Studio portrait of Zora HorstigVisualizing Family, Gender Relations, and the Body. The Balkans approx. 1860-1950Ana DjordjeviceditorCentre for Southeast European History, University GrazCentre for Information Modelling in the Humanities, University Grazo:vase.1239Muzej Primenjene UmetnostiMuseum of Applied Art20170Special GarmentsClothingClothing ManufactureClothingAdornmentMarketingBankingFinanceDivision of Labor by GenderLaborBusiness and Industrial OrganizationPersonal NamesIndividuation and MobilityStatus, Role, and PrestigeIndividuation and MobilitySocial StratificationFamiliyStatePolitical BehaviorWarPhilanthropic FoundationsHealth and WelfareGender Roles and IssuesSerbiaBelgradeBelgrade20.46513,44.80401PhotographPhotographer1900-1902MilanJovanovićJovanović, MilanFull-length profile portrait of a woman. She is leaning against a high cloth-covered table in front of a dark curtain. She is wearing a short-sleeved, patterned, ankle-length dress and a shawl. Her hair is adorned with flowers.Zora Horstig, née Pavlović, was the daughter of Mihajlo Pavlović, who was the owner of one of the greatest textile factories of his time in Belgrade and also Governor of the National Bank. Her contemporaries used to call her 'Pretty Ms. Horstig'. She married Kosta Horstig, who was an artillery officer and descendant of an old Prussian family. Kosta's father Paul von Horstig (Pavle Horstig) moved to Serbia after the Franco-Prussian War, where he became representative of Krupp and allegedly also one of the founders of freemasonry in Serbia. Kosta and Zora had two daughters, one of them named Olga.Not specifiedNot specified280120SerbiaBelgrade