Outline of Cultural Materials
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Outline of Cultural Materials Show as Tagcloud
- 100 Orientation
- 110 Bibliography
- 120 Methodology
- 130 Geography
- 140 Human Biology
- 150 Behavior Processes and Personality
- 160 Demography
- 170 History and Culture Change
- 180 Total Culture
- 190 Language
- 200 Communication
- 210 Records
- 220 Food Quest
- 230 Animal Husbandry
- 240 Agriculture
- 250 Food Processing
- 260 Food Consumption
- 270 Drink, Drugs, and Indulgence
- 280 Leather, Textiles, and Fabrics
- 290 Clothing
- 300 Adornment
- 310 Exploitative Activities
- 320 Processing of Basic Materials
- 330 Building and Construction
- 340 Structures
- 350 Equipment and Maintenance of BLDGS
- 360 Settelments
- 370 Energy and Power
- 390 Captial Goods Industries
- 400 Machines
- 410 Tools and Appliances
- 420 Property
- 430 Exchange
- 440 Marketing
- 450 Finance
- 460 Labor
- 470 Business and Industrial Organization
- 480 Travel and Transportation
- 490 Land Transport
- 500 Water, Air, and Space Transportation
- 510 Living Standards and Routines
- 520 Recreation
- 530 Arts
- 540 Commercialized Entertainment
- 550 Individuation and Mobility
- 560 Social Stratification
- 570 Interpersonal Relations
- 590 Familiy
- 620 Community
- 640 State
- 650 Government Activities
- 660 Political Behavior
- 670 Law
- 690 Justice
- 700 Armed Forces
- 710 Military Technology
- 720 War
- 730 Social Problems
- 740 Health and Welfare
- 750 Sickness
- 760 Death
- 770 Religious Beliefs
- 780 Religious Practices
- 790 Ecclesiatical Organization
- 820 Ideas about Nature and Man
- 850 Infancy and Childhood
- 870 Education
- 880 Adolescene, Adulthood, and Old Age
- 890 Gender Roles and Issues
> 360 Settelments
Number of entries found: 433
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street sceneunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Mills at a waterfallunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Photograph of Ivan Karastoyanov's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Outdoor photograph of VišegradJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
View of Kalemegdan ParkSimić, Aleksandar-AcaCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Daniele Indaco with the Louvre PyramidKarastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo. Predimaret"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Scenes From The Weekly Market In Sarajevo (Grain Sale)"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Part Of Čaršija"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two women and a manStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
An Orthodox church in BulgariaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ivan Karshovski, Panayot Hitov, and Ivan ZerdeliyskiStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene in a Bosnian townunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photograph of Venka Serafimova and Georgi ZlatarskiKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Picture postcard with five medaillonsunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The National BankKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Open market in GabrovoKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A view of Batak villageKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk dressKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young man in urban clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Woman in the streetHalačević, NusretCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Princess Maria Louise in Bulgarian folk attireKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Targovska Street 1890 - Sofia."Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Chukur innKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Settlement with three housesSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Sagardžije StreetTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a babyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Scene Of An Idyllic Turkish Childhood."unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"L'entrée triomphale de l'armée Serbe à Bitol"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street life at Šeher-Ćehajin Bridge and Mustaj-pasha's squareunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Outdoor group photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Greetings from SamokovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo. Typical Local Shops (Dučans)."unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene in BaščaršijaTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Scenes From The Old Market Place In Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Baščaršija / Market Day"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an infantKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Weekly Market"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
An extended family photographKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Livestock marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Kavala"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Horse marketunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Maria Luisa in folk dressKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo - Washwomen"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Selling wheat and corn in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Grain trade in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two men in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street sceneHalačević, NusretCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Children on the streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Le Drapeau du regiment"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo, Street"Foto PutnikCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Traditional Ottoman-style family houseReiffenstein, BrunoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Teodora and Nestor Abadzhiev's familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Library/cultural club "Slavyanska beseda" /Slav Dialog/Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Konvikt Saint Augustin. Sarajevo."unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo - Turkish Women"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Fanka and Georgi KuzmanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
BaščaršijaTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
CityscapeunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Gabrovo townKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene at a bazaar (čaršija)Vlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Sagardžije StreetTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Prince's street in Tatar PazardzhikKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
At the Sebilj fountainFoto SernaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Muslim women's streetwearunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio group portraitKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The Sofia SynagogueKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group photograph of three young women in town clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Traditional Bosnian farmhouseReiffenstein, BrunoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo. Streetquarter"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Street Scene"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Folk costumesTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A view of Karlovo townKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Mosque with a clock towerunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Bazar"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Celebration of the St. Cyril and St. Methodius Day in EdirneKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Les Femmes de Yadar"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nikola Karastoyanov with his grandson IvanStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Museum"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portraitunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Children on the streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Photograph of Ivan Karastoyanov's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Maria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Sarajevo panorama with Mt. TrebevićTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Foča cityscapeunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The National TheatreKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The King's garage in SofiaKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Potters’ marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Two women with a baby in the wintertime on the streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A traditional ring dance called "Horo"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The Central Market Hall in SofiaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio group portraitKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Built-in cupboards in Vretov's houseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Memorial place of Todor KableshkovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"SarajevounknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Nadkovači Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street sceneTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Maria Manolova-DimitrovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a girlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"The Old Marketplace In Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street vendors at the bottom of Nadkovači StreetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding tableKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Old Bridge (Stari Most)Tomlinović, StjepanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The Regional School in the town of PazardzhikKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Herzegovinian villageunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"SARAJEVO / Bistrik."unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Andrey Dimitrov with his three daughtersKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of three girls in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait with peasantsSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Water millunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Old bathsKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Officer's messVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Kavala"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Telal - Bell man at the marketunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The clock tower street and the Tsanko Dyustabanov houseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Old Bridge (Stari Most)Cesar, VladoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Veiled women in front of a butcher shopunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street life in a residential quarterunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two children in urban clothesKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Joinery for wooden bowlKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a womanKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Logavina Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Elucidation"Karastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The "Konak" bridge in GabrovoKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk dressKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an infantKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Legue StreetKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Georgi Zlatarski, Jovan Cvijić, and Dimitar IlkovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group of people standing in front of the Town HallTopič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene near the Nadkovači graveyardTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Veles"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a women and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Congress of opalchentsi-pobornitsi, Sofia 1921"Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Stoil FindzhekovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait with Serbian peasantsSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Gabrovo townKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in traditional costumeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Eagles' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene above BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Muslim Quarter"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Children on the streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zdravka DagaradinovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A wedding riteKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two womenKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"The Sofia market"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo - Kovači Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The house of the printer Karastoyanov in SamokovBozhinov, Nikola Iv.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo. Market Day In Baščaršija"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the Lazarov familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Market Scene"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Georgi Mitov's sons, Dimitar and StoyanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene in a residential quarterTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Kuncho KutinchevKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of three women in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk dressKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of girls in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street life in the Main Street of MostarVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a group of people in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young woman in folk attireKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Telal - Bell man at the marketunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Bulgarian bride"Stojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio wedding portrait of Fanka and Georgi KuzmanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ivan KarastoyanovStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Railway stationViditz, AugustCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Bulgarian folk dance"Stojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A traditional ring dance called "Horo"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A Trabant on a roadKarastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Courtyard of a simple family residenceunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Two men in a curricleKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Village street sceneunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Sports scene from the Second Slav FairKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Strossmayer's Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of women - wives of combatant-veterans from the Bulgarian Anti-Ottoman April Uprising 1876Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Their Royal Majesties the Crown Prince and the Princess"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of six young womenKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo. Čaršija - Muslim Women Go Shopping"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Šeher-Ćehajin Bridge and BendbašaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A wedding ritualKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of three women in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street vendors at SebiljunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nesha Stoyanova as a childKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"St. John Monastery near Ochrida"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Residential houseSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ivan KarshovskiStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
HayrickSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Hotel NeretvaVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Muslim children walking in the streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Otto Bieligk's HouseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Greetings from Sofia."Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Hristovich' houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Two women in a room of a peasant's houseKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Katerina B. IvanovaKarastoyanov, Ivan Anastasov; Apostolov, Toma K.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A coffeehouse in AnkaraunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Maria Luisa as a childKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"At Lake Ochrida"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Postcard from SofiaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
CityscapeVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Anastas Dagaradinov as a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nik. ManolovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Varosh villageKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A school in BratsigovoKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Men and women dancing the traditional ring dance called "Horo"Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Mustaj-pasha's square (Mustaj pašin mejdan)unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Celebrating the Day of RosesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of a group of four peopleKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Three veiled women passing the Gazi-Husrev Bey's BezistanunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Outdoor photograph of Minister of Interior Aleksander Lyudskanov among inhabitants of the village ZemenKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
View of Sofia and the Lions' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Winter street sceneTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Sunday street lifeSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The house of Georgi BenkovskiKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Ford car paradeunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Studio portrait of a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo = Alifakovac"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
At the fountainunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
King Boris III with his children Maria Louise and SimeonKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the Zlatarski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an elderly man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Vignetted portrait of a womanKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Residential houseSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Interior view of the Agricultural BankKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
BaščaršijaTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of two girlsKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The Hristo Zografski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo. Telal. Bell Man At The Market"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo - Baščaršija - Market Place"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Ludzhene landscapeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"In Remembrance Of His Majesty's First Visit To Sarajevo And Mostar"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Shoe shop in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of KalchevaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Nadkovači Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Selling flatbread (somun) in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Maria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Knez Mihailo Street, 1927Simić, Aleksandar-AcaCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Open street marketKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Street Life / Ćemaluša Street"Kajon, Daniel A.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of major Marko Stefanov Dyulgerov and his wifeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Ilia Dimitrov LepavzovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"St. Nikola" church in the district of PrilepKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"His Majesty with the Crown Prince"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene in a residential quarterTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"En AlbanieMarjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Rural wedding photographKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Nadkovači Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo - Kovači Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio photograph of a woman in back viewKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Funeral ceremonyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The old Marketplace in SarajevounknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Ekaterina KaravelovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Traditional Ottoman-style houseReiffenstein, BrunoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The Royal children Princess Maria Louise and Prince Simeon Borisov of Saxe-Coburg and GothaKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"The St. Naum Monastery near Ochrida"Karastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Baščaršija / Market Day"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Mostar cityscapeunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Bosnia - Turkish Women On The Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Priest Neofit's schoolKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Turkish Women On The Street In Bosnia"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Lions' BridgeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the Ilkov familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Country wayunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding tableKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Princess Maria-Luisa on a horseKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Ottoman residential architectureunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Monument commemorating the Kosovo HeroesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait from a tour in the natureKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street vendors in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A Gabrovo street with the building of the Girls' SchoolKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Sarajevo panorama with Mt. TrebevićTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a mother with her sonKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Mustakovi's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene in Mala TepaCesar, VladoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk costumeKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street sceneunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a man in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group of peopleSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Young people in folk attireKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo - Street Area In Front Of The City Hall"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of the family of Toplesh's priеstKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Targovska StreetKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Maria Luisa as an infantKurtz [Curtius], MoritzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Major Yerotey Sirmanov and his wife Ekaterina Nikolova AntikarovaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Xylographers taking a restunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wood market in BaščaršijaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"SARAJEVO - Baščaršija - Market Place"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of three women in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Grain trade in BaščaršijaDrakulić, NikolaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young woman and a boy in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The "Assumption of the Blessed Virgin Mary into Heaven" church in GabrovoKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Traditional ring dance called "Horo"Karastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Herzegovinian villageunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo = Street Scene"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo. Appel Quay. Site Of The Assassination On July 28th"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Women and men making hayKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two young womenKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street vendors at SebiljunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
CityscapeVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of two women in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The church tower in BratsigovoKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street scene with a donkeyKajon, Daniel A.Collection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Street marketKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Firefighters at workKarastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Tsar Osvoboditel BoulevardKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo - Čaršija"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Weir systemunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
SettlementunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Delegates from Kyustendil in SofiaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Greetings from SofiaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo. Street Market In The Muslim Quarter"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a childKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in a suitKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a manKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait with Serbian peasantsSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the Marinovi familyKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Hristo StanishevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Winter street sceneunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A view over Peshtera townKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Fishermen at the waterside of NeretvaVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Greetings From Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The house of priest Ivan PopevstatievKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Inside a traditional farmhouseReiffenstein, BrunoCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Every day life at the fountain SebiljTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Parade on the occasion of the Day of the ChildKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in traditional attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Watch tower (kula) from the Ottoman periodSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of six young women in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The children of Dimitar MishevKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Orphanage in KaloferKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Bosnia - Market Scene And Turkish Women"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Toplesh villageKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The Zlatarski familyKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo = Area Near The City Hall"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo. Muslim Girls On The Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
City panoramaunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of a young womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Folk costumesTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Elena Belkovska's houseKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Women from Peshtani villageKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Taking a restVlajo, CesarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk costumeKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Nadmlin streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an elderly man in folk attireKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Bridge over Maritsa riverKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Firefighter on a roofKarastoyanova, Bilyana BraykovaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Scenes From The Old Market Place In Sarajevo - Measuring Grain"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding rite with cockKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a womanKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The "St. Petar" monasteryKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Ljubuški / Čaršija Žabljak"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in folk attireStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Sarajevo / Strossmayer's Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Shops at the bottom of Kovači streetunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Gabrovo townKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Military funeral procession in Süleyman Seba StreetGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Lady and girl walking on the Akıntıburnu quayGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Street scene in AksarayGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Flea market in EdirnekapıunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Street vendor reading a newspaperunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Children posing on the staircase of the Tayyare apartment buildingunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Tayyare apartment buildingsunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Female athletes in Taksim StadiumunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Beyazıt Square on the Day of the RepublicunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Firemen in front of a burnt-out wooden house in SultanahmetGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Facade in the airGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Sheep and three lambs near the Egyptian BazaarGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Sheep in the Sütlüce slaughterhouse yardGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Carrying the kurban, BeyoğluGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Flock of sheep by the seaGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Photographer’s shadow on Atatürk BridgeGiz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Visiting Atatürk Bridge under constructionGiz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Line-up on the Atatürk Bridge construction siteGiz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Unveiling of the 'Victor' monument in KalemegdanGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
The Officers' Club buildingGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Enjoying the spring sun in KalemegdanGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Lumberjacks in a winter landscapeGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Film set of 'Za čast otadžbine' in KalemegdanGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.