Kalemegdan ParkPrint versionTEI versionView of Kalemegdan ParkSimić, Aleksandar-AcaCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  7. Daniele Indaco with the Louvre PyramidPrint versionTEI versionDaniele Indaco with the Louvre PyramidKarastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  8. "Sarajevo. Predimaret"Print versionTEI version"Sarajevo. Predimaret"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  9. "Scenes From The Weekly Market In Sarajevo (Grain Sale)"Print versionTEI version"Scenes From The Weekly Market In Sarajevo (Grain Sale)"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  10. "Part Of Čaršija"Print versionTEI version"Part Of Čaršija"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  11. Studio portrait of a woman in folk dressPrint versionTEI versionStudio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  12. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  13. Studio portrait of a young woman in folk attirePrint versionTEI versionStudio portrait of a young woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  14. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  15. Studio portrait of two women and a manPrint versionTEI versionStudio portrait of two women and a manStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  16. An Orthodox church in BulgariaPrint versionTEI versionAn Orthodox church in BulgariaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  17. Studio portrait of Ivan Karshovski, Panayot Hitov, and Ivan ZerdeliyskiPrint versionTEI versionStudio portrait of Ivan Karshovski, Panayot Hitov, and Ivan ZerdeliyskiStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  18. Street scene in a Bosnian townPrint versionTEI versionStreet scene in a Bosnian townunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  19. Wedding photograph of Venka Serafimova and Georgi ZlatarskiPrint versionTEI versionWedding photograph of Venka Serafimova and Georgi ZlatarskiKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  20. Picture postcard with five medaillonsPrint versionTEI versionPicture postcard with five medaillonsunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  21. The National BankPrint versionTEI versionThe National BankKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  22. Open market in GabrovoPrint versionTEI versionOpen market in GabrovoKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  23. A view of Batak villagePrint versionTEI versionA view of Batak villageKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  24. Studio portrait of a woman in folk dressPrint versionTEI versionStudio portrait of a woman in folk dressKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  25. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  26. Studio portrait of a young man in urban clothesPrint versionTEI versionStudio portrait of a young man in urban clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  27. Woman in the streetPrint versionTEI versionWoman in the streetHalačević, NusretCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  28. Princess Maria Louise in Bulgarian folk attirePrint versionTEI versionPrincess Maria Louise in Bulgarian folk attireKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  29. "Targovska Street 1890 - Sofia."Print versionTEI version"Targovska Street 1890 - Sofia."Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  30. Chukur innPrint versionTEI versionChukur innKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  31. Settlement with three housesPrint versionTEI versionSettlement with three housesSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  32. Sagardžije StreetPrint versionTEI versionSagardžije StreetTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  33. Studio portrait of a babyPrint versionTEI versionStudio portrait of a babyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  34. "Sarajevo / Scene Of An Idyllic Turkish Childhood."Print versionTEI version"Sarajevo / Scene Of An Idyllic Turkish Childhood."unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  35. "L'entrée triomphale de l'armée Serbe à Bitol"Print versionTEI version"L'entrée triomphale de l'armée Serbe à Bitol"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  36. Street life at Šeher-Ćehajin Bridge and Mustaj-pasha's squarePrint versionTEI versionStreet life at Šeher-Ćehajin Bridge and Mustaj-pasha's squareunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  37. Outdoor group photographPrint versionTEI versionOutdoor group photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  38. Greetings from SamokovPrint versionTEI versionGreetings from SamokovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  39. "Sarajevo. Typical Local Shops (Dučans)."Print versionTEI version"Sarajevo. Typical Local Shops (Dučans)."unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  40. Street scene in BaščaršijaPrint versionTEI versionStreet scene in BaščaršijaTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  41. "Scenes From The Old Market Place In Sarajevo"Print versionTEI version"Scenes From The Old Market Place In Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  42. "Sarajevo / Baščaršija / Market Day"Print versionTEI version"Sarajevo / Baščaršija / Market Day"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  43. Studio portrait of an infantPrint versionTEI versionStudio portrait of an infantKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  44. "Sarajevo / Weekly Market"Print versionTEI version"Sarajevo / Weekly Market"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  45. An extended family photographPrint versionTEI versionAn extended family photographKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  46. Livestock marketPrint versionTEI versionLivestock marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  47. Studio portrait of a man in urban clothesPrint versionTEI versionStudio portrait of a man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  48. "Kavala"Print versionTEI version"Kavala"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  49. Horse marketPrint versionTEI versionHorse marketunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  50. Maria Luisa in folk dressPrint versionTEI versionMaria Luisa in folk dressKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  51. "Sarajevo - Washwomen"Print versionTEI version"Sarajevo - Washwomen"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  52. Selling wheat and corn in BaščaršijaPrint versionTEI versionSelling wheat and corn in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  53. "Sarajevo"Print versionTEI version"Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  54. Grain trade in BaščaršijaPrint versionTEI versionGrain trade in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  55. Studio portrait of two men in folk attirePrint versionTEI versionStudio portrait of two men in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  56. Studio portrait of a childPrint versionTEI versionStudio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  57. Studio portrait of a woman in folk dressPrint versionTEI versionStudio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  58. Street scenePrint versionTEI versionStreet sceneHalačević, NusretCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  59. Children on the streetPrint versionTEI versionChildren on the streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  60. "Le Drapeau du regiment"Print versionTEI version"Le Drapeau du regiment"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  61. "Sarajevo, Street"Print versionTEI version"Sarajevo, Street"Foto PutnikCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  62. Studio portrait of a womanPrint versionTEI versionStudio portrait of a womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  63. Studio portrait of a woman and a man in folk attirePrint versionTEI versionStudio portrait of a woman and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  64. Traditional Ottoman-style family housePrint versionTEI versionTraditional Ottoman-style family houseReiffenstein, BrunoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  65. Studio portrait of Teodora and Nestor Abadzhiev's familyPrint versionTEI versionStudio portrait of Teodora and Nestor Abadzhiev's familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  66. Library/cultural club "Slavyanska beseda" /Slav Dialog/Print versionTEI versionLibrary/cultural club "Slavyanska beseda" /Slav Dialog/Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  67. "Konvikt Saint Augustin. Sarajevo."Print versionTEI version"Konvikt Saint Augustin. Sarajevo."unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  68. "Sarajevo"Print versionTEI version"Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  69. "Sarajevo - Turkish Women"Print versionTEI version"Sarajevo - Turkish Women"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  70. Studio portrait of Fanka and Georgi KuzmanovPrint versionTEI versionStudio portrait of Fanka and Georgi KuzmanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  71. BaščaršijaPrint versionTEI versionBaščaršijaTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  72. CityscapePrint versionTEI versionCityscapeunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  73. Gabrovo townPrint versionTEI versionGabrovo townKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  74. Street scene at a bazaar (čaršija)Print versionTEI versionStreet scene at a bazaar (čaršija)Vlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  75. Sagardžije StreetPrint versionTEI versionSagardžije StreetTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  76. Prince's street in Tatar PazardzhikPrint versionTEI versionPrince's street in Tatar PazardzhikKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  77. At the Sebilj fountainPrint versionTEI versionAt the Sebilj fountainFoto SernaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  78. Muslim women's streetwearPrint versionTEI versionMuslim women's streetwearunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  79. Studio group portraitPrint versionTEI versionStudio group portraitKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  80. The Sofia SynagoguePrint versionTEI versionThe Sofia SynagogueKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  81. Group photograph of three young women in town clothesPrint versionTEI versionGroup photograph of three young women in town clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  82. Traditional Bosnian farmhousePrint versionTEI versionTraditional Bosnian farmhouseReiffenstein, BrunoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  83. "Sarajevo. Streetquarter"Print versionTEI version"Sarajevo. Streetquarter"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  84. "Sarajevo / Street Scene"Print versionTEI version"Sarajevo / Street Scene"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  85. Folk costumesPrint versionTEI versionFolk costumesTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  86. Street marketPrint versionTEI versionStreet marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  87. A view of Karlovo townPrint versionTEI versionA view of Karlovo townKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  88. Mosque with a clock towerPrint versionTEI versionMosque with a clock towerunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  89. "Sarajevo / Bazar"Print versionTEI version"Sarajevo / Bazar"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  90. Celebration of the St. Cyril and St. Methodius Day in EdirnePrint versionTEI versionCelebration of the St. Cyril and St. Methodius Day in EdirneKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  91. "Les Femmes de Yadar"Print versionTEI version"Les Femmes de Yadar"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  92. Studio portrait of Nikola Karastoyanov with his grandson IvanPrint versionTEI versionStudio portrait of Nikola Karastoyanov with his grandson IvanStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  93. Studio portrait of two women in folk attirePrint versionTEI versionStudio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  94. "Sarajevo / Museum"Print versionTEI version"Sarajevo / Museum"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  95. Studio portrait of a childPrint versionTEI versionStudio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  96. Group portraitPrint versionTEI versionGroup portraitunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  97. Children on the streetPrint versionTEI versionChildren on the streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  98. Photograph of Ivan Karastoyanov's housePrint versionTEI versionPhotograph of Ivan Karastoyanov's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  99. Maria Luisa as an infantPrint versionTEI versionMaria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  100. Sarajevo panorama with Mt. TrebevićPrint versionTEI versionSarajevo panorama with Mt. TrebevićTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  101. Foča cityscapePrint versionTEI versionFoča cityscapeunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  102. The National TheatrePrint versionTEI versionThe National TheatreKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  103. The King's garage in SofiaPrint versionTEI versionThe King's garage in SofiaKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  104. Potters’ marketPrint versionTEI versionPotters’ marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  105. Studio portrait of a young womanPrint versionTEI versionStudio portrait of a young womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  106. Two women with a baby in the wintertime on the streetPrint versionTEI versionTwo women with a baby in the wintertime on the streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  107. A traditional ring dance called "Horo"Print versionTEI versionA traditional ring dance called "Horo"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  108. The Central Market Hall in SofiaPrint versionTEI versionThe Central Market Hall in SofiaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  109. Studio group portraitPrint versionTEI versionStudio group portraitKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  110. Built-in cupboards in Vretov's housePrint versionTEI versionBuilt-in cupboards in Vretov's houseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  111. Memorial place of Todor KableshkovPrint versionTEI versionMemorial place of Todor KableshkovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  112. "Sarajevo: Muslim Quarter"Print versionTEI version"SarajevounknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  113. "Nadkovači Street"Print versionTEI version"Nadkovači Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  114. Studio portrait of a childPrint versionTEI versionStudio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  115. Street scenePrint versionTEI versionStreet sceneTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  116. Wedding portrait of Maria Manolova-DimitrovaPrint versionTEI versionWedding portrait of Maria Manolova-DimitrovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  117. Studio portrait of a girlPrint versionTEI versionStudio portrait of a girlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  118. "The Old Marketplace In Sarajevo"Print versionTEI version"The Old Marketplace In Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  119. Street vendors at the bottom of Nadkovači StreetPrint versionTEI versionStreet vendors at the bottom of Nadkovači StreetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  120. Wedding tablePrint versionTEI versionWedding tableKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  121. Old Bridge (Stari Most)Print versionTEI versionOld Bridge (Stari Most)Tomlinović, StjepanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  122. The Regional School in the town of PazardzhikPrint versionTEI versionThe Regional School in the town of PazardzhikKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  123. Herzegovinian villagePrint versionTEI versionHerzegovinian villageunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  124. Studio portrait of a woman in folk costumePrint versionTEI versionStudio portrait of a woman in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  125. "SARAJEVO / Bistrik."Print versionTEI version"SARAJEVO / Bistrik."unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  126. Studio portrait of Andrey Dimitrov with his three daughtersPrint versionTEI versionStudio portrait of Andrey Dimitrov with his three daughtersKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  127. Studio portrait of three girls in folk attirePrint versionTEI versionStudio portrait of three girls in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  128. Group portrait with peasantsPrint versionTEI versionGroup portrait with peasantsSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  129. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  130. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  131. Water millPrint versionTEI versionWater millunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  132. Old bathsPrint versionTEI versionOld bathsKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  133. Officer's messPrint versionTEI versionOfficer's messVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  134. "Kavala"Print versionTEI version"Kavala"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  135. Telal - Bell man at the marketPrint versionTEI versionTelal - Bell man at the marketunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  136. The clock tower street and the Tsanko Dyustabanov housePrint versionTEI versionThe clock tower street and the Tsanko Dyustabanov houseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  137. Old Bridge (Stari Most)Print versionTEI versionOld Bridge (Stari Most)Cesar, VladoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  138. Veiled women in front of a butcher shopPrint versionTEI versionVeiled women in front of a butcher shopunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  139. Street life in a residential quarterPrint versionTEI versionStreet life in a residential quarterunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  140. Studio portrait of two children in urban clothesPrint versionTEI versionStudio portrait of two children in urban clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  141. Joinery for wooden bowlPrint versionTEI versionJoinery for wooden bowlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  142. Studio portrait of a womanPrint versionTEI versionStudio portrait of a womanKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  143. "Sarajevo / Logavina Street"Print versionTEI version"Sarajevo / Logavina Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  144. "Elucidation"Print versionTEI version"Elucidation"Karastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  145. The "Konak" bridge in GabrovoPrint versionTEI versionThe "Konak" bridge in GabrovoKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  146. Studio portrait of a woman in folk dressPrint versionTEI versionStudio portrait of a woman in folk dressKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  147. Studio portrait of an infantPrint versionTEI versionStudio portrait of an infantKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  148. Legue StreetPrint versionTEI versionLegue StreetKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  149. Studio portrait of Georgi Zlatarski, Jovan Cvijić, and Dimitar IlkovPrint versionTEI versionStudio portrait of Georgi Zlatarski, Jovan Cvijić, and Dimitar IlkovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  150. Group of people standing in front of the Town HallPrint versionTEI versionGroup of people standing in front of the Town HallTopič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  151. Street scene near the Nadkovači graveyardPrint versionTEI versionStreet scene near the Nadkovači graveyardTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  152. "Veles"Print versionTEI version"Veles"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  153. Studio portrait of a women and a man in folk attirePrint versionTEI versionStudio portrait of a women and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  154. "Congress of opalchentsi-pobornitsi, Sofia 1921"Print versionTEI version"Congress of opalchentsi-pobornitsi, Sofia 1921"Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  155. Studio portrait of two women in folk attirePrint versionTEI versionStudio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  156. Stoil FindzhekovPrint versionTEI versionStoil FindzhekovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  157. Group portrait with Serbian peasantsPrint versionTEI versionGroup portrait with Serbian peasantsSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  158. Street marketPrint versionTEI versionStreet marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  159. Gabrovo townPrint versionTEI versionGabrovo townKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  160. Studio portrait of a woman in traditional costumePrint versionTEI versionStudio portrait of a woman in traditional costumeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  161. Eagles' BridgePrint versionTEI versionEagles' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  162. Street scene above BaščaršijaPrint versionTEI versionStreet scene above BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  163. "Sarajevo"Print versionTEI version"Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  164. "Sarajevo / Muslim Quarter"Print versionTEI version"Sarajevo / Muslim Quarter"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  165. Children on the streetPrint versionTEI versionChildren on the streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  166. Studio portrait of Zdravka DagaradinovaPrint versionTEI versionStudio portrait of Zdravka DagaradinovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  167. A wedding ritePrint versionTEI versionA wedding riteKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  168. Studio portrait of two womenPrint versionTEI versionStudio portrait of two womenKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  169. "The Sofia market"Print versionTEI version"The Sofia market"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  170. "Sarajevo - Kovači Street"Print versionTEI version"Sarajevo - Kovači Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  171. The house of the printer Karastoyanov in SamokovPrint versionTEI versionThe house of the printer Karastoyanov in SamokovBozhinov, Nikola Iv.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  172. "Sarajevo. Market Day In Baščaršija"Print versionTEI version"Sarajevo. Market Day In Baščaršija"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  173. Studio portrait of a man in folk attirePrint versionTEI versionStudio portrait of a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  174. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  175. Studio portrait of the Lazarov familyPrint versionTEI versionStudio portrait of the Lazarov familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  176. "Sarajevo / Market Scene"Print versionTEI version"Sarajevo / Market Scene"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  177. Studio portrait of Georgi Mitov's sons, Dimitar and StoyanPrint versionTEI versionStudio portrait of Georgi Mitov's sons, Dimitar and StoyanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  178. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  179. Street scene in a residential quarterPrint versionTEI versionStreet scene in a residential quarterTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  180. Studio portrait of Kuncho KutinchevPrint versionTEI versionStudio portrait of Kuncho KutinchevKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  181. Studio portrait of a man in folk attirePrint versionTEI versionStudio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  182. Studio portrait of three women in folk attirePrint versionTEI versionStudio portrait of three women in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  183. Studio portrait of a woman in folk dressPrint versionTEI versionStudio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  184. Group portrait of girls in folk attirePrint versionTEI versionGroup portrait of girls in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  185. Street life in the Main Street of MostarPrint versionTEI versionStreet life in the Main Street of MostarVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  186. Studio portrait of a young woman in folk attirePrint versionTEI versionStudio portrait of a young woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  187. Studio portrait of a group of people in folk attirePrint versionTEI versionStudio portrait of a group of people in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  188. Studio portrait of a young woman in folk attirePrint versionTEI versionStudio portrait of a young woman in folk attireKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  189. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  190. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  191. Telal - Bell man at the marketPrint versionTEI versionTelal - Bell man at the marketunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  192. "Bulgarian bride"Print versionTEI version"Bulgarian bride"Stojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  193. Studio wedding portrait of Fanka and Georgi KuzmanovPrint versionTEI versionStudio wedding portrait of Fanka and Georgi KuzmanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  194. Studio portrait of Ivan KarastoyanovPrint versionTEI versionStudio portrait of Ivan KarastoyanovStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  195. Railway stationPrint versionTEI versionRailway stationViditz, AugustCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  196. "Bulgarian folk dance"Print versionTEI version"Bulgarian folk dance"Stojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  197. A traditional ring dance called "Horo"Print versionTEI versionA traditional ring dance called "Horo"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  198. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  199. A Trabant on a roadPrint versionTEI versionA Trabant on a roadKarastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  200. Courtyard of a simple family residencePrint versionTEI versionCourtyard of a simple family residenceunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  201. Two men in a curriclePrint versionTEI versionTwo men in a curricleKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  202. Village street scenePrint versionTEI versionVillage street sceneunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  203. Sports scene from the Second Slav FairPrint versionTEI versionSports scene from the Second Slav FairKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  204. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  205. "Sarajevo / Strossmayer's Street"Print versionTEI version"Sarajevo / Strossmayer's Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  206. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  207. Portrait of women - wives of combatant-veterans from the Bulgarian Anti-Ottoman April Uprising 1876Print versionTEI versionPortrait of women - wives of combatant-veterans from the Bulgarian Anti-Ottoman April Uprising 1876Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  208. "Their Royal Majesties the Crown Prince and the Princess"Print versionTEI version"Their Royal Majesties the Crown Prince and the Princess"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  209. Studio portrait of six young womenPrint versionTEI versionStudio portrait of six young womenKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  210. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  211. "Sarajevo. Čaršija - Muslim Women Go Shopping"Print versionTEI version"Sarajevo. Čaršija - Muslim Women Go Shopping"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  212. Šeher-Ćehajin Bridge and BendbašaPrint versionTEI versionŠeher-Ćehajin Bridge and BendbašaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  213. A wedding ritualPrint versionTEI versionA wedding ritualKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  214. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  215. Studio portrait of three women in folk attirePrint versionTEI versionStudio portrait of three women in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  216. Street vendors at SebiljPrint versionTEI versionStreet vendors at SebiljunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  217. Studio portrait of Nesha Stoyanova as a childPrint versionTEI versionStudio portrait of Nesha Stoyanova as a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  218. "St. John Monastery near Ochrida"Print versionTEI version"St. John Monastery near Ochrida"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  219. Residential housePrint versionTEI versionResidential houseSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  220. Studio portrait of Ivan KarshovskiPrint versionTEI versionStudio portrait of Ivan KarshovskiStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  221. HayrickPrint versionTEI versionHayrickSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  222. Hotel NeretvaPrint versionTEI versionHotel NeretvaVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  223. Muslim children walking in the streetPrint versionTEI versionMuslim children walking in the streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  224. Otto Bieligk's HousePrint versionTEI versionOtto Bieligk's HouseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  225. "Greetings from Sofia."Print versionTEI version"Greetings from Sofia."Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  226. Hristovich' housePrint versionTEI versionHristovich' houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  227. Two women in a room of a peasant's housePrint versionTEI versionTwo women in a room of a peasant's houseKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  228. Studio portrait of Katerina B. IvanovaPrint versionTEI versionStudio portrait of Katerina B. IvanovaKarastoyanov, Ivan Anastasov; Apostolov, Toma K.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  229. A coffeehouse in AnkaraPrint versionTEI versionA coffeehouse in AnkaraunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  230. Maria Luisa as a childPrint versionTEI versionMaria Luisa as a childKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  231. "At Lake Ochrida"Print versionTEI version"At Lake Ochrida"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  232. Postcard from SofiaPrint versionTEI versionPostcard from SofiaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  233. CityscapePrint versionTEI versionCityscapeVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  234. Studio portrait of Anastas Dagaradinov as a childPrint versionTEI versionStudio portrait of Anastas Dagaradinov as a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  235. Studio portrait of Nik. ManolovPrint versionTEI versionStudio portrait of Nik. ManolovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  236. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  237. Varosh villagePrint versionTEI versionVarosh villageKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  238. A school in BratsigovoPrint versionTEI versionA school in BratsigovoKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  239. Men and women dancing the traditional ring dance called "Horo"Print versionTEI versionMen and women dancing the traditional ring dance called "Horo"Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  240. Mustaj-pasha's square (Mustaj pašin mejdan)Print versionTEI versionMustaj-pasha's square (Mustaj pašin mejdan)unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  241. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  242. Celebrating the Day of RosesPrint versionTEI versionCelebrating the Day of RosesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  243. Portrait of a group of four peoplePrint versionTEI versionPortrait of a group of four peopleKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  244. Three veiled women passing the Gazi-Husrev Bey's BezistanPrint versionTEI versionThree veiled women passing the Gazi-Husrev Bey's BezistanunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  245. Outdoor photograph of Minister of Interior Aleksander Lyudskanov among inhabitants of the village ZemenPrint versionTEI versionOutdoor photograph of Minister of Interior Aleksander Lyudskanov among inhabitants of the village ZemenKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  246. View of Sofia and the Lions' BridgePrint versionTEI versionView of Sofia and the Lions' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  247. Winter street scenePrint versionTEI versionWinter street sceneTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  248. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  249. Sunday street lifePrint versionTEI versionSunday street lifeSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  250. The house of Georgi BenkovskiPrint versionTEI versionThe house of Georgi BenkovskiKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  251. Ford car paradePrint versionTEI versionFord car paradeunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  252. Studio portrait of a childPrint versionTEI versionStudio portrait of a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  253. "Sarajevo = Alifakovac"Print versionTEI version"Sarajevo = Alifakovac"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  254. At the fountainPrint versionTEI versionAt the fountainunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  255. King Boris III with his children Maria Louise and SimeonPrint versionTEI versionKing Boris III with his children Maria Louise and SimeonKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  256. Studio portrait of the Zlatarski familyPrint versionTEI versionStudio portrait of the Zlatarski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  257. Studio portrait of an elderly man in folk attirePrint versionTEI versionStudio portrait of an elderly man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  258. Vignetted portrait of a womanPrint versionTEI versionVignetted portrait of a womanKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  259. Residential housePrint versionTEI versionResidential houseSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  260. Interior view of the Agricultural BankPrint versionTEI versionInterior view of the Agricultural BankKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  261. Studio portrait of a man in urban clothesPrint versionTEI versionStudio portrait of a man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  262. Street scene in BaščaršijaPrint versionTEI versionStreet scene in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  263. BaščaršijaPrint versionTEI versionBaščaršijaTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  264. Portrait of two girlsPrint versionTEI versionPortrait of two girlsKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  265. The Hristo Zografski familyPrint versionTEI versionThe Hristo Zografski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  266. "Sarajevo. Telal. Bell Man At The Market"Print versionTEI version"Sarajevo. Telal. Bell Man At The Market"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  267. "Sarajevo - Baščaršija - Market Place"Print versionTEI version"Sarajevo - Baščaršija - Market Place"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  268. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  269. Ludzhene landscapePrint versionTEI versionLudzhene landscapeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  270. "In Remembrance Of His Majesty's First Visit To Sarajevo And Mostar"Print versionTEI version"In Remembrance Of His Majesty's First Visit To Sarajevo And Mostar"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  271. Shoe shop in BaščaršijaPrint versionTEI versionShoe shop in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  272. Studio portrait of KalchevaPrint versionTEI versionStudio portrait of KalchevaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  273. "Nadkovači Street"Print versionTEI version"Nadkovači Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  274. Selling flatbread (somun) in BaščaršijaPrint versionTEI versionSelling flatbread (somun) in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  275. Maria Luisa as an infantPrint versionTEI versionMaria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  276. Knez Mihailo Street, 1927Print versionTEI versionKnez Mihailo Street, 1927Simić, Aleksandar-AcaCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  277. Open street marketPrint versionTEI versionOpen street marketKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  278. "Sarajevo / Street Life / Ćemaluša Street"Print versionTEI version"Sarajevo / Street Life / Ćemaluša Street"Kajon, Daniel A.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  279. Studio portrait of major Marko Stefanov Dyulgerov and his wifePrint versionTEI versionStudio portrait of major Marko Stefanov Dyulgerov and his wifeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  280. Wedding portrait of Ilia Dimitrov LepavzovPrint versionTEI versionWedding portrait of Ilia Dimitrov LepavzovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  281. "St. Nikola" church in the district of PrilepPrint versionTEI version"St. Nikola" church in the district of PrilepKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  282. "His Majesty with the Crown Prince"Print versionTEI version"His Majesty with the Crown Prince"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  283. Street scene in a residential quarterPrint versionTEI versionStreet scene in a residential quarterTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  284. "En Albanie: les derniers blessés des derniers combats"Print versionTEI version"En AlbanieMarjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  285. Studio portrait of a woman and a man in folk attirePrint versionTEI versionStudio portrait of a woman and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  286. Rural wedding photographPrint versionTEI versionRural wedding photographKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  287. "Nadkovači Street"Print versionTEI version"Nadkovači Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  288. "Sarajevo - Kovači Street"Print versionTEI version"Sarajevo - Kovači Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  289. Studio photograph of a woman in back viewPrint versionTEI versionStudio photograph of a woman in back viewKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  290. Funeral ceremonyPrint versionTEI versionFuneral ceremonyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  291. The old Marketplace in SarajevoPrint versionTEI versionThe old Marketplace in SarajevounknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  292. Ekaterina KaravelovaPrint versionTEI versionEkaterina KaravelovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  293. Traditional Ottoman-style housePrint versionTEI versionTraditional Ottoman-style houseReiffenstein, BrunoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  294. The Royal children Princess Maria Louise and Prince Simeon Borisov of Saxe-Coburg and GothaPrint versionTEI versionThe Royal children Princess Maria Louise and Prince Simeon Borisov of Saxe-Coburg and GothaKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  295. "The St. Naum Monastery near Ochrida"Print versionTEI version"The St. Naum Monastery near Ochrida"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  296. "Sarajevo / Baščaršija / Market Day"Print versionTEI version"Sarajevo / Baščaršija / Market Day"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  297. Mostar cityscapePrint versionTEI versionMostar cityscapeunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  298. "Bosnia - Turkish Women On The Street"Print versionTEI version"Bosnia - Turkish Women On The Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  299. Priest Neofit's schoolPrint versionTEI versionPriest Neofit's schoolKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  300. "Turkish Women On The Street In Bosnia"Print versionTEI version"Turkish Women On The Street In Bosnia"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  301. Lions' BridgePrint versionTEI versionLions' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  302. Studio portrait of the Ilkov familyPrint versionTEI versionStudio portrait of the Ilkov familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  303. Country wayPrint versionTEI versionCountry wayunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  304. Studio portrait of a man in folk attirePrint versionTEI versionStudio portrait of a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  305. Wedding tablePrint versionTEI versionWedding tableKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  306. Princess Maria-Luisa on a horsePrint versionTEI versionPrincess Maria-Luisa on a horseKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  307. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  308. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  309. Ottoman residential architecturePrint versionTEI versionOttoman residential architectureunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  310. Monument commemorating the Kosovo HeroesPrint versionTEI versionMonument commemorating the Kosovo HeroesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  311. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  312. Group portrait from a tour in the naturePrint versionTEI versionGroup portrait from a tour in the natureKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  313. Street vendors in BaščaršijaPrint versionTEI versionStreet vendors in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  314. A Gabrovo street with the building of the Girls' SchoolPrint versionTEI versionA Gabrovo street with the building of the Girls' SchoolKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  315. Sarajevo panorama with Mt. TrebevićPrint versionTEI versionSarajevo panorama with Mt. TrebevićTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  316. Studio portrait of a man in folk attirePrint versionTEI versionStudio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  317. Studio portrait of a mother with her sonPrint versionTEI versionStudio portrait of a mother with her sonKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  318. Mustakovi's housePrint versionTEI versionMustakovi's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  319. Street scene in Mala TepaPrint versionTEI versionStreet scene in Mala TepaCesar, VladoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  320. Studio portrait of a woman in folk costumePrint versionTEI versionStudio portrait of a woman in folk costumeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  321. Street scenePrint versionTEI versionStreet sceneunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  322. Studio portrait of a woman and a man in folk attirePrint versionTEI versionStudio portrait of a woman and a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  323. Group of peoplePrint versionTEI versionGroup of peopleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  324. Young people in folk attirePrint versionTEI versionYoung people in folk attireKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  325. "Sarajevo - Street Area In Front Of The City Hall"Print versionTEI version"Sarajevo - Street Area In Front Of The City Hall"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  326. Portrait of the family of Toplesh's priеstPrint versionTEI versionPortrait of the family of Toplesh's priеstKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  327. Targovska StreetPrint versionTEI versionTargovska StreetKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  328. Maria Luisa as an infantPrint versionTEI versionMaria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  329. Street marketPrint versionTEI versionStreet marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  330. Major Yerotey Sirmanov and his wife Ekaterina Nikolova AntikarovaPrint versionTEI versionMajor Yerotey Sirmanov and his wife Ekaterina Nikolova AntikarovaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  331. Xylographers taking a restPrint versionTEI versionXylographers taking a restunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  332. Wood market in BaščaršijaPrint versionTEI versionWood market in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  333. Studio portrait of a young man in urban clothesPrint versionTEI versionStudio portrait of a young man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  334. "SARAJEVO - Baščaršija - Market Place"Print versionTEI version"SARAJEVO - Baščaršija - Market Place"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  335. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  336. Studio portrait of three women in urban clothesPrint versionTEI versionStudio portrait of three women in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  337. Grain trade in BaščaršijaPrint versionTEI versionGrain trade in BaščaršijaDrakulić, NikolaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  338. Studio portrait of a young woman and a boy in folk attirePrint versionTEI versionStudio portrait of a young woman and a boy in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  339. The "Assumption of the Blessed Virgin Mary into Heaven" church in GabrovoPrint versionTEI versionThe "Assumption of the Blessed Virgin Mary into Heaven" church in GabrovoKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  340. Traditional ring dance called "Horo"Print versionTEI versionTraditional ring dance called "Horo"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  341. Herzegovinian villagePrint versionTEI versionHerzegovinian villageunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  342. "Sarajevo"Print versionTEI version"Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  343. "Sarajevo = Street Scene"Print versionTEI version"Sarajevo = Street Scene"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  344. "Sarajevo. Appel Quay. Site Of The Assassination On July 28th"Print versionTEI version"Sarajevo. Appel Quay. Site Of The Assassination On July 28th"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  345. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  346. Women and men making hayPrint versionTEI versionWomen and men making hayKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  347. Studio portrait of two young womenPrint versionTEI versionStudio portrait of two young womenKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  348. Street vendors at SebiljPrint versionTEI versionStreet vendors at SebiljunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  349. CityscapePrint versionTEI versionCityscapeVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  350. Studio portrait of two women in folk attirePrint versionTEI versionStudio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  351. The church tower in BratsigovoPrint versionTEI versionThe church tower in BratsigovoKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  352. Street scene with a donkeyPrint versionTEI versionStreet scene with a donkeyKajon, Daniel A.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  353. Street marketPrint versionTEI versionStreet marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  354. Firefighters at workPrint versionTEI versionFirefighters at workKarastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  355. Tsar Osvoboditel BoulevardPrint versionTEI versionTsar Osvoboditel BoulevardKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  356. "Sarajevo - Čaršija"Print versionTEI version"Sarajevo - Čaršija"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  357. Weir systemPrint versionTEI versionWeir systemunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  358. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  359. "Sarajevo"Print versionTEI version"Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  360. SettlementPrint versionTEI versionSettlementunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  361. Delegates from Kyustendil in SofiaPrint versionTEI versionDelegates from Kyustendil in SofiaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  362. Greetings from SofiaPrint versionTEI versionGreetings from SofiaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  363. "Sarajevo. Street Market In The Muslim Quarter"Print versionTEI version"Sarajevo. Street Market In The Muslim Quarter"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  364. Studio portrait of a woman and a childPrint versionTEI versionStudio portrait of a woman and a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  365. Studio portrait of a man in a suitPrint versionTEI versionStudio portrait of a man in a suitKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  366. Studio portrait of a woman and a manPrint versionTEI versionStudio portrait of a woman and a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  367. Studio portrait of a woman and a manPrint versionTEI versionStudio portrait of a woman and a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  368. Group portrait with Serbian peasantsPrint versionTEI versionGroup portrait with Serbian peasantsSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  369. Studio portrait of the Marinovi familyPrint versionTEI versionStudio portrait of the Marinovi familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  370. Studio portrait of Hristo StanishevPrint versionTEI versionStudio portrait of Hristo StanishevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  371. Winter street scenePrint versionTEI versionWinter street sceneunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  372. A view over Peshtera townPrint versionTEI versionA view over Peshtera townKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  373. Fishermen at the waterside of NeretvaPrint versionTEI versionFishermen at the waterside of NeretvaVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  374. "Greetings From Sarajevo"Print versionTEI version"Greetings From Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  375. The house of priest Ivan PopevstatievPrint versionTEI versionThe house of priest Ivan PopevstatievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  376. Inside a traditional farmhousePrint versionTEI versionInside a traditional farmhouseReiffenstein, BrunoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  377. Every day life at the fountain SebiljPrint versionTEI versionEvery day life at the fountain SebiljTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  378. Parade on the occasion of the Day of the ChildPrint versionTEI versionParade on the occasion of the Day of the ChildKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  379. Studio portrait of a man in traditional attirePrint versionTEI versionStudio portrait of a man in traditional attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  380. Studio portrait of a woman in folk attirePrint versionTEI versionStudio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  381. Watch tower (kula) from the Ottoman periodPrint versionTEI versionWatch tower (kula) from the Ottoman periodSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  382. Studio portrait of six young women in folk attirePrint versionTEI versionStudio portrait of six young women in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  383. The children of Dimitar MishevPrint versionTEI versionThe children of Dimitar MishevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  384. Orphanage in KaloferPrint versionTEI versionOrphanage in KaloferKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  385. "Bosnia - Market Scene And Turkish Women"Print versionTEI version"Bosnia - Market Scene And Turkish Women"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  386. Toplesh villagePrint versionTEI versionToplesh villageKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  387. The Zlatarski familyPrint versionTEI versionThe Zlatarski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  388. "Sarajevo = Area Near The City Hall"Print versionTEI version"Sarajevo = Area Near The City Hall"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  389. "Sarajevo. Muslim Girls On The Street"Print versionTEI version"Sarajevo. Muslim Girls On The Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  390. City panoramaPrint versionTEI versionCity panoramaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  391. Portrait of a young womanPrint versionTEI versionPortrait of a young womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  392. Folk costumesPrint versionTEI versionFolk costumesTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  393. Elena Belkovska's housePrint versionTEI versionElena Belkovska's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  394. Women from Peshtani villagePrint versionTEI versionWomen from Peshtani villageKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  395. Studio portrait of a manPrint versionTEI versionStudio portrait of a manKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  396. Taking a restPrint versionTEI versionTaking a restVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  397. Studio portrait of a man in folk costumePrint versionTEI versionStudio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  398. Nadmlin streetPrint versionTEI versionNadmlin streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  399. Studio portrait of an elderly man in folk attirePrint versionTEI versionStudio portrait of an elderly man in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  400. Bridge over Maritsa riverPrint versionTEI versionBridge over Maritsa riverKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  401. Firefighter on a roofPrint versionTEI versionFirefighter on a roofKarastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  402. "Scenes From The Old Market Place In Sarajevo - Measuring Grain"Print versionTEI version"Scenes From The Old Market Place In Sarajevo - Measuring Grain"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  403. Wedding rite with cockPrint versionTEI versionWedding rite with cockKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  404. Studio portrait of a womanPrint versionTEI versionStudio portrait of a womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  405. The "St. Petar" monasteryPrint versionTEI versionThe "St. Petar" monasteryKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  406. "Ljubuški / Čaršija Žabljak"Print versionTEI version"Ljubuški / Čaršija Žabljak"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  407. Studio portrait of a man in folk attirePrint versionTEI versionStudio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  408. "Sarajevo / Strossmayer's Street"Print versionTEI version"Sarajevo / Strossmayer's Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  409. Shops at the bottom of Kovači streetPrint versionTEI versionShops at the bottom of Kovači streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  410. Gabrovo townPrint versionTEI versionGabrovo townKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  411. Military funeral procession in Süleyman Seba StreetPrint versionTEI versionMilitary funeral procession in Süleyman Seba StreetGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  412. Lady and girl walking on the Akıntıburnu quayPrint versionTEI versionLady and girl walking on the Akıntıburnu quayGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  413. Street scene in AksarayPrint versionTEI versionStreet scene in AksarayGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  414. Flea market in EdirnekapıPrint versionTEI versionFlea market in EdirnekapıunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  415. Street vendor reading a newspaperPrint versionTEI versionStreet vendor reading a newspaperunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  416. Children posing on the staircase of the Tayyare apartment buildingPrint versionTEI versionChildren posing on the staircase of the Tayyare apartment buildingunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  417. Tayyare apartment buildingsPrint versionTEI versionTayyare apartment buildingsunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  418. Female athletes in Taksim StadiumPrint versionTEI versionFemale athletes in Taksim StadiumunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  419. Beyazıt Square on the Day of the RepublicPrint versionTEI versionBeyazıt Square on the Day of the RepublicunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  420. Firemen in front of a burnt-out wooden house in SultanahmetPrint versionTEI versionFiremen in front of a burnt-out wooden house in SultanahmetGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  421. Facade in the airPrint versionTEI versionFacade in the airGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  422. Sheep and three lambs near the Egyptian BazaarPrint versionTEI versionSheep and three lambs near the Egyptian BazaarGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  423. Sheep in the Sütlüce slaughterhouse yardPrint versionTEI versionSheep in the Sütlüce slaughterhouse yardGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  424. Carrying the kurban, BeyoğluPrint versionTEI versionCarrying the kurban, BeyoğluGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  425. Flock of sheep by the seaPrint versionTEI versionFlock of sheep by the seaGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  426. Photographer’s shadow on Atatürk BridgePrint versionTEI versionPhotographer’s shadow on Atatürk BridgeGiz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  427. Visiting Atatürk Bridge under constructionPrint versionTEI versionVisiting Atatürk Bridge under constructionGiz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  428. Line-up on the Atatürk Bridge construction sitePrint versionTEI versionLine-up on the Atatürk Bridge construction siteGiz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  429. Unveiling of the 'Victor' monument in KalemegdanPrint versionTEI versionUnveiling of the 'Victor' monument in KalemegdanGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  430. The Officers' Club buildingPrint versionTEI versionThe Officers' Club buildingGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  431. Enjoying the spring sun in KalemegdanPrint versionTEI versionEnjoying the spring sun in KalemegdanGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  432. Lumberjacks in a winter landscapePrint versionTEI versionLumberjacks in a winter landscapeGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  433. Film set of 'Za čast otadžbine' in KalemegdanPrint versionTEI versionFilm set of 'Za čast otadžbine' in KalemegdanGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.