University of Basel

Visual Archive Southeastern Europe

Outline of Cultural Materials

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  1. 100 Orientation
  2. 110 Bibliography
  3. 120 Methodology
  4. 130 Geography
  5. 140 Human Biology
  6. 150 Behavior Processes and Personality
  7. 160 Demography
  8. 170 History and Culture Change
  9. 180 Total Culture
  10. 190 Language
  11. 200 Communication
  12. 210 Records
  13. 220 Food Quest
  14. 230 Animal Husbandry
  15. 240 Agriculture
  16. 250 Food Processing
  17. 260 Food Consumption
  18. 270 Drink, Drugs, and Indulgence
  19. 280 Leather, Textiles, and Fabrics
  20. 290 Clothing
  21. 300 Adornment
  22. 310 Exploitative Activities
  23. 320 Processing of Basic Materials
  24. 330 Building and Construction
  25. 340 Structures
  26. 350 Equipment and Maintenance of BLDGS
  27. 360 Settelments
  28. 370 Energy and Power
  29. 390 Captial Goods Industries
  30. 400 Machines
  31. 410 Tools and Appliances
  32. 420 Property
  33. 430 Exchange
  34. 440 Marketing
  35. 450 Finance
  36. 460 Labor
  37. 470 Business and Industrial Organization
  38. 480 Travel and Transportation
  39. 490 Land Transport
  40. 500 Water, Air, and Space Transportation
  41. 510 Living Standards and Routines
  42. 520 Recreation
  43. 530 Arts
  44. 540 Commercialized Entertainment
  45. 550 Individuation and Mobility
  46. 560 Social Stratification
  47. 570 Interpersonal Relations
  48. 590 Familiy
  49. 620 Community
  50. 640 State
  51. 650 Government Activities
  52. 660 Political Behavior
  53. 670 Law
  54. 690 Justice
  55. 700 Armed Forces
  56. 710 Military Technology
  57. 720 War
  58. 730 Social Problems
  59. 740 Health and Welfare
  60. 750 Sickness
  61. 760 Death
  62. 770 Religious Beliefs
  63. 780 Religious Practices
  64. 790 Ecclesiatical Organization
  65. 820 Ideas about Nature and Man
  66. 850 Infancy and Childhood
  67. 870 Education
  68. 880 Adolescene, Adulthood, and Old Age
  69. 890 Gender Roles and Issues

> 200 Communication

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Number of entries found: 87

  1. "Village Gorublyane. Bridge over Iskar river."Print versionTEI version"Village Gorublyane. Bridge over Iskar river."Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  2. "Fabric for cardboard and wrapping/brown paper Jaques-Vegeli, Kostenets-Banya."Print versionTEI version"Fabric for cardboard and wrapping/brown paper Jaques-Vegeli, Kostenets-Banya."Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  3. Studio portrait of Pavle MarinkovićPrint versionTEI versionStudio portrait of Pavle MarinkovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  4. Street life at Šeher-Ćehajin Bridge and Mustaj-pasha's squarePrint versionTEI versionStreet life at Šeher-Ćehajin Bridge and Mustaj-pasha's squareunknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  5. No. 52: Studio portrait of the married couple Krastyo and Radka KrasteviPrint versionTEI versionNo. 52Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  6. Greetings from SamokovPrint versionTEI versionGreetings from SamokovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  7. Studio portrait of actress CocaPrint versionTEI versionStudio portrait of actress CocaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  8. "Scenes From The Old Market Place In Sarajevo"Print versionTEI version"Scenes From The Old Market Place In Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  9. Studio portrait of Petko SlaveykovPrint versionTEI versionStudio portrait of Petko SlaveykovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  10. Studio portrait of two men in folk attirePrint versionTEI versionStudio portrait of two men in folk attireKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  11. Studio portrait of Branislav NušićPrint versionTEI versionStudio portrait of Branislav NušićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  12. Outdoor eventPrint versionTEI versionOutdoor eventTausch, WalterCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  13. "State Horse Stud in Kabiyuk. The horned cattle stable"Print versionTEI version"State Horse Stud in Kabiyuk. The horned cattle stable"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  14. "Chancellery of the Russian Governor in Svishtov 1878."Print versionTEI version"Chancellery of the Russian Governor in Svishtov 1878."Stojanović/Karastoyanov, Anastas Nikolov; Karastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  15. Studio portrait of journalist Lazar KomarčićPrint versionTEI versionStudio portrait of journalist Lazar KomarčićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  16. The PostPrint versionTEI versionThe PostKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  17. Studio portrait of writer Milovan GlišićPrint versionTEI versionStudio portrait of writer Milovan GlišićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  18. Studio portrait of stage actress CocaPrint versionTEI versionStudio portrait of stage actress CocaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  19. Studio group portrait of Ivan Geshov, Georgi Yankolov, Haralampi Sarmadzhiev and Evlogii PulevPrint versionTEI versionStudio group portrait of Ivan Geshov, Georgi Yankolov, Haralampi Sarmadzhiev and Evlogii PulevKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  20. Studio portrait of Dobri VoynikovPrint versionTEI versionStudio portrait of Dobri VoynikovStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  21. Selahattin Giz in football dressPrint versionTEI versionSelahattin Giz in football dressGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  22. Studio portrait of stage actress CocaPrint versionTEI versionStudio portrait of stage actress CocaJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  23. Celebrating the arrival of a new agricultural machinePrint versionTEI versionCelebrating the arrival of a new agricultural machineKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  24. Studio portrait of Jovan DragaševićPrint versionTEI versionStudio portrait of Jovan DragaševićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  25. Studio portrait of Katarina MilovukPrint versionTEI versionStudio portrait of Katarina MilovukJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  26. Studio portrait of Petar IvanovPrint versionTEI versionStudio portrait of Petar IvanovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  27. Studio portrait of Stefan Tanev, Atanas Damyanov, and IkonomovPrint versionTEI versionStudio portrait of Stefan Tanev, Atanas Damyanov, and IkonomovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  28. Todor KozhuharovPrint versionTEI versionTodor KozhuharovKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  29. Sports scene from the Second Slav FairPrint versionTEI versionSports scene from the Second Slav FairKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  30. Studio portrait of Bogdan PopovićPrint versionTEI versionStudio portrait of Bogdan PopovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  31. Studio portrait of Vitomir A. Bogić playing 'Hamlet'Print versionTEI versionStudio portrait of Vitomir A. Bogić playing 'Hamlet'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  32. Postcard from the Pernik minePrint versionTEI versionPostcard from the Pernik mineKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  33. Vignetted portrait of Darinka and Steva JovanovićPrint versionTEI versionVignetted portrait of Darinka and Steva JovanovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  34. Postcard from SofiaPrint versionTEI versionPostcard from SofiaKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  35. Studio portrait of poet Lazar KostićPrint versionTEI versionStudio portrait of poet Lazar KostićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  36. Studio portrait of poet Dragutin J. IlićPrint versionTEI versionStudio portrait of poet Dragutin J. IlićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  37. Studio portrait of Second Lieutenant MazakovPrint versionTEI versionStudio portrait of Second Lieutenant MazakovKarastoyanov, Ivan Anastasov; Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  38. Studio portrait of Stoyan ZaimovPrint versionTEI versionStudio portrait of Stoyan ZaimovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  39. Studio portrait of Branislav NušićPrint versionTEI versionStudio portrait of Branislav NušićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  40. Studio portrait of poet Jova IlićPrint versionTEI versionStudio portrait of poet Jova IlićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  41. Studio portrait of Pavle MarinkovićPrint versionTEI versionStudio portrait of Pavle MarinkovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  42. Studio portrait of Branislav NušićPrint versionTEI versionStudio portrait of Branislav NušićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  43. Studio portrait of Vitomir A. Bogić in character as 'Hamlet'Print versionTEI versionStudio portrait of Vitomir A. Bogić in character as 'Hamlet'Jovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  44. Studio portrait of Ekaterina ZlatoustovaPrint versionTEI versionStudio portrait of Ekaterina ZlatoustovaKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  45. "Salut de l'Orient"Print versionTEI version"Salut de l'Orient"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  46. Studio portrait of Evtimia StanishevaPrint versionTEI versionStudio portrait of Evtimia StanishevaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  47. Studio portrait of Racho SlaveykovPrint versionTEI versionStudio portrait of Racho SlaveykovKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  48. Studio portrait of journalist Radoje RadojlovićPrint versionTEI versionStudio portrait of journalist Radoje RadojlovićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  49. Studio portrait of Milica Ribnikar and a friendPrint versionTEI versionStudio portrait of Milica Ribnikar and a friendJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  50. Studio portrait of Milivoj PredićPrint versionTEI versionStudio portrait of Milivoj PredićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  51. Studio portrait of Olga Simeonova and Kostika StanchovPrint versionTEI versionStudio portrait of Olga Simeonova and Kostika StanchovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  52. Studio portrait of Sofija "Coca" DjordjevićPrint versionTEI versionStudio portrait of Sofija "Coca" DjordjevićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  53. Ilija Garašanin, politician and statesmanPrint versionTEI versionIlija Garašanin, politician and statesmanStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  54. Studio portrait of Branislav NušićPrint versionTEI versionStudio portrait of Branislav NušićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  55. Studio portrait of Nikola Mihov, Dr. Racho Angelov and Dr. Petar TsonchevPrint versionTEI versionStudio portrait of Nikola Mihov, Dr. Racho Angelov and Dr. Petar TsonchevKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  56. Studio portrait of the married couple StrashimirovPrint versionTEI versionStudio portrait of the married couple StrashimirovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  57. State horse stable "Kabiyuk"Print versionTEI versionState horse stable "Kabiyuk"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  58. Portrait of Nikola ZaharievPrint versionTEI versionPortrait of Nikola ZaharievKarastoyanov, Bogdan DimitrovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  59. Studio portrait of Stoyan MihaylovskiPrint versionTEI versionStudio portrait of Stoyan MihaylovskiKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  60. Studio portrait of Nikola BatsarovPrint versionTEI versionStudio portrait of Nikola BatsarovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  61. Studio portrait of Lyuben KaravelovPrint versionTEI versionStudio portrait of Lyuben KaravelovStojanović/Karastoyanov, Anastas NikolovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  62. "Sarajevo"Print versionTEI version"Sarajevo"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  63. Greetings from SofiaPrint versionTEI versionGreetings from SofiaKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  64. Studio portrait of Hristo DanovPrint versionTEI versionStudio portrait of Hristo DanovKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  65. Participants at a Samaritan training coursePrint versionTEI versionParticipants at a Samaritan training courseKarastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  66. Studio portrait of three officersPrint versionTEI versionStudio portrait of three officersKarastoyanov, Ivan AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  67. "Pernik. Coal mine"Print versionTEI version"Pernik. Coal mine"Karastoyanov, Dimitar AnastasovCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  68. "Sarajevo. Muslim Girls On The Street"Print versionTEI version"Sarajevo. Muslim Girls On The Street"unknownCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  69. Studio portrait of Sofija "Coca" DjordjevićPrint versionTEI versionStudio portrait of Sofija "Coca" DjordjevićJovanović, MilanCollection VIF: Visualizing Family, Gender Relations and the Body. The Balkans approx. 1860–1950.
  70. Street vendor reading a newspaperPrint versionTEI versionStreet vendor reading a newspaperunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  71. Contested Republican Monument during student demonstration 1933Print versionTEI versionContested Republican Monument during student demonstration 1933Görgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  72. Sabre-swinging mounted police surrounded by protesters, Taksim Square 1933Print versionTEI versionSabre-swinging mounted police surrounded by protesters, Taksim Square 1933Görgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  73. Currency smugglersPrint versionTEI versionCurrency smugglersGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  74. Inquisitive currency smugglerPrint versionTEI versionInquisitive currency smugglerGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  75. Newspaper standPrint versionTEI versionNewspaper standGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  76. Mounted police confront protesters on Yeniçeriler CaddesiPrint versionTEI versionMounted police confront protesters on Yeniçeriler CaddesiGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  77. Police intervene at student demonstration on Taksim 1933Print versionTEI versionPolice intervene at student demonstration on Taksim 1933Görgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  78. Protesters on Taksim SquarePrint versionTEI versionProtesters on Taksim SquareGörgüç, Namık; Giz, SelahattinCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  79. Young man greeting a crowd in GalataPrint versionTEI versionYoung man greeting a crowd in GalataGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  80. A fiery speech in GalataPrint versionTEI versionA fiery speech in GalataGörgüç, NamıkCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  81. Namık Görgüç and Selahattin GizPrint versionTEI versionNamık Görgüç and Selahattin GizunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  82. Selahattin Giz in GalataPrint versionTEI versionSelahattin Giz in GalataunknownCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  83. Vreme book shopPrint versionTEI versionVreme book shopGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  84. Film set of 'Za čast otadžbine' in KalemegdanPrint versionTEI versionFilm set of 'Za čast otadžbine' in KalemegdanGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  85. Archpriest Pera Marković blessing an airplanePrint versionTEI versionArchpriest Pera Marković blessing an airplaneGrdijan, SvetozarCollection SIBA: A Visual Approach to Explore Everyday Life in Turkish and Yugoslav Cities, 1920s and 1930s.
  86. Newspaper reports about cinema in Belgrade 1896–1897Print versionTEI versionNewspaper reports about cinema in Belgrade 1896–1897Collection BACI: Balkan Cinema
  87. Serbian cinema-owners and film producers Boža (1862–1927), Pera (1868–1925) and Svetolik (1874–1944) SavićPrint versionTEI versionSerbian cinema-owners and film producers Boža (1862–1927), Pera (1868–1925) and Svetolik (1874–1944) SavićCollection BACI: Balkan Cinema