Outline of Cultural Materials
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- 100 Orientation
- 110 Bibliography
- 120 Methodology
- 130 Geography
- 140 Human Biology
- 150 Behavior Processes and Personality
- 160 Demography
- 170 History and Culture Change
- 180 Total Culture
- 190 Language
- 200 Communication
- 210 Records
- 220 Food Quest
- 230 Animal Husbandry
- 240 Agriculture
- 250 Food Processing
- 260 Food Consumption
- 270 Drink, Drugs, and Indulgence
- 280 Leather, Textiles, and Fabrics
- 290 Clothing
- 300 Adornment
- 310 Exploitative Activities
- 320 Processing of Basic Materials
- 330 Building and Construction
- 340 Structures
- 350 Equipment and Maintenance of BLDGS
- 360 Settelments
- 370 Energy and Power
- 390 Captial Goods Industries
- 400 Machines
- 410 Tools and Appliances
- 420 Property
- 430 Exchange
- 440 Marketing
- 450 Finance
- 460 Labor
- 470 Business and Industrial Organization
- 480 Travel and Transportation
- 490 Land Transport
- 500 Water, Air, and Space Transportation
- 510 Living Standards and Routines
- 520 Recreation
- 530 Arts
- 540 Commercialized Entertainment
- 550 Individuation and Mobility
- 560 Social Stratification
- 570 Interpersonal Relations
- 590 Familiy
- 620 Community
- 640 State
- 650 Government Activities
- 660 Political Behavior
- 670 Law
- 690 Justice
- 700 Armed Forces
- 710 Military Technology
- 720 War
- 730 Social Problems
- 740 Health and Welfare
- 750 Sickness
- 760 Death
- 770 Religious Beliefs
- 780 Religious Practices
- 790 Ecclesiatical Organization
- 820 Ideas about Nature and Man
- 850 Infancy and Childhood
- 870 Education
- 880 Adolescene, Adulthood, and Old Age
- 890 Gender Roles and Issues
290 Clothing > 292 Special Garments
Number of entries found: 294
Studio portrait of Pera Dobrinović in character as 'Midas' from the play 'Die schöne Galathée'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in rural clothesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Inside the Girls' High School (Više djevojačke škole)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Folk Costumes From Herzegovina"Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Dušan M. SpasićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pantelija Ž. JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Dr. Vladan ĐorđevićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Elegant people walking in Kalemegdan ParkSimić, Aleksandar-AcaCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Studio portrait of a man in folk costumeStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Artillerie serbe sur l'offensive à Novatsi"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vela Nigrinova in character as 'Madame Sans-Géne'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Radivoje Bojović and a friendJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Milica RadovanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio photograph of Vuka RadulovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Sojka GarašaninJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Princess Maria Luisa of Bourbon-ParmaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Draga SpasićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Mita Kradić'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a soldierJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pavle MarinkovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Mihailo Obrenović III, Prince of SerbiaStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zorka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character from the play 'Nov Komad'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a ballerinaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Pierre'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"L'entrée triomphale de l'armée Serbe à Bitol"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Vignetted portrait of a man in uniform with a capJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Outdoor group photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character from the play 'Riđokosa'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk dress from PožarevacJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and two girlsJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character from the play 'Bunjevka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Milutin Kovačić and his bride Živka SirotanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of four Muslim representativesunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character from the play 'Majka Todorka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ljubica Ava'kum'ovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Mihailo, Serbian Metropolitan and Archbishop of BelgradeJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Young woman in town attire and 'libade'Stojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Adriana BudevskaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Vignetted portrait of a womanJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Photographic reproduction of a lithograph depicting Mihailo Obrenović III, Prince of SerbiaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in uniformJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Le Drapeau du regiment"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Jovan' from the opera 'Jovančini svatovi'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Queen Draga ObrenovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Fanka and Georgi KuzmanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of childrenJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of Izidor PoljakunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Ana and Pantelija JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actress Olga IlićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Lujka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Kosta and Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ljubica PavlicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Engagement portrait of Nevyanka TodorovaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović as 'Srećko Korenić'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photograph of an unknown coupleJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Dragomir "Gidra" PavlovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Introductory lesson in the Girls' High School (Više djevojačke škole)Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manRickert, AntonCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in character as 'Aunt Mariota' in the play 'Dorćolska posla'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of young Officer MileJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Les Femmes de Yadar"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of Oberst Eugen Freiherr von AlboriTürk von Ramstein, OthmarCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Major Mih. MihailovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photograph of Milan Vujić' brideJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Donka Toneva Kraycheva and Ivan Konev KarandzhulovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an in-law of Darinka and Svetozar Zorić'sJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a coupleJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Vignetted head shot of a young man in uniformJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Outdoor photograph of a group of court marshals and men in civic clothesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character from the play 'Majka Todorka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Kosara Knez-MilojkovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Dušan JovanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an actor in in character as an Ottoman in the play 'Miloš Obilić'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio wedding portraitKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Maria Manolova-DimitrovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Bosiljka Vuletić-RizovJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Engagement portrait of Zora Pavlović and Kosta HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actress Olga IlićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Cadet Živojin Jov.Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Milorad PetrovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Nurudin-beg AzapagićSchädler, AntonCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actress Vela Nigrinova as 'Ljubica'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Maria Dagorova-GerdzhikovaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Spectacles in the streetSchneeweis, EdmundCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Stojan G. SimićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Nikica' from the play 'Stari Baka i njegov sin husar'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Artillery Lieutenant Milan A. JovičićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Outdoor photograph of a girls' school classJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of Darinka Sirotanović and her daughters Bosiljka and BrankaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as a librarianJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a boyJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a girl in oriental clothesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Rada ŠarićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Kir Janja'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actress Zorka Todosić in character as 'Bettina', the mascotJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ljubica RiznićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Folk Costumes From Herzegovina"Topič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photograph of Ilija and Leposava JovčićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Ana and Pantelija JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of Radomir and Bosa Bojović and their daughtersJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of General Vladimir Vazov and Mara GoranovaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Ladies at a barGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Studio portrait of a woman and a boyJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Milivoj DjordjevićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actor and singer Raja Pavlović in character as 'Knez od Semberije'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Leposava and Vlajko ConićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"L'armee serbe en retraite sur Kossovo"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of King Petar I of SerbiaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young woman wearing a 'zubun'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of King Aleksandar I of SerbiaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of King Aleksandar I of Serbia and his bride Queen DragaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actress Draga SpasićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Head shot of a young woman in traditional Serbian town attireJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Bulgarian bride"Stojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio wedding portrait of Fanka and Georgi KuzmanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actress Desanka Đorđević in character from the play "Mam'zelle Nitouche"Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character from the play 'Die Goldene Spinne'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Milenko MilenkovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Le cantonnement de lʹartillerie Serbe en Albanie"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character from the play 'Žene u ustavnom životu'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photograph of Leposava and Vlajko ConićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'General Adam' from the play 'Bogat majdan'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character from the play 'Riđokosa'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Girl in Hungarian national dressJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in folk costumeStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"L'attaque"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'The Fool' from the play 'King Lear'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actress Vela Nigrinova in character as 'Ljubica'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vela Nigrinova posing as 'Madame Sans-Géne'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vitomir A. Bogić playing 'Hamlet'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photograph of Milorad Milošević and his brideJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of two men and a boyStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Prince Alexandr Mikhailovich Dondukov-KorsakovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the siblings Miloš and Roksanda BatarićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Artillery Lieutenant Dragutin K. KušakovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio photograph of LjubicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in Vlach folk dressJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Official wedding portrait of King Aleksandar I of Serbia and his bride Queen DragaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vuka Radulović in three-quarter profileJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
King's Speech of Prince Ferdinand I of BulgariaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Grga'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vela NigrinovaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of a man dressed in folk attireStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Cadet Živojin Jov.Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Scene from an art exhibitionSimić, Aleksandar-AcaCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Studio portrait of Colonel Radivoje Bojović, his wife Bosiljka, their child and Bosiljka's siblings Zorka and Kosta HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a boy named VlaskojeJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of the Sarajevo police garrisonWalenta, FranzCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Dragutin PokornýJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Ruža and MilošJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vitomir A. Bogić in character as 'Hamlet'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character from the play 'Nov Komad'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Vignetted portrait of a woman in traditional Serbian town attireJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actor Milorad Petrović in character as 'Hajduk Veljko'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Milena and Kosta PopovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in urban clothesKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of four menSchädler, AntonCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Midas' from the play 'Die schöne Galathée'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ana and Pantelija JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vuka RadulovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Wrestling"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Lujka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Natalia Veleva and Georgi GeorgievKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Colonel Radivoje BojovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Pantelija'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Lujka VlajićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actress Zorka TodosićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Ilia Dimitrov LepavzovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in traditional Serbian town attireJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"En AlbanieMarjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Le Dernier salut"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in uniformJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Rural wedding photographKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman in traditional Serbian town attireJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Valentin'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
General Ranko AlimpićStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ms. Sara ArsenijevićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actor and singer Raja Pavlović in character as 'Knez od Semberije'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actor Pera Dobrinović in characterJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man and three women in folk attireStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zorka and Zora HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Sava Todorović, Milorad Petrović and photographer Milan JovanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the brothers Sava and Aleksander OgnyanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a completely veiled womanTopič, FrantišekCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Mihailo P. JovanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Cadet Lazar PavlovićStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character from the play 'Bunjevka'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Milorad Petrović in a theater playJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Melanija (Lenika) RiznićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Paja' from the play 'Pop Dobroslav'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a man in uniformJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a priest and his daughterJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Ferdinand I with ministers, deputies and guests from RussiaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman with babyJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the King's first aide-de-camp, General Laza PetrovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Milan A. MedovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ms. RoksandaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actor Milorad Petrović in character as 'Miloš Obilić' from the eponymous playJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a woman and a of baby in a christening gownJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Milorad PetrovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Katarina Hadži PopovićJovanović, AnastasCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a Muslim prayerunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Lebrecht' from the play 'Ultimo'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
The Plovdiv Regional CourtKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Ana and Pantelija JurišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photograph of Milorad and Ljubica Pavlović, née JovanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
"Liomha – Pont sur la rivière 'Drima blanche' – Brouch"Marjanović, RistaCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio wedding portraitKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Outdoor photograph of a group of court marshalsJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vela Nigrinova in character as 'Joan of Arc'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of three women in traditional dressJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of a coupleStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of architect Momir KorunovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of an Orthodox priestPatzelt, JohannCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Miloš Cvetić in character as 'Stefan Nemanja'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Young woman in traditional Serbian town attireJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Pera Dobrinović in character as 'Miša' in the from 'Čizmar kao vampir'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Alexander Joseph, Prince of BulgariaStojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Major Mihajlo RašićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Natalija JoksimovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a coupleJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Group portrait of the Horstig and Bojović familiesJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Montenegrin general, clan chief and writer Marko Miljanov PopovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Ljubica Stojanović and her motherJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Milorad Petrović in a theater playJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of the Archbishop of Belgrade and the Serbian Metropolitan MihailoJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Vignetted three-quarter portrait of Stevan and Jelena IlićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photographJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of childrenJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Cadet Živojin Jov.Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Vanya LeventoKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
A page from a family albumEmbah; Karastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Princess Julija ObrenovićStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Vignetted portrait of a man in uniformJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Zorka HorstigJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding photograph of Ana Lindren and Radi TsonzarovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a boy and a girlJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a girl in traditional attireJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actress Ljubica PavlicaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Funeral service for Lieutenant Nikola BoyadzhievKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a manKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Dr. Vladan ĐorđevićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of actress Ljubica Pavlica in character as 'Anísya'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Princess Eudoxia of Bulgaria with children from the kindergarden named after herKarastoyanov, Bozhidar DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Children in folk dressJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Wedding portrait of Nevyanka and Atanas EnchevKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of a young officerJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Studio portrait of Sofija NenadovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Elderly woman holding a childStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
Portrait of a young girl in Süleyman Seba StreetGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Military funeral procession in İstiklal StreetGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Young girls posing in front of a staircaseGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Secondary school graduationGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Diplomatic corps in front of the CathedralGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Well-wishers on the King's birthday in front of the Belgrade Municipality buildingGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
'Svetlost' delegation from the Kruševac region in front of the National TheatreGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Catholic peasant couple in BaščaršijaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Two girls in SokbunarAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Ladies' private teferič, RogaticaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Fruit vendor in BaščaršijaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Day labourers at Sebilj Fountain IAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Day labourers at Sebilj Fountain IIAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Roma woman with a child on a muleAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Day labourers resting in a kahvaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Lady with a parasol in MihrivodeAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Mahala fashionAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Funeral procession in SargadžijeAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Catholic peasant girl in BaščaršijaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Catholic peasants in BaščaršijaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Catholic peasant youths at the tram stationAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Catholic peasant and girl in BaščaršijaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Two ladies in a gardenAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
In front of the family homeAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Orthodox peasant in BaščaršijaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Baščaršija market scene with an orthodox manAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
View of the Vijećnica from the corner of Inat KućaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Roma man with Sarajevo panoramaAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Street scene in KujundžilukAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Passers-by in front of greengrocer's shopAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Baščaršija cattle dealer in motionAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Bosniak woman passing Višegrad GateAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
'Ghost' in front of a bazaar shopAkšamija, Alija M.Collection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
Serbian acrobat and film director Dragoljub Aleksić (1900–1985)Collection BACI: Balkan Cinema