Studio portrait of Lujka VlajićVisualizing Family, Gender Relations, and the Body. The Balkans approx. 1860-1950Ana DjordjeviceditorCentre for Southeast European History, University GrazCentre for Information Modelling in the Humanities, University Grazo:vase.1080Muzej Primenjene UmetnostiMuseum of Applied Art14152Leather IndustryLeather, Textiles, and FabricsAdornmentVisual ArtsArtsPersonal NamesIndividuation and MobilityStatus, Role, and PrestigeIndividuation and MobilitySocial StratificationFriendshipsInterpersonal RelationsIdeas about Nature and ManSerbiaBelgradeBelgrade20.46513,44.80401PhotographPhotographer1910.05.09MilanJovanovićJovanović, MilanFull-length portrait of a young woman in half profile. She is dressed like a gypsy with playing cards attached to her skirt. She is looking down into a fanned-out deck of cards which she is holding.Lujka Vlajić, who married Agostin (Ago) Bukovac, son of the famous Croatian realist painter Vlaho Bukovac (1855, Cavtat – 1922, Prague), was the daughter of Zorka Vlajić, née Miljković, president of the Maternity Association, founded in 1904. Lujka's brother, Božidar Vlajić (1888–1974), was to become a famous politician (member of the Yugoslav Democratic Party) in interwar Yugoslavia. After WWII he remained in Great Britain as an emigrant (the Communist Party, which came into power, banned the Democratic Party; its members were persecuted). He was one of the founders of the "Democratic Alternative".Not specifiedBoudoir190127SerbiaBelgrade